City Life follows a tight-knit group of apartment-dwelling twenty-somethings (lawyers, bartenders, drug dealers, art dealers, et al) on the emotional merry-go-round of urban living. Created by James Griffin, the television series was an effort to create popular drama relevant to contemporary Auckland city life and to appeal to a Gen X demographic – to inject Melrose Place into Mt Eden. A bevy of Kiwi acting talent drink, dramatise and prevaricate to a soundtrack of contemporary NZ pop.
After being made redundant, Mike James becomes one of thousands searching for a new employer in Auckland. This episode of documentary series First Hand chronicles the instability faced by the accountant and his family. With their savings dwindling, plans for kids' sports teams and wife Margaret’s prospective tertiary study must be seriously reconsidered. This episode was directed by Seth Keen, who directed further television documentaries (Godzone Sheep) before going on to lecture in new media at the Royal Melbourne Institute of Technology.
This teleplay from writer Greg McGee is a satire of prejudice and the market economy set in the grey, divisive atmosphere of early 1980s New Zealand. Kate Harcourt plays the proprietor of Dot's Terminal Cafe, a cantankerous spinster who rails against 'bludgers' and 'foreigners'. One rain-soaked Wellington night, her lumpen clientele decide to stage a small but telling uprising — with the help of a dead mouse. It screened in early 1982, following the breakout success of McGee’s confrontational take on Kiwi conformity: rugby player losing-his-religion play Foreskin’s Lament.
This 1983 Hamish Keith-presented documentary is subtitled 'Housing New Zealand in the Twentieth Century'. Part two picks up from Michael Joseph Savage’s 1930s state housing scheme. Keith argues that as the emphasis shifted from renting to owning, middle class suburbia became the foundation of Kiwi postwar aspirations. He looks at changing demographics in the cities — as home owners fled on newly built motorways — and argues that the suburban ideal has become bland and out of reach, as New Zealand once again becomes a country of “mean streets and mansions”.
The very last grand final of Homai Te Pakipaki sees ten finalists from across the motu come together to sing their hearts out, with the hope of taking home a $20,000 cash prize (plus phone package). Broadcast live, the raw talent karaoke contest is hosted by Brent Mio and 2008 series winner Pikiteora Mura-Hita, with help from Pakipaki veteran Te Hamua Nikora. The winner is decided by whānau, iwi and the viewers at home via text vote. The guests include 2014 winner Lee Stuart, band Sons of Zion and IDentity Dance Company. There are also short clips of past show highlights.
This 1985 New Zealand tourism promo showcases Aotearoa society and industry. As the title suggests, the NFU-made film offers an impressionistic take on the subject. Bookended by a dawn and dusk chorus, the narration-free survey cuts between primary products (milk, logs, wool etc) and their manufacturing processes, and then shows people at work and play — from futures traders to pounamu carvers, contemporary dancers to cricketers. Date stamps of the era include a mass aerobics class, hydroslide action, and saxophone and guitar solos on the soundtrack.
Cilla McQueen is a poet, teacher, performer and multimedia artist. In 1983 she won the New Zealand Book Award for Poetry and the Jessie MacKay Award for her debut volume Homing In (1982). McQueen has often written about Otago, and in this item she reads poems from the book and draws in varied locales around the region. McQueen also discusses where she sources her inspiration, and explains a creative process which involves stimulus from sight and sound as much as the written word. McQueen later moved to Bluff.
A lack of roles for Asian women inspired three Chinese-Kiwi actors to create a comedy web series starring themselves. JJ Fong, Perlina Lau and Ally Xue play flatmates in Flat3. Roseanne Liang (My Wedding and Other Secrets) directs and writes. In this third season, Perlina is pursued by two ex-boyfriends, "slutty" Jessica struggles to stay on a "no guys diet", while reserved Lee gets swept up by nude model Dan (Dan Cowley). Madeleine Sami (The Breaker Upperers) features as an arrogant acting teacher, while Shavaughn Ruakere (Shortland Street) is a pushy saleswoman.
80s show Close Up had a similar brief to earlier current affairs show Compass: to present mini-documentaries on topical local issues. Stories in the primetime hour-long slot were wide-ranging, from hard news to human interest pieces, including a profile of 25-year-old foreign exchange dealer, future-Prime Minister, John Key. The show won Feltex Awards for most of the years that it was on air. Close Up is not related to the post-nightly news show of the same name, which was hosted by Mark Sainsbury until 2012.
In the 1960s Mr Lee Grant topped the Kiwi music charts, and won a trail of screaming fans. He left to pursue an acting and singing career in England (including a close encounter with a propeller, in 007 film A View to a Kill). In this Michael Fowler Centre gala celebrating 25 years of television downunder, he returns to contribute an energetic cover of Spencer Davis Group classic 'Gimme Some Lovin'' (which was originally composed in less than an hour). Chicks Judy and Sue Donaldson — regular fixtures with Grant on 60s music show C'mon — join the fun in C'mon-style costumes.