Producer [Ngāti Porou, Tuhoe, Rongowhakaata]
Bailey Mackey's first television job was as a reporter for Māori news programme Te Karere. Later, while Head of Sport for Māori Television, he created long-running sports show Code. Mackey established companies Black Inc Media and Pango Productions, and co-created high profile 2012 reality series The GC. He also sold the format for Pango's hit show Sidewalk Karaoke to global company FremantleMedia.
He's like a guy with three brains — the one in his head, the one in his heart and the one in his gut — and that's what you need to make it in TV production internationally. Kiwi television veteran Julie Christie on Bailey Mackey, in The NZ Herald, 19 June 2016
This Māori Television hit offers a down-home NZ Idol mixed with a little Fear Factor, as off the street talents sing three rounds of karaoke and try to win $1000. Hosts Te Hamua Nikora (Homai Te Pakipaki) and Luke Bird (The Stage - Haka Fusion) coax Lagitoa from Papatoetoe, Samantha from Pakuranga and Renee from Rotorua to belt out their favourite song. The show’s stripped back style allows lots of space for audience reactions (this time at Rotorua's night markets, and in Pakuranga). With encouragements in te reo and English, the contestants feel the fear and sing anyway.
Taika Waititi's fourth feature is the tale of a city kid and a grumpy uncle on the run. Raised on hip hop and state care, Ricky (Shopping's Julian Dennison) goes bush with his foster uncle (Sam Neill). The authorities are on their tail. In this excerpt, the pair get caught, and s**t gets real. Wilderpeople is based on Barry Crump book Wild Pork and Watercress. Keen to recapture the style of classic screen yarns like Came a Hot Friday, Waititi's aim was a funny, accessible adventure. The result won acclaim almost everywhere it went, and became New Zealand's biggest ever local hit.
Avoiding the bells and big notes of talent franchises like X Factor and Got Talent, the stage of this Māori Television series is Aotearoa’s streets and night markets. Passing punters hit the mic to see if they can make it through three karaoke rounds to win $1000. It replaced long-running studio karaoke show Homai Te Pakipakai, and is hosted by Te Hamua Nikora and Luke Bird. Created by Bailey Mackey (The GC) and Jonathon Urlich, the format sold to global company FremantleMedia. Raved The Spinoff writer Madeleine Chapman: "Sidewalk Karaoke is so simple it’s genius."
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
Among a number of high profile acting parts, Temuera Morrison is most indelibly associated in New Zealand with his 1994 role as Once Were Warriors’ abusive husband ‘Jake the Muss’. In 2013 he became the subject of a reality show. Made for TV One by producer Bailey Mackey, The Life and Times of Temuera Morrison follows the actor for six months as he attempts to breathe life into an acting career that has spanned 35 years, beginning as an 11-year-old. The Listener’s Diana Wichtel called the seven-part series “entertaining, good-hearted stuff, cut with an arch but sympathetic eye”.
From Jake the Muss to bounty hunter Jango Fett to talk show host, Temuera Morrison has played them all. In 2013 he played himself in this seven-part reality series, with cameras following over six months as he tried to revive his career. In this first episode, the easy-going actor has a birthday with his kids in hometown Rotorua, chats to his Hollywood agent about job possibilities from the rebirth of Star Wars, and faces up to learning an American accent. Later episodes saw him publicising hit film Mt Zion, and fielding an offer to direct.
For three seasons, The GC followed young Māori living on Australia’s Gold Coast: partying, keeping buff and chasing dreams (from rap stardom to owning a gym). The GC was a ratings success, particularly among Māori viewers, but won controversy over how much Māori content it contained. After two seasons on TV3, a third season screened on Channel Four. Executive produced by Julie Christie, The GC was compared to American reality hit Jersey Shore. Creator Bailey Mackey (Code) told ScreenTalk in 2013 that "The GC doesn’t represent Māori as a whole, it’s just a slice of who we are."
