Set in a future where teen gangs control the streets, The Tribe became a global hit at the turn of the millenium. In this second episode, the group have to decide whether they trust Lex enough to let him into the safety of the shopping mall. Lex appears out to prove that he is the resident alpha male, especially after the arrival of Bray (Dwayne Cameron), who has a surprise to spring. For the first season, a group of young people read each script in order to check that The Tribe provided what creator Raymond Thompson called "an accurate interpretation of children's ideas".
Inspired by the mindbending tales of The Twilight Zone and the freedom of a low budget, Jonathan King's stylish yet “modestly budgeted" twister marks his first collaboration with novelist Chad Taylor. King regular Nathan Meister stars as a media executive whose confusions multiply after learning that a strung-out woman (Michelle Langstone) has his wallet. Ain't It Cool News founder Harry Knowles praised the film's canny visions of a future where others control our perceptions of reality. REALITi's five NZ Film Award nominations included Best Self-Funded Film and Screenplay.
The first episode of The Tribe introduces many of the key elements that would capture fans around the globe: including a future where teens rule, and a shopping mall that provides a bolthole from terrifying, colourfully-garbed gangs. After meeting the only occupant, Amber (Beth Allen) decides the mall could be the perfect place for her new friends to hole up in. Meanwhile Lex (Caleb Ross) — soon to become one of The Tribe's longest-serving anti-heroes — gets angry. Employing roughly 500 cast and crew, Raymond Thompson's show introduced a host of young actors over five seasons.
Problems marks the beginning of a fruitful collaboration between Salmonella Dub and director/animator Steve Scott (working here with co-director James Littlemore). The video features a lone wanderer stuck in a scorched earth desert. The briefcase of money he carries is useless in such a place, and despite stumbling across a detention centre and signs of civilisation (in the form of dystopian power plants and pylons) our wanderer keeps on his aimless lumber. Not even a trusty fake moustache gag can glean a laugh or stop him in his tracks. If only it were to rain...
Director Peter Salmon's sci-fi short is set in a dystopian future where citizens spend most of their lives in virtual reality to escape the bleak Blade Runner-like offline world. Grace (Sara Wiseman, in a NZ Film Award-winning performance) is a lonely programmer looking for cyberspace love via Angelife: a fantasy-fulfillment site with "five billion connections worldwide". Disenchanted with her Adam (Rupert Cocks), her desire for real world connection, plus a chance meeting, push her into a dangerous underworld. Ray Woolf cameos as a winged Angelife agent.
Art department veteran Dan Hennah worked on a range of screen projects before becoming an art director and set decorator on The Lord of the Rings trilogy. Five times Oscar nominated, he won an Academy Award for his work on The Return of the King. Since then Hennah has graduated to production designing on a number of features, including taking on the job for Peter Jackson's three-parter of The Hobbit.
Former stuntwoman Sara Wiseman went directly from performing arts school to acting in crime series Street Legal. She went on to star as Dr Nicky Somerville in 60 episodes of the popular Mercy Peak. On the big screen, Wiseman has starred in 2005 psychological thriller Luella Miller, taken the title role in Jinx Sister, and won awards for her parts in movie Matariki and TV's What Really Happened - Votes for Women.
Vanessa Alexander attracted attention as a rookie director with her low-budget feature Magik and Rose. Since then she has compiled an impressive list of achievements as a producer (Being Eve, Cargo), director (the opening episodes of Outrageous Fortune and Agent Anna) writer (Love Child), script editor, and lecturer. These days Alexander works in Australian television.
Jess Charlton was behind the camera on three web series from creative collective The Candle Wasters — award-winning party tale Bright Summer Night, musical romance Happy Playland, and 2018's Tragicomic. Born in London but raised in Invercargill and Queenstown, Charlton has shot over a dozen short films, including Jessica Grace Smith's award-winning Everybody Else is Taken and coming of age tale Tama. She was one of the key creatives behind 2012 dystopian feature Existence, and shared two NZ Writers Guild awards for co-writing the script. Charlton has shot ScreenTalk interviews for NZ On Screen.
Quite aside from being a talented and prolific actor, Ian Mune has made behind the scenes contributions to many New Zealand screen landmarks. Mune's writing career ranges from some of New Zealand's earliest television series to Goodbye Pork Pie. His work as director includes classics Came a Hot Friday and The End of the Golden Weather, and the hit sequel to Once Were Warriors.