Sometime actor Taika Waititi has really sunk his teeth into directing. His short film Two Cars, One Night, was Oscar-nominated in 2005. Tama Tū and debut feature Eagle vs Shark showcased his trademark deadpan humour. Follow-up Boy was awarded at the 2010 Berlin Film Festival, then became the most successful Kiwi film released on home soil. Next came mockumentary hit What We Do in the Shadows, co-directed with Jemaine Clement.
I don’t ever want to be seen as a Māori artist. I’d rather be an artist who just happens to be Māori – and not like my art must always, and necessarily, reflect being a Māori. Taika Waititi
Boy director Taika Waititi teams up with his Eagle vs Shark star Jemaine Clement to present this bloody comedy about the travails of a flat of vampires. Reality TV-style cameras tag the vamps as they struggle to get into Courtenay Place nightclubs, squabble over chores and face off werewolves. A roster of Kiwi comedic talent (including Jonathan Brugh and Rhys Darby) feature. After winning fangtastic reviews at America's Sundance and SXSW festivals, Shadows won a run of global sales, local success and four Moa awards, including Best Self-Funded Feature.
Taika Waititi's blockbuster second feature revolves around an imaginative 11-year-old East Coast boy trying to make sense of his world - and the return of his just-out-of-jail father (played by Waititi). Intended as a "painful comedy of growing up", Boy was inspired by his Oscar-nominated short Two Cars, One Night and mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. Boy won Grand Prize in its section at the 2010 Berlin Film Festival, and within a month of its March 2010 release, had become the most successful Kiwi comedy released on its home soil.
TV personality Jaquie Brown plays (and plays up) herself for further delightful comic effect in the second series of The Jacquie Brown Diaries (renamed The Jaquie Brown Odyssey for DVD release). In the Qantas Award-winning TV3 satire Brown is an egomaniacal reporter looking to climb the media ladder any which way she can. This episode sees Brown googling herself, and a late-night forum post sends her spiralling towards celebrity booze binge self-destruction on K Road. In her wake Auckland’s Metro social pages set are skewered with self-referential glee.
Shot on Wellington's South Coast, the video stars Academy Award-nominee Taika Waititi (who also directs) as a turquoise headband wearing jogger attempting an eclectic confidence course. Shot in one ducks-in-a-row long take, our hero slays knights, frees prisoners and crosses the finish line into the arms of his lover. And a horse. A splendid example of she'll-be-rightism, the clip is refreshingly lo-fi, makeshift and delightful — and undoubtedly took a lot more than four minutes and 15 seconds to make.
Taika Waititi's 80s extravaganza wouldn't have been complete without the man himself arriving on set in a DeLorean — the time-travelling car from Back to the Future. The clip is another homage-packed example of lo-fi genius from the Oscar nominee. Note the Eastern European-derived keyboardist Luke Buda's 'Poland' synth. Director Taika Waititi: "I spotted the DeLorean parked near our flat in Mt Cook, and left a note under the wiper saying 'what year are you from?' Turns it was one of two owned by a local doctor."
Taika (Boy) Waititi's first feature is an offbeat comedy about two lonely misfits and their attempts to find love. Lily (Loren Taylor) is a shy fast-food cashier with a crush on clueless gaming geek Jarrod (Conchord Jemaine Clement). When Lily crashes Jarrod's fancy dress party wearing a shark costume and impresses the self-styled ‘Eagle Lord' with her gaming prowess — excerpted here — she gets her man. But their budding romance is sorely tested by Jarrod's obsession with a childhood nemesis. Empire called the film, "a comic delight destined for cult adoration."
This final episode from the second series of the award-winning arts series is presented by Taika Cohen (aka Taika Waititi) "from the living room at Gunter’s house". Taika talks about making short film Tama Tū, meets Diego a 200-year-old vampire,and performs Taika’s Incredible Show at Bats. It includes excerpts from little-seen short John & Pogo. Also featured are artist Siren Maclaine (aka Siren Deluxe) and her feminist erotica; Caroline Robinson’s large scale Auckland motorway sculptures; and legendary comics artist Colin Wilson (Judge Dredd, Blueberry).
Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality and they gather to say a karakia before returning to the fray. Director Taika Waititi: "they are a bunch of young men [...] who have a special bond, strengthened by their character, their culture and each other." Shot in the rubble of the old Wellington Hospital Tama Tū won international acclaim: honourable mention at Sundance and a special jury prize at Berlin.
Director, writer and actor Taika Cohen (aka Waititi) features in this episode of the stand-up comedy TV series with an off the wall performance as Gunter the German "joke" teller — a buck-toothed, bewigged persona pitched somewhere between Andy Kaufman and Sacha Baron Cohen. Fiona MacKinnon is in more conventional territory recounting her graduation and 21st, and musing about moving suburbs in Wellington. While Andrew Clay has tattoos and one night stands on his mind, and a concern that the early years of the 21st century are lacking in poetry.
Life on Ben is a partly-animated series for kids exploring the intricacies of life on skin. Gordon and Gloob (voiced by Flight of the Conchords’ Jemaine Clement and Boy director Taika Waititi) are two symbiotic creatures who go on an unexpected stop motion journey. When their host, 10-year-old Ben, gets an itch in his butt the Plasticine duo find themselves exiled to his nostril; on their quest to get back home they encounter a petri dish of other microbial folk. Created by Luke Nola (Let’s Get Inventin’) the 10 x 2min series was distributed internationally.
Life on Ben is a partly-animated series for kids exploring the intricacies of skin life. Gordon and Gloob (voiced by Flight of the Conchords’ Jemaine Clement and Boy director Taika Waititi) are two symbiotic creatures who go on an unexpected stop motion journey. When their host, 10-year-old Ben, gets an itch in his butt the Plasticine duo find themselves exiled to his nostril; on their quest to get home they meet a petri dish of other microbial folk. Created by Luke (Let’s Get Inventin’) Nola the 10 x 2min series — in full here — was distributed internationally.
Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It’s a situation many Kiwis would recognise: cars in loco parentis outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit. Two Cars won a boot-full of awards, launched Waititi’s career, and was the second NZ short to gain an Oscar nod (Waititi infamously feigned sleep during the 2005 Academy Awards ceremony).
Actor Wi Kuki Kaa (1938 - 2006) plays Tiare, a Vietnam War veteran who is dislocated by his experiences of war, and homelessness. He wanders the city streets, collecting ephemera in plastic bags. Nancy Brunning plays his daughter, who, with her own daughter, visits their reluctant koro (old man) to convince him to visit his ancestral home. The result is a moving story about a man jolted to find his turangawaewae (place to stand), and the whanau that helps him get there. Directed by Peter Burger, the film was selected for Critics' Week at the 2003 Cannes Film Festival.
This sex in the capital city series centres around 30-something Melissa (Luanne Gordon), who has shed a corporate legal career to set up a male strip revue. The Gibson Group-produced show married the fretful modern woman protagonist of Ally McBeal with the hen's night appeal of Ladies Night; it screened for two series on TV3. In this episode from the first series Melissa enjoys her towel-clad new flatmate Adam (Robbie Magasiva), while her copper boyfriend Shane (Stephen Lovatt) doesn't. And Mel's teenage daughter contemplates 'the first time'.
This is an early screen showing for "music comedy phenomenon" Flight of the Conchords. The excerpts from arts show The Living Room follow Bret McKenzie and Jemaine Clement from Wellington to performances at the 2002 Edinburgh Festival Fringe. Dreams of fame come face to face with budget digs, Jonah Lomu and anonymity, which the duo face with their droll resolve. Larry Pritchard (Taika Waititi) takes on the role of manager, pre Rhys Darby. The next year the Conchords were nominated for a Perrier Award, en route to an HBO TV series and cult stardom.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
For her first feature, writer/director Gillian Ashurst wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (Dean O’Gorman). But the duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: praising the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including best film and cinematography.
In Scarfies, five Dunedin students find themselves in a free squat, and a dark place, after taking a criminal captive in their basement. The debut feature from Robert Sarkies starts as a comic tribute to Otago student days, then turns into a psychological thriller. Outside of the two Warriors movies, Scarfies was the most successful Kiwi release of the 90s on home turf. It went on to scoop best film, director and screenplay awards at the 2000 NZ Film and TV Awards. This excerpt sees the scarfies torn between dealing with the crim and a footy match at Carisbrook.