This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
Director Nic Gorman won best short at the 2013 NZ Film Awards for zombie tale Here Be Monsters. With his first feature he shifts horror genres to the psychological thriller, as a mysterious new arrival (Vinnie Bennett) disturbs subantarctic island life for a husband and wife scientist team (Fantail's Sophie Henderson and Siege's Mark Mitchinson). Human Traces debuted at the 2017 NZ International Film Festival. NZ Herald reviewer George Fenwick praised the "stunning cinematography" and "impressive performances", arguing they helped produce a "fine debut" for Gorman.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
NZ On Screen’s Top 10 most viewed titles of 2015 features two All Blacks, a pair of animated favourites, a number of guitars, the debut episode of Outrageous Fortune, and a documentary about moko. Check out the top 10 list below, and find out more about the top 10 here.
Cannes is the town in France where Bergman meets bikinis, and the art of filmmaking meets the art of the deal. In 1975, a group of expat Kiwis managed to score interviews with some of the festival's emerging talents, indulging their own cinematic dreams in the process. Werner Herzog waxes lyrical on the trials and scars of directing; a boyish Steven Spielberg recalls the challenges of framing shots during Jaws; Martin Scorsese and Dustin Hoffman talk a gallon. Six years later interviewer Michael Heath's debut script The Scarecrow would be invited to Cannes.
Roger Horrocks is an academic and writer who has mentored many figures in the New Zealand screen industry. Horrocks began teaching film studies at Auckland University in the 1970s, at a time when film was looked down on by academics. He helped launch the Auckland Film Festival (the precursor to the New Zealand International Film Festival), and was a founding board member of funding body NZ On Air.
This animated short is set in "not so distant future" Aotearoa, where a plague has devastated livestock farming. The morbid nursery rhyme, narrated by Geraldine Brophy, tells of a scientist who creates a "different kind of meat from the resources still here". Matasila Freshwater's short was picked for the 'New Zealand’s Best' section of the 2016 NZ International Film Festival, by a team that included director Lee Tamahori (Once Were Warriors). It also screened at Spain's Sitges International Fantastic Film Festival, and won Best Animated Short at Sydney festival A Night of Horror.
Inspired by the "very uncomfortable" dating experiences of actor Holly Shervey, Auckward Love follows the love lives of four female friends in Auckland. Shervey created the series; her partner, fellow actor Emmett Skilton (The Almighty Johnsons) directs and produces. Series one cost only $5,000. It was quickly picked up by TVNZ OnDemand and screened at several film festivals, including the London International Film Festival and Los Angeles CineFest. Two more series have since been produced. The friends are played by Shervey, Lucinda Hare, Jess Holly Bates and Jess Sayer.