Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order). 

On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.

NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa. 

NZ On Screen’s Top 10 most viewed titles of 2015 features two All Blacks, a pair of animated favourites, a number of guitars, the debut episode of Outrageous Fortune, and a documentary about moko. Check out the top 10 list below, and find out more about the top 10 here.   

Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.    

Director Alyx Duncan set out to make an experimental documentary about her childhood home. What eventually resulted was this acclaimed and award-winning "fictional essay", her first full length feature. Blurring the line between documentary and drama, she cast her conservationist father and Chinese born step-mother as characters partially based on themselves. As they journey from a small NZ island to a big Chinese city, Duncan examines their cross cultural relationship and explores nostalgia, childhood, dreams, environmentalism, globalisation and the meaning of home.

Peppermint Twist’s colourful, stylised portrait of 60s puberty floated onto NZ screens in 1987, winning a solid teenage following. Something of a homegrown homage to US sitcom Happy Days, Peppermint was set amongst a group of teens in small town Roseville, and made liberal use of period songs and arrangements. This episode involves mounting rivalries over a typically pressing issue: an upcoming limbo contest. Further nostalgia value is provided by real-life 60s music show host Peter Sinclair, who makes a cameo as compere of the contest.

Peppermint Twist’s pastel-tinted portrait of 60s puberty floated onto New Zealand television screens in 1987. Despite winning a solid teen following, it only lasted for one series. Set amongst a group of teens in small town Roseville (in reality the outdoors set on the edge of Wellington, originally used for Country GP), the show’s stylised look and sound had few Kiwi precedents — though its links to American perennial Happy Days are clear. Peppermint made liberal, and increasingly confident use of period music, with each episode named after a pop song of the day.

Don McGlashan has won the prestigious APRA Silver Scroll award twice. In 2006 Miracle Sun gained him another nomination. McGlashan's lyrics evoke a mythical summer and directly reference Opo, the 'friendly' dolphin whose visits to Opononi in the mid 1950s became the stuff of Kiwi legend. The song's sweeping chorus is bittersweet, and a lap steel guitar adds a slightly mournful tone. The black and white video mixes National Film Unit footage of Opo charming holidaymakers, with shots of McGlashan and his band heading to the Hokianga and playing a gig for locals.

The Country GP (Lani Tupu) takes a back seat in an episode set in the first week of 1950, which centres around the arrival in Mason’s Valley of the parents of local teacher Tim Bryant (Duncan Smith). The discovery that Tim’s father Sid (played by Vigil scriptwriter Graeme Tetley) is a unionist and paid up member of the Communist Party shatters the township’s apparently relaxed way of life. Sid has come to warn his son of difficult times ahead that could see him back in prison, but his presence inflames some of the locals and leads to a questioning of the true meaning of freedom.