Five years of NZ screen culture = 3,550,000 visits (now 110,000+ a month), a Qantas Media Award and 2,150+ titles. This collection honours our most-watched titles (to Oct 2013). Choose from Billy T to topless newsreaders, Snell to Patu!, Kimbra to Kea, meat pies to motorheads, Bob Jones biffo to Thingee’s eye pop, in this sampler pack of NZ On Screen goodness.
In the late 1980s, Kiwi inventor John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway; in 1991, as an unlikely underdog, he came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. But when they get to Florida, another all-nighter is required to fix an untested vehicle which includes at least ten major innovations.
It was the food safety advice that echoed across the globe. The late night footage of an Auckland policeman interrogating a suspected car thief on this long-running crime series seemed routine, until conversation shifted to the purchase of a pie at a local service station. The officer's deadpanned response came straight out of left field — and went viral (interestingly, only after a repeat screening of the show was posted online). The 'nek minnit' catchphrase of its day provided global news odd spot fodder, and inspired t-shirts, dubstep tracks and YouTube parodies.
In this infamous edition of the Loose Enz anthology series, sexologist Rufus (Grant Tilly) has marriage problems, due to being more theoretical than practical when it comes to the ways of the flesh. Things grow more complicated when patient Ernest (Bruno Lawrence, playing nerdy for a change) claims he is suffering from having a magic touch with women. Alongside Joy of Sex japes and punning pillow talk galore, this sex farce gained notoriety for scenes of high-profile newsreader Angela D’Audney (as the dissatisfied wife) going topless, then donning a turquoise catsuit.
A decade before joining Goyte at the top spot of the American singles chart, future pop star Kimbra Lee Johnson was an effervescent 11 year old girl investigating the mechanics of making a hit recording, in a series of segments for TVNZ kids show What Now?. After meeting up with producers Rikki Morris and Stephen Small, she's ready to record her song 'Smile'. The venue is Morris' Devonport studio, where the duo have an arrangement all ready so that Kimbra can lay down her vocal.
This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".
This documentary tells the story of the inimitable kea. The 'Clown of the Alps' is heralded as the world’s smartest bird (its intelligence rivals a monkey’s). Kea are famous on South Island ski fields and tramping tracks for their insatiable (and deconstructive) inquisitiveness. Curiosity almost killed the kea when it was daubed a sheep killer, and tens of thousands were killed for a bounty. Here — clip four — extraordinary night footage reveals the 'avian wolf' in action. The award-winning film makes a compelling case for the charismatic kea as a national icon.
Thingee's eye popping out is one of the most famous moments on New Zealand television, as an unflappable Jason Gunn continues hosting duties despite his co-presenter being newly one-eyed. The ocular incident occurred during filming of the The Son of a Gunn Show; it didn’t screen live but as part of a bloopers episode. Thingee was a puppet who debuted on After School, and appeared in several children's shows, including What Now?. Thingee was retired from NZ TV when he returned to his home planet. (Alan Henderson is rumoured to be the person behind the puppet.)
Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality, and they gather to say a karakia before returning to the fray. Director Taika Waititi describes the soldiers as young men with "a special bond, strengthened by their character, their culture and each other." Shot in the rubble of the old Wellington Hospital, Tama Tū won international acclaim. Invited to over 40 international festivals, its many awards included honourable mentions at Sundance and Berlin.
Billy T’s unique brand of humour is captured here at its affable, non-PC best in this compilation of skits from his popular 80s TV shows. There’s Te News (“... someone pinched all the toilet seats out of the Kaikohe Police Station ... now the cops have got nothing to go on!”) with Billy in iconic black singlet and yellow towel; a bro’s guide to home improvement; the first contact skits, and Turangi Vice. No target is sacred (God, The IRA) and there are classic spoofs of Pixie Caramel’s “last requests” and Lands For Bags’ “where’d you get your bag” ads.
This film showcases legendary running coach Arthur Lydiard's training methods, through some of his most famous pupils — including John Walker and Heather Thompson. 'Arthur's boys' (Peter Snell, Murray Halberg, Barry Magee) scored attention by winning unheralded medals at the 1960 Rome Olympics. Lydiard later led the 'flying Finns' to similar success. His method revolves around long runs that build stamina to complement speed. It was influential in popularising jogging globally. A highlight of the footage is Jack Foster's exhilarating descent of a steep scree slope.
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.
This NFU classic tells Peter Snell's story, up until just before his triumph at the Tokyo Olympics (he'd already won 800 metres gold in Rome, and beaten the world record for the mile). Snell's commentary — focused, candid — plays over footage of training and some of his key races. "It always gives a feeling of exhilaration to run in the New Zealand all black singlet." Snell offers insights into the marathon-style training of coach Arthur Lydiard (15 miles daily, 100 miles a week), and there's priceless footage of Snell running through bush and leaping fences in Auckland's Waiatarua hills.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
Merata Mita’s Patu! is a startling documentary record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the filmmakers and marchers, Patu! is a landmark in New Zealand's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
In July 1985 New Zealand Party leader Bob Jones and president Malcolm McDonald surprised many by announcing the nation's then third most popular party was taking an 18 month recess. Seeking comment, TVNZ chartered a helicopter and found Jones fishing near Turangi. Jones was not amused, infamously breaking reporter Rod Vaughan's nose (and punching cameraman Peter Mayo). Claiming harassment and backed by public opinion, Jones filed a court writ claiming $250,000 in damages. Later, after being fined $1000, he asked the judge if paying $2000 would allow him to do it again.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. He meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop (6.40 into the second clip).
Like many other current affairs shows in the 70s, Tonight had a fairly brief existence, but it provided the forum for this infamous May 1976 battle of wills between journalist Simon Walker and Prime Minister Robert Muldoon. Walker interrogates Muldoon about his assertions regarding the Soviet naval presence in the Pacific, and NZ vulnerability to Russian nuclear attack. Muldoon grows increasingly annoyed and bullish at being asked questions that are not on his sheet: "I will not have some smart alec interviewer changing the rules half way through."
In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. 506 days later police and army arrived en masse, to remove them. This documentary examines the rich and tragic history of Bastion Point/ Takaparawhau — including how questionable methods were used to gradually take the land from Māori, while basic amenities were withheld those remaining. The doco features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.
Love, Speed and Loss is an extended documentary about racer Kim Newcombe, who turned heads in the 70s on a König motorbike he developed and designed himself. Built around home movie footage and interviews with his charismatic, straight-talking widow Janeen, the film follows the couple's travels across Europe, and triumph on the track. Newcombe was killed racing in 1973, and posthumously finished second in that year's World 500cc Championship. Love, Speed and Loss won best documentary at the 2007 Qantas TV Awards and Air NZ Screen gongs for documentary, directing, and editing.
Yuppies, shoulder-pads, sports cars and méthode champenoise abound in this cult 'glamour soap'. Gloss was NZ's answer to US soap Dynasty, with the Carrington oil scions replaced by the wealthy Redferns and their Auckland magazine empire. The series epitomised 80s excess, and became something of a guilty viewing pleasure. In this Rosemary McLeod-penned pilot, a 'Remuera Revisited' plot unfolds as Brad Redfern's plans to have a quiet wedding get waylaid by ex-wife Maxine. Schoolgirl Chelsea wags, listens to her Sony Walkman and gets an unorthodox haircut.