This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Actors Tane Williams-Accra and Ngahuia Piripi joined Shortland Street in 2015, as ambulance driver Ali Karim and Nurse Esther Samuels. Here they introduce their favourite Shortie storyline: the one involving Ferndale Strangler Joey Henderson (Johnny Barker). Cut from a longer clip which is viewable on NZ On Screen, the finale has the formerly sympathetic nurse and recently discovered serial killer escaping to the rooftop, where he is tackled by flatmate Kieran Mitchell (Adam Rickitt). When the police show up and make Kieran let go, Joey takes fate into his own hands.
In this interview publicising 1996 comedy The Birdcage, Robin Williams turns his humour settings to a surprisingly low level. Quizzed on matters political by Holmes reporter Ewart Barnsley, Williams argues that politically correct people can display the “same kind of repressive tendencies” as others, and admits that the portrait of homosexual parents in the Mike Nichols-directed comedy could be offensive to both gays and straights. But, he adds, the majority of viewers "go and laugh their ass off and find some common ground and humanity in it”.
With his soulful pop and sexually ambiguous image, Mark Williams was a sensation in 1975 as he topped the singles chart with 'Yesterday Was Just The Beginning Of My Life' and followed it with NZ's best selling pop/rock album of the decade. By 1979, he was based in Australia but he returned home to record this TVNZ special in a Wellington night club. The image is toned down but, backed by a seasoned band, Williams puts in an energetic and polished performance (which includes 'Yesterday' and his other number one 'It Doesn’t Matter Anymore').
Subjects that have gone before cinematographer Marty Williams’ lens range from landscapes to South Auckland Shakespearians The Black Friars. Williams was a prolific shooter for arts shows The Gravy and The Living Room, and shared a Best Cinematography Qantas Award for maverick lawyer documentary Lost in Wonderland. Sometimes credited as Martyn Williams, the South Seas Film and TV School graduate also framed gang member OE short Day Trip, along with acclaimed work on adverts (often collaborating with director Mark Albiston) and music videos (Phoenix Foundation, Little Bushman).
Veteran cameraman Waynne Williams, MNZM, has shot everything from the Vietnam War and French nuclear testing to the Christchurch quake, TV drama Pukemanu and Australian movie The Box. Over more than half a century, Williams has worked on over 10,000 news stories. The Christchurch-based lensman runs Port Hills productions with partner Anne Williams.
Brooke Williams began taking acting lessons at the age of four. At 17 she acted for director Colin McColl in The Cherry Orchard. Since then the 2006 Toi Whakaari graduate has won awards after starring in Romeo and Juliet, and contributed a trio of memorable roles on television: as Van's Russian bride on Outrageous Fortune, depressed Norse goddess Eva on The Almighty Johnsons, and icy PA Lana Jacobs on Shortland Street.
Veteran presenter Peter Williams has been working continuously in broadcasting ever since starting in radio as a teen. In 1979 he joined TV One as a sports show host and commentator, and went on to present from the Olympics and the Rugby World Cup. In the mid 90s the longtime cricket fan began a move into news; these days he reads the news on Breakfast and for primetime weekend bulletins on TV One.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.