The career of iconic broadcaster Angela D'Audney spanned four decades. After a pioneering frontwoman role on 1974 regional show Look North, D’Audney went on to present news programmes, long-running arts slot Kaleidoscope, and act in teleplay The Venus Touch. In 2001 she was diagnosed with a brain tumour; D'Audney died the following year, after co-writing autobiography A Wonderful Life.
I've always wanted to do this, and I've never been able to...this is One News on Monday, goodnight … love you, bye. Angela D’Audney at the end of her final news bulletin, June 2001
In an emotional Today Live interview from June 2001, Susan Wood talks to pioneering newsreader Angela D’Audney about her diagnosis with a brain tumour four weeks earlier, resulting surgery and the prospect of radiotherapy. D'Audney talks about the highs and lows of her considerable career, and attributes her success as much to tenacity as talent. Paul Holmes reminisces and offers support, there’s archive footage of her from AKTV-2 in 1968; and she is given the final word in what will be her last television appearance. Angela D’Audney died on 6 February 2002.
With a cast of stars from television, music (TrueBliss, Bunny Walters) and sports (Stu Wilson), this 2000 documentary offers a close-up on fame — Kiwi-style. There are insights on local paparazzi from women's magazine editors, who have lost friends over what they have chosen to publish. Angela D'Audney reveals the 'intimate' relationship between TV personality and audience — looking animated is a job requirement, if she wants to walk in public unaccosted; and swimmer Danyon Loader describes the challenges of being forced into the media spotlight as a shy teen.
This 21 December 1999 Xmas episode of Havoc 2000 recaps the show’s memorable moments of the year. The malarky includes various Kiwi TV celebrities, a notorious visit to Gore, cracking up at puns in Bulls, Angela D'Audney entoning Doors lyrics, 'Fun with Meat' classics, a nude horse, a honeytrap for presenter Nick Eynon, and Mikey bungy jumping from the Harbour Bridge. On the music front there’s truck bed tunes from The Hasselhoff Experiment, and an interview with dub pioneer Lee 'Scratch' Perry. The finale features a Ferrari and a "peace out" from newsreader Tom Bradley.
Over nearly two decades and almost 9000 hours of TV time, Good Morning was a TVNZ light entertainment mainstay, airing on weekdays from 9am on TV One. Filmed at Wellington’s Avalon Studios for most of its run, the magazine show ranged from advertorials for recipes and home appliances to news, film reviews, aerobics, interviews, and … hypnotism. Presenters included inaugural host Liz Gunn, Mary Lambie (with her cat Lou), Sarah Bradley, Brendon Pongia, Steve Gray, Hadyn Jones, Lisa Manning, Rod Cheeseman, Jeanette Thomas, Matai Smith, and Astar.
September 1994 marked a turning point in Peter Jackson's career. With the debut of his film Heavenly Creatures, many critics began to see him in a new light. This One Network News piece interviews Jackson at Wellington Airport, shortly after winning a Silver Lion at the Venice Film Festival for Heavenly Creatures. Jackson says he plans to keep making movies in New Zealand, and pays tribute to his late producer Jim Booth. Five months later, Jackson was nominated for his first Academy Award. Three months after that, he began Hollywood-funded movie The Frighteners in NZ.
This TVNZ production screened at the end of 1989, just before the 150th anniversary of the signing of the Treaty of Waitangi. Filmed at Government House, presenter Ian Johnstone oversees passionate kōrero as a panel of youngsters, academics and Māori and Pākehā elders debate the place of New Zealand’s founding document. Don Selwyn and Angela D’Audney explore its history, and Sir Paul Reeves begins by musing on chief Te Kemara’s famous about-turn, when, after first opposing the Treaty, he turned to Hobson and said: “How d’ye do Mr Governor”.
To mark its first 25 years, TVNZ commissioned independent producer Ian Mackersey to chronicle a day in its life as the national broadcaster. Coverage is split between the often extreme lengths (and heights) gone to by technicians maintaining coverage, and the work of programme makers — including the casts and crews of McPhail and Gadsby and Country GP. The real drama is in the news studio during the 6.30 bulletin (with light relief from the switchboard) in this intriguing glance back at a pre-digital, two channel TV age during the infancy of computers.
