Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
The race to build a new hotel at Mount Cook to replace the original Hermitage (which burnt down a year earlier) leads this edition of the National Film Unit's magazine series. A two year construction job was finished in just eight months and Prime Minister Walter Nash cuts the cake at the grand opening. The recording industry is booming and sales of LPs soaring as the cameras visit a pressing plant to find out "what's behind putting the chatter on the platter"; and the NZ team for the 1958 Cardiff Empire Games gets ready to fly out with high hopes for medals.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
Producer Grahame McLean was one of the pioneers of the New Zealand feature film industry. In his long career, he was worked in many roles - props manager, assistant director, production manager, line producer, director, scriptwriter and producer. His first job in the screen industry was on the early 70s independent TV drama The Games Affair, and he went on to produce films including Sons for the Return Home, A Woman of Good Character, and Should I be Good? The special guest interviewer is McLean's industry colleague John Barnett.
Since the 1970s, producer John Barnett has been instrumental in bringing a host of uniquely Kiwi stories to local and international screens, from Fred Dagg to Footrot Flats, from Whale Rider to Sione’s Wedding and What Becomes Of The Broken Hearted?, from iconic soap Shortland Street to the wildly successful Westie family drama Outrageous Fortune.
Actor Elizabeth McRae is best known as Marj the receptionist on Shortland Street. She began her TV career in the 70s on shows such as The Games Affair. Since then she has appeared in television dramas About Face, Terry and the Gunrunners, and Go Girls. Her film credits include Jubilee and Rest for the Wicked.
A generation of Kiwi kids grew up watching Jason Gunn on television. At the same time Gunn grew up on television himself. Beginning in children’s TV, Gunn hosted Jase TV, The Son of a Gunn Show, After School, and What Now? Through many of these shows his co-star was a hugely popular life size puppet named Thingee. Gunn moved on to other programmes such as Young Entertainers and Small Talk. In recent years Gunn has starred in a host of top-rating primetime entertainment and game shows including Wheel of Fortune, The Rich List and Dancing with the Stars.
Recut from material shot at least five years before, this National Film Unit short appears to have been driven by the Tourist and Publicity Department. Coming in for praise are New Zealand’s primary exports (farm products), road and railways, and social security. In the 50s long distance air links were opening NZ up to the world but international tourism was not a major industry, and NZ was focused firmly on agriculture. People are shown farming, “a little unsmiling” on city streets, and at play (fishing, sailing and skiing). Kids drink milk and Māori are assimilating.
This short film is a re-enactment of events leading to Ngāti Toa leader Te Rauparaha’s ‘Ka Mate’ haka; he composed the chant after evading enemy capture by hiding in a kumara pit. (The haka would become famous after the All Blacks adopted it as a pre-game challenge.) Directed by pioneering filmmaker Barry Barclay in te reo, produced by John O’Shea and written by Tama Poata, the short was made in the lead-up to landmark Māori feature Ngati. Many of the crew were enlisted via a work scheme, aimed at redressing the lack of young Māori working in the screen industry.