Set in a future where teen gangs control the streets, The Tribe became a global hit at the turn of the millenium. In this second episode, the group have to decide whether they trust Lex enough to let him into the safety of the shopping mall. Lex appears out to prove that he is the resident alpha male, especially after the arrival of Bray (Dwayne Cameron), who has a surprise to spring. For the first season, a group of young people read each script in order to check that The Tribe provided what creator Raymond Thompson called "an accurate interpretation of children's ideas".
Inspired by the mindbending tales of The Twilight Zone and the freedom of a low budget, Jonathan King's stylish yet “modestly budgeted" twister marks his first collaboration with novelist Chad Taylor. King regular Nathan Meister stars as a media executive whose confusions multiply after learning that a strung-out woman (Michelle Langstone) has his wallet. Ain't It Cool News founder Harry Knowles praised the film's canny visions of a future where others control our perceptions of reality. REALITi's five NZ Film Award nominations included Best Self-Funded Film and Screenplay.
The first episode of The Tribe introduces many of the key elements that would capture fans around the globe: including a future where teens rule, and a shopping mall that provides a bolthole from terrifying, colourfully-garbed gangs. After meeting the only occupant, Amber (Beth Allen) decides the mall could be the perfect place for her new friends to hole up in. Meanwhile Lex (Caleb Ross) — soon to become one of The Tribe's longest-serving anti-heroes — gets angry. Employing roughly 500 cast and crew, Raymond Thompson's show introduced a host of young actors over five seasons.
Problems marks the beginning of a fruitful collaboration between Salmonella Dub and director/animator Steve Scott (working here with co-director James Littlemore). The video features a lone wanderer stuck in a scorched earth desert. The briefcase of money he carries is useless in such a place, and despite stumbling across a detention centre and signs of civilisation (in the form of dystopian power plants and pylons) our wanderer keeps on his aimless lumber. Not even a trusty fake moustache gag can glean a laugh or stop him in his tracks. If only it were to rain...
Director Peter Salmon's sci-fi short is set in a dystopian future where citizens spend most of their lives in virtual reality to escape the bleak Blade Runner-like offline world. Grace (Sara Wiseman, in a NZ Film Award-winning performance) is a lonely programmer looking for cyberspace love via Angelife: a fantasy-fulfillment site with "five billion connections worldwide". Disenchanted with her Adam (Rupert Cocks), her desire for real world connection, plus a chance meeting, push her into a dangerous underworld. Ray Woolf cameos as a winged Angelife agent.
Art department veteran Dan Hennah worked on a range of screen projects before becoming an art director and set decorator on The Lord of the Rings trilogy. Five times Oscar nominated, he won an Academy Award for his work on The Return of the King. Since then Hennah has graduated to production designing on a number of features, including taking on the job for Peter Jackson's three-parter of The Hobbit.
Quite aside from being a talented and prolific actor, Ian Mune has made behind the scenes contributions to many New Zealand screen landmarks. Mune's writing career ranges from some of New Zealand's earliest television series to Goodbye Pork Pie. His work as director includes classics Came a Hot Friday and The End of the Golden Weather, and the hit sequel to Once Were Warriors.
Director Peter Salmon first won attention with 1998 chase romp Playing Possum. In 2007, his coming of age short Fog was invited to Critics' Week at the Cannes Film Festival. His extensive CV of television credits includes Being Eve, Outrageous Fortune and The Wot Wots. Since moving to Australia in 2012, Salmon has directed several high profile drama series including Rake, Offspring and Wanted.
Producer Lloyd Phillips won an Academy Award in 1981, for short film The Dollar Bottom. South African-born Phillips was raised in New Zealand, where his first feature, Battletruck, was shot. He went on to establish a globetrotting Hollywood career, working on The Legend of Zorro, 12 Monkeys, Inglourious Basterds and Vertical Limit (also shot in New Zealand). Phillips died of a heart attack on 25 January 2013.
Don McGlashan showed his screen talents early, as one half of offbeat multimedia group The Front Lawn. Since then he has composed for film and television, alongside his own music. His score for Jane Campion's An Angel at My Table won acclaim; his screen awards include film No. 2 — which spawned number two hit 'Bathe in the River' — Katherine Mansfield tale Bliss, and TV series Street Legal.