This 1982 Kaleidoscope report interviews artist Theo Schoon, on his return to New Zealand after a decade in Sydney and Bali. Schoon was a pioneer as a Pākehā engaging with Māori design, melding modernist and Māori motifs (e.g. moko and kowhaiwhai patterns). He discusses his earlier estrangement from the New Zealand art world ("talking to the deaf"), his eight years documenting Māori cave drawings ("art galleries of a sort, art galleries that I'd never been conscious of"), growing and carving gourds, and being inspired by Rotorua’s geothermal activity. Schoon died in 1985.
Theo Schoon’s charismatic personality, his desire to experiment in a range of media and to interact with Māori art and culture were a stimulus for other artists. Knowledgeable, committed and technically skilled, he occupies a significant place in New Zealand art.– Theo Schoon's biographer Damian Skinner, in a 2000 Te Ara profile of Schoon
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