As of 2012, 130,000 Māori – aka 'Mozzies' – were living in Australia. This reality series follows young Māori chasing "money, sex and fame" on the Gold Coast: partying and pursuing careers (from modelling and music stardom, to owning a gym). This first episode sees scaffolder/ property investor Tame Noema introduce the crew, ahead of a housewarming party. The kōrero ranges from scoring 'aunties' to pride in tā moko. Created by Bailey Mackey (Sidewalk Karaoke), The GC was a ratings success for TV3, and made headlines for its depiction of a modern Māori subculture.
This docudrama follows an imaginary news reporter who travels back in time to cover the days leading up to the Treaty of Waitangi’s signing on 6 February 1840. Dropping the usual solemnity surrounding Aotearoa’s founding document, it uses humour and asides to camera to evoke the chaos and motives behind the treaty. Written by Gavin Strawhan, with input from novelist Witi Ihimaera, What Really Happened screened on TVNZ for Waitangi Day 2011. Its nominations at the Aotearoa TV Awards included Best Drama, director (Peter Burger) and actor Jarod Rawiri (who played Hōne Heke).
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
Award-winning reality show One Land sees families living without power or running water, 1850s style. In this first episode, two Māori familes arrive by waka at their new home: a purpose-built marae with a garden, on a hill above the Firth of Thames. The larger family speak only te reo; the other identifies as European. Recreating the changes which transformed Aotearoa, a Pākehā family arrive, then head on foot towards their promised parcel of land. If they're to get through this "social and cultural experiment" without starving, they will need to trade with their neighbours.
This long-running, hour-long Māori Television sports show saw presenters and sports stars korero in front of a studio audience. The show won a cult audience thanks to its easy-going style, mixing studio action (music, demonstrations) with light-hearted field shoots (eg Brofessionals). Catchphrase "Mean Māori Mean" entered the culture. Ringleaders included Jenny-May Clarkson (née Coffin), Wairangi Koopu, and Liam Meesam, and superstars like Sonny Bill Williams relaxed on the Code couch. The show won Best Sports Programme at the 2007 Air New Zealand Screen Awards.
Launched in 1992, Marae is the longest running Māori current affairs programme. It aims to keep its audience in touch with the issues — political or otherwise — that affect Māori, and explain kauapa Māori from a Māori perspective. The Marae Digipoll is seen as a respected barometer of matters Māori. Marae was relaunched briefly in October 2010 as Marae Investigates, presented by Scotty Morrison and Jodi Ihaka Marae (and later Miriama Kamo) . Screening on TV One, Marae is presented half in english and half in te reoi. It is now made by company Pango Productions.
Independent channel TV3 launched its prime time bulletin on 27 November 1989. The flagship 6pm bulletin — originally called 3 National News — was anchored by ex state TV legend Philip Sherry, with Greg Clark handling sports. Sherry was replaced by Joanna Paul, then another ex TVNZ anchor, John Hawkesby. A 1998 revamp saw Carol Hirschfeld and John Campbell take on dual anchor roles. Their move to Campbell Live in 2005 opened the doors for a decade-long run by Hilary Barry and Mike McRoberts. In 2016 Mediaworks rebranded its news service — and the slot — as Newshub.
Te Karere is a long-running daily news programme in te reo Māori. Based in the TVNZ newsroom, Te Karere covers key events and stories in the Māori world as well as bringing a Māori perspective to the day's news. Significant for pioneering Māori news on mainstream TV, for three decades it has been a platform for Māori to comment on issues and events. Founded by Derek Fox, it first went to air during Māori Language Week in 1982, before getting its own regular slot the folowing year. Te Karere initially ran for only four minutes, then 15; in 2009 it was expanded to half an hour.
This iconic travelling TV game show pitted teams representing New Zealand towns against each other in a series of colourful physical challenges. Top Town was run over a series of weekly heats, staged in different towns on local sports fields. It leveraged nostalgia for a fast-fading time when NZ's population (and identity) resided in rural hub towns. The series was light-hearted light-entertainment gold, but the battle for civic bragging rights was serious stuff and it screened for 14 years from 1976 until 1990.