NZ On Screen's sister site AudioCulture have described Toy Love as one of the most important — and mythologised — New Zealand bands to emerge in the aftermath of punk. Fronted by the legendary Chris Knox, the band enjoyed a short but vibrant existence from 1978 to 1980, after evolving from Dunedin punk outfit The Enemy. Playing nearly 500 gigs in Aotearoa and Australia in the 18 months they were together, Toy Love proved a powerful live draw, their cocktail of punk/new wave/pop spiked with a wallop of raw energy. Compilation Cuts (2005) collects all of the band's released recordings and demos.
The third feature from writer/director Harry Sinclair (The Price of Milk, Topless Women ...) is a fleet footed anti-romance about sex and infidelity. Love is a game for Ben (Dean O’Gorman), who cheats on girlfriend Emily with ease — until he falls head over heels with unpredictable vixen Chlo (Kate Elliott). When Emily confesses that she too has cheated, Ben self-righteously dumps her and runs to Chlo. But Chlo has a rule: she won’t date available men. To win her love, Ben must be unavailable. This excerpt features much bed hopping and 20-something mat-ters.
Kiwi music legends Toy Love are credited with leading the NZ post-punk sound, delivering a sonic flare from 1979 that scaled charts and smashed Sweetwaters watermelons, before the love ended on a late 1980 NZ tour. In this February 1980 interview for regional show The South Tonight, the band is seen in their Dunedin hometown, preparing for a show at The Captain Cook Tavern. Reporter Keith Tannock asks Chris Knox what he’s rebelling against as the singer chugs a double-barrelled ciggie, and casts shade on boring pub rock music. The band would shortly depart for a stint in Sydney.
Low-tech legend Chris Knox is an accomplished musician, cartoonist, critic, filmmaker, and jandal wearer. As this collection demonstrates, his genius takes flight in the DIY aesthetic of his music videos. As Flying Nun founder Roger Shepherd says in his backgrounder, “this is a unique and important collection of work perfectly illustrating what is possible with the barest of resources and a free-wheeling imagination”. Russell Brown adds his view here. Alongside music videos, the collection also includes interviews with Knox and profiles of bands Toy Love and Tall Dwarfs.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
The second, double-sided Toy Love single 'Don't Ask Me' / 'Sheep' was released in April 1980 and reached number 10 on the Kiwi pop charts. That year the band signed a contract with Michael Browning — a former manager of AC/DC — and made the move to Sydney, the prize being a studio album and a way bigger audience, but disillusionment soon set in. Sheep jumps out of the gates with driving drums and guitars and lyrics about numbness and confusion, all confirming Toy Love's punk roots. The band wander aimlessly around city streets and rock out in a cramped flat. Punk lives!
"I'm a fraud / I'm a sham..." The debut single from this influential Kiwi band introduced New Zealand television audiences to Toy Love's recipe of pop riffs and punk sneer. Although the group only existed for 18 months, they charted three times and made a lasting impression on the live scene on both sides of the Tasman. The single 'Squeeze' (backed by B-side 'Rebel') was recorded after a one-off deal with WEA. Vocalist Chris Knox is front and centre, crackling with malevolent energy in a video that mixes kids' toys with some gross out performance art.
This Joe Wylie animation is a veritable treat: the melodramatic grotesqueries, bright colours, surgery porn and animated tomato sauce all contribute to produce one of New Zealand's first iconic music videos. The band are said to have kept their break up a secret until Wylie finished work on the clip, so he could get paid. The Auckland-produced video was the second made for 'Bride of Frankenstein'. The first was shot in Sydney, and in B movie style featured band members as surgeons who construct a bride (played by Toy Love keyboardist Jane Walker).
After kicking off with the opening bars of Chopin's 'Funeral March', this live rendition of 'Death Rehearsal' invites the audience into a cartoonish, Halloween world before Toy Love members Alec Bathgate, Paul Kean, Jane Walker and Chris Knox take their foot off the brake and let rip. Music journalist Graham Reid described this song (taken from their self-titled first album) as 'kitsch-gloom' and an example of the band branching out from straight ahead punk. Knox juggles delivering witty lyrics with finishing his ciggie, while Bathgate burns up his guitar.
Toy Love's decision to frolic amid the crucifixes in a Dunedin graveyard for this video offended some locals — but it was water off a punk's back for this free-spirited bunch. 'Good Old Joe' ( alongside 'Amputee Song') was the flipside to their third and final single, 'Bride of Frankenstein' . After eighteen frantic months, one album and nearly 500 gigs the band called it quits in late 1980. The clip begins with an excerpt from a group interview; Chris Knox thanks their fans for buying their debut album, and cracks up at a laconic aside from guitarist Alec Bathgate — 'it could have been worse'.