Memories of service   everard otto key

Memories of Service 2 - Everard Otto

Web, 2016 (Full Length)

World War II veteran Everard Otto joined the territorials at 18, helping supply Americans troops based in New Zealand. But his real war story began when he turned 21 and was sent overseas. He eventually arrived in Italy as a staff car driver. Mostly behind the lines, Otto’s memory of service is based around the brutal battles for Monte Cassino, watching the cruel fighting and bombing that razed the famous hilltop monastery. Returning decades later he found the countryside largely unchanged. He even found the dugout where he spent four eventful months.

Behind our planes key image

Behind Our Planes

Short Film, 1942 (Full Length)

This wartime propaganda film from the NFU celebrates the role of women in the Air Force. Established in 1941 to free up men for other duties, more than 4,700 women served in the Women's Auxiliary Air Force during WWII. The film is also a recruitment vehicle. It shows WAAF members in traditional (for the time) roles such as sewing and typing. But more male-dominated jobs are being taken on as women are trained as metal workers, mechanics and drivers. And when they’re not working, the women relax by "knitting, drinking a cup of tea and talking."

137.thumb

The Story of Seven-Hundred Polish Children

Television, 1967 (Full Length)

This 1967 documentary tells the story of 734 Polish children who were adopted by New Zealand in 1944 as WWII refugees. Moving interviews, filmed 20 years later, document their harrowing exodus from Poland: via Siberian labour camps, malnutrition and death, to being greeted by PM Peter Fraser on arrival in NZ. From traumatic beginnings the film chronicles new lives (as builders, doctors, educators, and mothers) and ends with a family beach picnic. Made for television, this was one of the last productions directed by pioneering woman filmmaker Kathleen O'Brien.

4636.thumb

Ngarimu V.C

Television, 1993 (Full Length)

This documentary tells the story of Moana Ngārimu the sole soldier from the Māori Battalion to be awarded (posthumously) the Victoria Cross during WWII. On 26th March 1943, at Tebaga Gap in Tunisia, the Second Lieutenant took a key position and defended it (as well as injured men) overnight, before being killed in a counter-attack. He was 24. The doco was made for TVNZ for the 50th anniversary of his death. It looks at his life and features moving archive and interviews with Ngārimu's friends and family in Ruatoria, and battalion comrades. Presented by Wira Gardiner.

The years back   the italian campaign key image

The Years Back - 6, The Italian Campaign (Episode Six)

Television, 1973 (Full Length Episode)

In this The Years Back episode Bernard Kearns charts New Zealand's 6th Brigade and Maori Battalion as they fight their way through Italy between 1943 and 1945. Reaching Monte Cassino in 1944, the force suffered 1600 casualties in 12 weeks of bitter fighting. Using NFU pictures, the documentary traces the advance north after Cassino falls, and includes the bloodless capture of Padua and the setting up of the New Zealand Forces Club in the best hotel in Venice. The documentary ends with Kiwi forces facing down Tito's Yugoslav partisans in Trieste.

Memories of service   series two compilation thumb

Compilation 2 - Memories of Service 2

Web, 2016 (Full Length)

This compilation episode culls stories from nine new Memories of Service interviews. From Crete to Monte Cassino, the war in the Pacific to the Korean War, former servicemen and women tell their tales in fascinating detail. Divided into broad sections ('Enlisting', 'Battles', 'Occupation of Japan'), there are stories of training, narrow escapes, attack from the air, and sad goodbyes. Director David Blyth and Silverdale RSA museum curator Patricia Stroud’s series of interviews are a valuable archive of a period rapidly fading from memory.

4552.thumb

Country Lads

Short Film, 1941 (Full Length)

Produced by Stanhope Andrews, Country Lads was used to advocate for a reorganised government filmmaking body to publicise the war effort, before screening in cinemas as the first National Film Unit production. Lads shows footage of soldiers as they leave for the front. Adolf Hitler had called the Kiwi soldiers "poor deluded country lads"; but here the description is co-opted as a compliment. A national character is expressed — pioneers who had "helped make this country what it is: happy, prosperous and free" — and is used to underpin the soldiers' mission.

Pictorial parade no.96 key image

Pictorial Parade No. 96 - The New Army

Short Film, 1960 (Full Length)

An edition of the Pictorial Parade magazine-film series, 'The New Army' provides a short potted history of Kiwis in combat overseas, from World War I to the then-current Malayan Emergency. From the First New Zealand Expeditionary Force being reviewed by King George V in England, through desert warfare and island hopping in World War II, to the New Zealand Regiment's 2nd Battalion training for jungle warfare. The reel finishes with the battalion displaying new weapons and techniques, before parading through Wellington and embarking for Malaya.

New zealand munitions key image

New Zealand Munitions

Short Film, 1941 (Full Length)

New Zealand Munitions was the 26th National Film Unit effort, and the longest made in the Unit's first year. The NFU was established in August 1941 to make films illustrating New Zealand's war effort. Completed in December of that year, this is a classic propaganda piece. As World War II intensifies, New Zealanders are reassured that the country has the heavy industry required to supply its army. Factories are converted to wartime needs and munitions pour out. A suitably bellicose script informs viewers "This is our striking power: men and munitions."

11102.01.key

Saving Face

Television, 2009 (Excerpts)

The trenches of World War I represented warfare on a new scale and produced facial wounds in numbers never seen before. This Top Shelf doco examines the legacy of Sir Harold Gillies and Henry Pickerill — NZ surgeons who founded modern reconstructive plastic surgery while treating these injuries — and of Sir Archibald McIndoe and Rainsford Mowlem who continued this work during World War II. This excerpt focuses on Gillies and Pickerill, and the rediscovery of the remarkable surgical models, and watercolour paintings of their patients, they used as teaching aids.