This Wellington-set 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a young trio united by a mysterious invitation. At an antique shop dinner the three adopted children discover that they share a colourful birth mother, before becoming players in a game for a legacy of $250,000 (and more existential prizes). This first episode features ouija boards and a funeral at Futuna Chapel; alongside 80s knitwear, a saxophone score and du jour animated titles.
Luscious fruit, truckies, and Lucy Lawless feature in this Christine Parker short. Sal (Tania Simon) is gifted a peach and meets a saucy tow truck driver (Lawless) en route home to her toddler, and domestics with boyfriend Mog (Joel Tobeck). Mog’s truckie mates arrive for beers, including the nameless driver, whose presence (and peach-eating advice) stirs up desire. “Watch it rot, or taste it when it’s ripe.” A roster of leading NZ film talent worked with Parker on the film, and Lawless' turn hints at the cross-sexual appeal of her breakthrough role on Xena - Warrior Princess.
Edgar Allen Poe's tales of murder, burial, and ominous ravens have inspired movies, nightmares ... and an eclectic musical suite by saxophonist Lucien Johnson, which he first performed live with Wellington’s Village of the Idiots. With the aid of some home-cooked CGI, director Geoff Murphy mixes concert footage, fantastical imagery, interviews and spoken word to put it on screen. Family and friends help round out the crew. The results echo Murphy's early, genre-stretching days with ensemble Blerta, this time with themes of mortality mixing in with the horns.
This 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a trio of young Wellingtonions drawn together by a mysterious invitation. At an antique shop dinner they discover they share a colourful birth mother, before becoming players in a game for a legacy of $250,000. Conceived by Brian Bell, Seekers was one of a series of teen-orientated dramas made in the mid-80s (along with Heroes and Peppermint Twist). The 16 episodes screened from February 1986.
A bittersweet Auckland 'goodbye' from Kiwi post-punk band Blam Blam Blam, after bad luck stopped them in their tracks. In 1982 bassist Tim Mahon was seriously injured in a van accident and the band decided to call time. In 1984 they briefly reunited and recorded this Radio with Pictures special for a live album. The footage is intercut with reviews tracking their career, and a brief interview with Don McGlashan and Mark Bell. The euphonium takes centre stage for Don't Fight it Marsha... and McGlashan takes over drums for alternative anthem There is No Depression in New Zealand.
DJ Neville (“Cham the Man”) Chamberlain hosts this episode from the first series of the NZBC’s nationwide search for stars. Judges Nick Karavias and Jim McNaught and guest Allison (“Queen of Pop”) Durbin preside over entries in the original song competition (all sung by Yolande Gibson); and the New Faces segment features vocal trio The Shevelles, a saxaphone quartet and 16-year-old country singer Brendan Dugan (the eventual winner of the series). A film clip of Wellington band The Avengers’ classic ‘Love Hate Revenge’ shows as the judges convene.
In this 1986 Kaleidoscope piece, presenter Mark Wigley offers his take on grand designs in Auckland housing. Fresh from completing a doctorate at Auckland University in architectural theory, Wigley argues that New Zealand has "had a building tradition rather than an architectural tradition". He finds that contemporary houses (from a David Mitchell-designed house in Parnell, to a Paritai Drive mansion) are starting to explore potential beyond simple boxes, toward being works of art. Wigley went on to become Dean of Architecture at Columbia University in the United States.
In this 1989 Holmes excerpt, visiting Brit jazz musicians Acker Bilk and Kenny Ball meet Prime Minister Geoffrey Palmer, a self-described “mediocre trumpeter”. The trio play ‘Tin Roof Blues’ in the PM’s office, before a circuit of the Beehive balcony. Unlike Bill Clinton’s 1992 campaign-defining saxophone slot on The Arsenio Hall Show, the Kiwi leader’s jazzy side earned more sniggers than kudos — although the former law professor recalled the jam fondly in his memoir as one of the lighter moments of his Prime Ministerial tenure: “I loved it”.
On ‘Lady Lywa’, Nathan Haines swaps his trademark saxophone for a flute, serving up a slice of sleekly sophisticated cool. The video captures a live performance at London’s Lovebuzz Studios, with a sharply suited Haines leading a five piece ensemble of seasoned players — including his long term collaborator, keyboardist/producer Mike Patto. The track was penned by Haines, and features on his 2013 long-player Vermillion Skies, which debuted on the local top five on release, and won him his third Best Jazz Album Tui at the 2014 New Zealand Music Awards.
Made in an era before “coolest little capital” and Absolutely Positively Wellington, the title of this NFU promotional film — Promises, Promises — nods to the capricious charms of the harbour city. A reflective narration is scored by a saxophone soundtrack as the film tours from the stock market, school fair, and swimsuit shopping, to Trentham and up hillside goat-tracks. The opening of Parliament is cut together with a Lions versus France rugby match at Athletic Park, while Scorching Bay is jam-packed with sun-seekers (it must have been filmed on a good day).