In this episode from long-running arts series Kaleidoscope, reporter Angela D’Audney visits the artist Grahame Sydney at his home — Mount Pisa Station near Cromwell — and discovers the slow and painstaking techniques he uses to produce his remarkable landscapes. Sydney explains how he chooses the subjects for his paintings and manipulates the Central Otago landscapes, to create the artworks for which he has achieved worldwide fame. Sydney also discusses the impact of family life upon him and his work.
Sylvia Ashton-Warner shows her prickly side in a brief interview at the start of this Weekend item, which backgrounds a movie based on the pioneering educationalist's life. Reporter Ainslie Talbot arrives in small-town Pipiriki on the Whanganui, to visit one of the most expensive sets then built for a local film. He interviews Sylvia's director Michael Firth, who spent seven years getting the project off the ground, and talks to UK actor Eleanor David, who plays Sylvia. The film would go on to win rave reviews overseas, and praise for David's "intelligent, compassionate performance".
The nightly Eyewitness News debuted in 1982 having evolved out of TV2’s twice weekly current affairs show of the same name. Screening at 9.30pm, it moved to TV One before being axed in 1990 in favour of a later One News bulletin. Two of the key moments in the political turmoil of 1984 played out in front of its cameras — PM Robert Muldoon’s calling of the snap election and his devaluation interview which sparked an economic and constitutional crisis. Reporter Rod Vaughan also received his infamous bloody nose from Bob Jones while on an Eyewitness story.
Sensuous expressions of landscape and the human form made Edward Bullmore (aka Ted Bullmore) a pioneer of surrealism in New Zealand art. This Kaleidoscope report interviews the painter’s colleagues and family, and surveys the artist’s life and career: from an unlikely mix of Balclutha farm boy, Canterbury rep rugby player and Ilam art student, to success in 60s London – exhibiting with René Magritte and Salvador Dali, and having his works used by Stanley Kubrick in film A Clockwork Orange – before returning to teach in Rotorua (and obscurity), and his untimely death in 1978.
In this infamous edition of the Loose Enz anthology series, sexologist Rufus (Grant Tilly) has marriage problems, due to being more theoretical than practical when it comes to the ways of the flesh. Things grow more complicated when patient Ernest (Bruno Lawrence, playing nerdy for a change) claims he is suffering from having a magic touch with women. Alongside Joy of Sex japes and punning pillow talk galore, this sex farce gained notoriety for scenes of high-profile newsreader Angela D’Audney (as the dissatisfied wife) going topless, then donning a turquoise catsuit.
Kaleidoscope was a magazine-style arts series which ran from 30 July 1976 until 1989. Running for many years in a 90 minute format, the show tried varied approaches over its run, from an initial mix of local and international items — including live performances — to episodes which focused on a single artist or topic. In the early 80s Kaleidoscope collected three Feltex awards for Speciality Programme. Hosts over the years included initial presenter Jeremy Payne, newsreader Angela D'Audney, future Auckland music professor Heath Lees, and Warratahs fiddler Nic Brown.
In 1975 TV One launched with a flagship 6.30 news bulletin which went largely unchanged with the move to TVNZ in 1980. In a 1987 revamp, it became the Network News with dual newsreaders Judy Bailey and Neil Billington (replaced by Richard Long). In 1988, the half hour programme moved to 6pm. With the advent of TV3 in late 1989, it was rebranded One Network News; and, from 1995, extended to an hour. The ill-fated replacing of Long with John Hawkesby in 1999 saw it make headlines rather than report them. In 1999, there was another name change to One News.
NZBC series On Camera was an afternoon magazine show. It screened separately on each of the regional channels, but shared items and interviews. Subjects ranged from Rolf Harris and Alfred Hitchcock to VSA and ballet, and topics “of particular appeal to women”. Presenters included Julie Cunningham (Christchurch), Irvine Lindsay (Wellington) and Sonia King (Auckland), with Max Cryer reporting from Hollywood. Future head of TVNZ Māori programming Ernie Leonard (reporter) got early experience on the show, and future Quiet Earth composer John Charles was a director.
This archival compendium of Kiwi newsreaders in the hot seat compresses 21 years of footage into four minutes. Sixties BBC-style newsreader Bill Toft tells viewers about a court trial involving pirate station Radio Hauraki; Philip Sherry covers the 1970 shooting of four students at Ohio's Kent State University; and pioneering female newsreader Jennie Goodwin talks weather matters, using graphics and a roller-door style arrangement that now looks sweetly low-tech. The footage also includes the late Angela D'Audney, and long-serving news team Richard Long and Judy Bailey.