Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
The timeline for building Barcelona cathedral La Sagrada Família spans decades. Architect Antoni Gaudí died in 1926, when it was less than a quarter complete. In 1992 arts show Sunday talked to Kiwi Mark Burry, a longtime principal architect on the famed basilica. Burry talks about being won over by Gaudí at university — when Gaudí was out of vogue — working on the project remotely, and trying to understand Gaudí's intentions for a design that has evolved with time. Meanwhile narrator Ray Henwood waxes lyrical over images of the cathedral and other Gaudí creations.
This 1991 story from magazine show Sunday profiles Logan Brewer: production designer on Kiwi TV classics (C’Mon, Hunter’s Gold), and producer of Terry and the Gunrunners and live ‘spectaculars’ like the 1990 Commonwealth Games opening ceremony. He talks through his career: learning about performing at England's National Theatre, and selling Aotearoa as “the last paradise” for Expo '92 in Seville — for which he is shown wrangling an extended shot of Kiri Te Kanawa and the NZ Symphony Orchestra, promoting fibreglass pohutukawa, and working with designer Grant Major.
Good Day was launched in March 1978 to succeed Today at One with producer Tony Hiles promising "an entertaining magazine programme with the magazine aspect spread over the whole week". The Avalon based show, which ran for two years, aired at 1pm on weekdays and featured regular reports and human interest stories from around the regions, studio interviews, book and film reviews, and consumer, arts and gardening segments. Political journalist Simon Walker was an early staffer while Dylan Taite contributed reports from Auckland.
In this Good Day interview, Alison Parr talks to Sir Edmund Hillary as he discusses From the Ocean to the Sky, a book about his 1977 jet boat mission up India's holy river, The Ganges. A reflective Sir Ed talks adventure, spirituality and his 'escapist' relationship with Nepal; and Parr probes him on his reluctance to include single women on expeditions. On a more outspoken note, he expresses his dismay at a lack of "positive, inspirational leadership" in contemporary NZ in what is arguably a barely disguised attack on the style of Prime Minister Rob Muldoon.
Wellington band The Black Seeds present the debut episode in this TV series profiling creative Kiwi culture. They begin by going behind the scenes on their action-packed music video Hey Son (with Bret McKenzie donning a Captain Cook meets Freddie Mercury number). There’s an early profile of Auckland graffiti/ streetwear artist Misery (complete with cycle interview, and cameo from artist Elliot 'Askew' O'Donnell), London-based Ta Moko artist Te Rangitu Netana talks about life away from home, and tattooing Robbie Williams; and there’s a piece about skateboarding mag Manual.
Nightly magazine-style show Town and Around played on New Zealand screens during the second half of the 60s. Hosted by Peter Read, this end-of-1968 special from the Wellington edition showcases highlights from over 500 items that year. The concentration is on lighter material, most famously a hoax piece on a farmer who puts gumboots on his turkeys. In another piece reporter John Shrapnell discovers that locked cars in the city tend to be the exception. Also featured: an interview with entertainer Rolf Harris, and an impromptu Kiwi street-Hamlet.
Over nearly two decades and almost 9000 hours of TV time, Good Morning was a TVNZ light entertainment mainstay, airing on weekdays from 9am on TV One. Filmed at Wellington’s Avalon Studios for most of its run, the magazine show ranged from advertorials for recipes and home appliances to news, film reviews, aerobics, interviews, and … hypnotism. Presenters included inaugural host Liz Gunn, Mary Lambie (with her cat Lou), Sarah Bradley, Brendon Pongia, Steve Gray, Hadyn Jones, Lisa Manning, Rod Cheeseman, Jeanette Thomas, Matai Smith, and Astar.
Mai Time was an influential magazine show for Māori youth, screening for a decade on Saturday mornings on TV2. This episode looks at the place of ta moko (tattoo), interviewing Robert Ruha, a 27-year-old with a full-face moko. Mai Time crew visit Otara Music Arts Centre, a Matariki exhibition at Whaingaroa (Raglan), and then artist Lisa Reihana finds “more mean art by the sea”: Brett Graham and Rachel Rakena’s Aniwaniwa exhibition at the 52nd Venice Biennale. Aptly, the artwork explores the 1947 flooding of the village of Horahora for a hydroelectric scheme.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for New Zealand music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the light on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who would go on to make another arts showcase, The Gravy. Amidst the calvacade of Kiwi talent, Flight of the Conchords and musician Ladi6 made early screen appearances.