A last-minute addition to their 1979 album Graffiti Crimes, 'Computer Games' was a huge hit for Mi-Sex, reaching number one in Australia, two in Canada and five in NZ. Computers and arcade games were a real novelty in 1979 and the band's synth-driven sounds were a perfect match. The video starts with the band breaking into the Sydney data centre for then-supercomputer giant ControlData. Printers spew paper forth, and as the band performs, old school graphics including a driving game and TIE fighters, are projected behind them. Advance one level on green!
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
"Once a band has made it here in Godzone, the big question is: where to now?". As presenter Karyn Hay put it back in 1981, there was only one answer — Australia. RWP reporter Simon Morris headed to Sydney to meet Kiwi musos who'd made it (Marc Hunter, on hiatus from Dragon), and those trying (Sharon O’Neill, Dave McArtney, Mi-Sex's Kevin Stanton, Barry Saunders from The Tigers). Hunter muses on Sydney brashness versus NZ introspection, O’Neill shyly promotes 'Maybe' to Molly Meldrum, and expat music producer Peter Dawkins explains what makes a hit.
Young choreographer Parris Goebel features in the first episode from season four of Māori youth show I AM TV. The series promoted te reo through interviews and music. Vince Harder performs "Say This With Me", Hawaiian reggae band Kolohe Kai hit Aotearoa, and a teen Parris Goebel heads to the United States to audition for TV's America's Best Dance Crew, with her award-winning hip hop group ReQuest Dance Crew. Plus new presenters Taupunakohe Tocker and Chey Milne are introduced by friends and family. I AM TV is the successor of Mai Time, which ran for 12 years.
Mi-Sex moved further into the futuristic sci-fi world signalled by their hit single ‘Computer Games’ with the release of their chart topping second album Space Race in 1980. The lead-off single ‘People’ emerged at a time when the world was still coming to grips with cloning, genetic engineering and test tube babies. The video showcases the band’s well honed combination of techno-pop and the more straight ahead rock’n’roll beloved of Australian pub audiences — with some visual special effects reserved for the future shock of the spoken segment.
The opening sequence of music show Ready to Roll is imprinted on the eyes and ears of many Kiwi music fans. The show jumped directly from the opening graphics to a quick rundown of the week's top 20 singles. Here are two of RTR's beloved openings: the late 70s version is scored to 1974 Commmodores instrumental 'Machine Gun'. In the 80s, Peter Blake's synth number had taken over from funk, and the colours favoured electric neon. The graphics owed a debt to the arcade computer games that followed Space Invaders. The week's featured acts came next, then the countdown.
Taking as its subjects a boy discovering new sounds on the radio and a soundtrack that gives purpose to a woman’s life, ‘Misty Frequencies’ is a soulful hip-hop hymn to the power of music. Che Fu’s music video places the singer and his band in a giant Tetris-like computer game before plugging into a bush setting (locations representing his musical yin and yang of technology and passion?). A magic mushroom prefigures the tree ferns collapsing in a heap of CGI bricks. ‘Misty Frequencies’ won the 2002 APRA Silver Scroll for Che Fu and co-writer Godfrey de Grut.
Mi-Sex owed its success — riding the new-wave scene of the late 1970s and early 80s — to one-time cabaret singer Steve Gilpin's desire for a new musical direction. Convinced there were too many rock acts to compete with, Gilpin evolved the band Fragments of Time into techno-pop rockers Mi-Sex in 1978 (taking the name from an Ultravox song). They put out their first single that year, followed in 1979 by their biggest hit, ‘Computer Games', which topped the Australian charts. Mi-Sex disbanded in 1984. Gilpin died in 1991 after a car accident; the band reformed in 2011 with Noiseworks' Steve Balbi on vocals.
This documentary uses archive footage and interviews to tell the story of motor-racing legends Bruce McLaren, Denny Hulme, and Chris Amon. The trio topped podiums in the sport's 'golden age' — one of those eras when unlikely Kiwi talent managed to dominate a truly global sport. The Team McLaren racing team that four times Grand Prix winner Bruce McLaren founded in 1966, has been the most successful in Formula One. That same year McLaren and Amon teamed up to win the 24 Hours of Le Mans, and in 1967 Hulme was Formula One world champion.
Luke Rowell aka Disasteradio has been fashioning idiosyncratic, futurist computer pop ever since he acquired his first Commodore 64 at age six, taping the game soundtracks with his sister's boom-box. An early adopter of online music distribution, "D-rad" released his album Charisma in 2010 as a free download with optional donation. "Robots will one day enslave the planet, so at least I'm going to go down as a musician who celebrated their existence, and maybe my future offspring shall be spared."