Nearly two years after the launch of New Zealand's Film Archive, founding director Jonathan Dennis discusses preserving films and film memorabilia for the public to enjoy. He shows reporter Gordon McLauchlan old nitrate film decaying in a former ammunition bunker, then describes finding a print of 1920s movie The Devil's Pit (aka Under the Southern Cross). One of the film's stars, Witarina Harris (née Mitchell) watches part of the film with Dennis, and recalls her time on set. The pair would work closely together promoting the Film Archive (now Ngā Taonga Sound & Vision).
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
This Weekly Review features: An interview with Sir Peter Buck in which Te Rangi Hīroa (then Medical Officer of Health for Maori) explains the sabbatical he took to research Polynesian anthropology, a subject in which he would achieve international renown; Landscapes: The Lakes at Tūtira sets the stunning scenery of the Hawke's Bay lakes to verse by James Harris; finally Southern Alps: RNZAF Drops Building Materials hitches a ride on a Dakota full of building materials being parachuted in to workers at Mueller Hut on Mount Cook.
This newsreel's subjects include: a camp being built by Lake Karapiro for rowers in the Empire Games, a garden party at St Mary's Home for Children, and a community play area in Naenae (where the sport of "paddle tennis" is featured). Students of Wellington's Architectural Centre build a pine and glass-walled modernist house in Karori, that has bunks and a utility room, "where children can play and Mother can sew". Perhaps most exciting is the demolition by army engineers of Murphy's Brickyard chimney in Berhampore, with children swarming over the fresh rubble.
Peppered by colourful commentary this newsreel shows highlights of the first rugby test in the 1961 series between the French tourists and the All Blacks. Fans queue outside Eden Park, playing cards or reading Lady Chatterley's Lover. Don "the mighty boot" Clarke kicks off and the ABs score right away, but Pierre "Monsieur Drop" Albaladejo pots two field goals for a French lead. The All Blacks fight back for a 13 - 6 win to delight 60,000 locals. An intercept try escapes the camera: before live broadcast developed, action was sometimes missed while changing film.
This 1966 edition of National Film Unit’s magazine slot heads to Christchurch International Airport to explore weather measuring devices being launched there. Helium 'Ghost Balloons' are sent into the sky by an outpost of the United States' National Center for Atmospheric Research. Meanwhile Christchurch weathermen send up hydrogen balloons, read satellite data, and provide a flight plan for a U2 reconnaisance plane from the US Air Force. The pilot’s preflight routine involves breathing pure oxygen to prepare him for the ultrahigh altitude plane’s steep ascent into the sky.
Members of the NZ team for the 1954 Vancouver Empire Games are profiled in this edition of the Pictorial Parade series. Yvette Williams demonstrates the long jump technique — filmed in slow motion — that had made her an Olympic champ and world record holder (and would win her the gold medal at Vancouver), and there’s a brief shot of a young Murray Halberg. Other features are a piece about the canine star of Dick Campion and the NZ Players' production of A Midsummer Night's Dream, and a multi-national approach to treating children with cerebral palsy in Rotorua.
President Lyndon B Johnson's whirlwind visit to New Zealand on 19 October 1966 is chronicled in this National Film Unit documentary. The visit came as controversy grew over Kiwi involvement in the Vietnam War. But aside from a few protestors, the first visit to NZ by a serving US President and his wife was greeted with enthusiasm by about 200,000 Wellingtonians. State and civic receptions were followed by the obligatory farm visit to watch a shearing gang, before the President flew out at the end of 'New Zealand’s day with LBJ'.
In 1979, Red Mole was arguably New Zealand's best-known alternative theatre troupe. During two seasons in New York they wowed audiences with their Dada-influenced shows. The Villager wrote: "All possible elements of theatre and spectacle are employed by the skilful members of the group." In this 49 minute film, Red Mole take a surreal journey through actual and imaginary New Zealand. Sam Neill had done time as a travelling actor in schools before directing this for the National Film Unit. He collaborated again with editor Judy Rymer on NZ screen history Cinema of Unease.
This short profiles the work of Gisa Taglicht. A pioneer of women's rhythmical gymnastics, Taglicht advocated the benefits of physical exercise for women. Risqué at the time for the women’s skimpy outfits, the Wellington-set film sees women escaping machine and washing line oppression via a YWCA hilltop session: limbs reaching and stretching towards a stark sky. The National Film Unit's post-war Weekly Reviews became less overtly patriotic, and some, like this Michael Forlong-directed one, were unabashedly experimental. The score was composed by Douglas Lilburn.