The third feature from writer/director Harry Sinclair (The Price of Milk, Topless Women ...) is a fleet footed anti-romance about sex and infidelity. Love is a game for Ben (Dean O’Gorman), who cheats on girlfriend Emily with ease — until he falls head over heels with unpredictable vixen Chlo (Kate Elliott). When Emily confesses that she too has cheated, Ben self-righteously dumps her and runs to Chlo. But Chlo has a rule: she won’t date available men. To win her love, Ben must be unavailable. This excerpt features much bed hopping and 20-something mat-ters.

Kiwi music legends Toy Love are credited with leading the NZ post-punk sound, delivering a sonic flare from 1979 that scaled charts and smashed Sweetwaters watermelons, before the love ended on a late 1980 NZ tour. In this February 1980 interview for regional show The South Tonight, the band is seen in their Dunedin hometown, preparing for a show at The Captain Cook Tavern. Reporter Keith Tannock asks Chris Knox what he’s rebelling against as the singer chugs a double-barrelled ciggie, and casts shade on boring pub rock music. The band would shortly depart for a stint in Sydney.

This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'. 

This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.

The legendary Dylan Taite hosts this RWP special on the first Sweetwaters music festival. The event took 12 months and half a million dollars to set up. Headliner Elvis Costello proved media-shy; some heavy-handed attempts to keep the cameras away are seen. Meanwhile, Taite muses on the impact of late 70s bands on the future of festivals. Sweetwaters would go on, although financial problems in 1999 led to the jailing of organiser Daniel Keighley. As this documentary shows, the Ngaruawahia edition attracted an audience of 45,000 concertgoers.

Karen and Mark, who are both intellectually disabled, are expecting a child. In this episode from stripped back documentary series First Hand, the couple become a family when baby Terry arrives. Terry's birth means the usual support they receive from IHC must be ramped up, and a new caregiver steps in to help Karen and Mark cope with the 24/7 responsibilities of parenthood. It's a story full of hope and love, but no one close to the couple is under any illusions about the amount of support needed to successfully parent Terry.

This trippy animation follows the spirit of a person killed in a motorway car accident. The life force (wairua) runs through forest and beaches on its journey to Te Rerenga Wairua (Cape Rēinga). En route it meets tourist buses and other spirits, before reaching the gnarly pohutukawa and making the leap towards Hawaiki-Nui. There's a real native joy in seeing contemporary 80s animation enliven ancient Māori spiritual concepts. Joe Wylie (Toy Love's Bride of Frankenstein) was in charge of the animation team; The Clean provide the soundtrack to the all-stops-out finale.

The title belies this profile (made for TV rock show Radio with Pictures) of Chris Knox and Alec Bathgate in their early days as the Tall Dwarfs. They traverse their past in legendary punk band The Enemy — with compelling performance footage — and the influential but ill-fated Toy Love. Knox’s seething disillusionment with the music industry is rapidly evolving into the DIY ethos that will reshape NZ alternative music. He is also typically confrontational as they busk in The Octagon while the closing acoustic performance is worth the price of admission on its own.

This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.

A year on from moving in together, three friends and their surrogate flatmate drink and date their way around Auckland in this second series of Auckward Love. Flatmates Alice (Holly Shervey), Vicky (Lucinda Hare) and Grace (Jess Holly Bates), plus friend Zoe (Jess Sayer), face up to the harsh reality that life in your 20s can be full of tough lessons. Grace loses her sparkle when she finds herself in a polyamorous relationship, while Zoe has to compromise with her alcoholic father, played by John Leigh. Jennifer Ward-Lealand also features, as an enthusiastic sex toy shop worker.