Brian Edwards began making his reputation in the late 60s as one of the country's toughest television interviewers. In 1971 an Edwards interview on current affairs show Gallery famously helped end an ongoing post office dispute. He went on to present a host of interview-based shows, and played a big hand in creating longrunning consumer rights show Fair Go.
There's an energy and excitement about it (live broadcasting) that you don't get when you pre-record, and a sense that anything can happen. And because, by definition, it's unedited, there's an implicit honesty about the live broadcast. What you see is really what you get. Brian Edwards on his preference for live broadcasting - Dominion Post, 6 July 2003
Family, friends and former foe joined Helen Clark before the cameras for this TV3 documentary, which charts her journey from Vietnam protestor through low-polling Labour Party leader, to long-reigning PM and the UN. In this excerpt, Clark and biographer Denis Welch recall how after becoming opposition leader, Clark was advised to make various changes to her hairstyle and presentation. Featuring appearances by John Key, Don Brash and media-shy husband Peter Davis, the two-part doco was helmed by Dan Salmon and artist/director Claudia Pond Eyley.
From the Archives: Five Decades was a TVNZ series marking the celebration of 50 years of television in New Zealand. The five-part series launched the TVNZ Heartland channel on Sky TV, on 1 June 2010. The host was children's TV presenter (Hey Hey It's Andy) turned network executive Andrew Shaw. Each slot showcased a specific decade — from the 1960s to the 2000s — and featured archival TV programmes and clips, plus an interview with a key figure from the decade. Those interviewed were Paul Holmes, Brian Edwards, Ray Columbus, David McPhail and Peter Elliott.
This is the opening episode of the Prime TV series celebrating 50 years of New Zealand television: from an opening night puppet show in Auckland in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ on Air, Sky and Māori Television) and interviews many of the major players. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within a story.
Sam Hunt is New Zealand’s best known and most visible contemporary poet; and, in an archive excerpt from this feature length documentary, Ginette McDonald calls him “the most impersonated man in New Zealand”. Director Tim Rose, who has known Hunt since he was a boy, decided too little was known about him beyond his flamboyant, public persona. So Rose spent four years making this documentary — mixing a wealth of archive material with interviews with Hunt, and those who know him best, and new footage of him reading his work and performing with David Kilgour.
Marking New Zealand television’s 50th birthday, this TVNZ Heartland series looked back at the medium's history, decade by decade. Each episode featured an interview with a prominent TV figure from the era. In this excerpt from the 1970s survey, host Andrew Shaw interviews broadcaster Brian Edwards, who reflects on changes in TV political interviewing from veneration to confrontation, and the impact of Muldoon; his key role in brokering a Post Office dispute, live on screen; and the birth of consumer affairs show Fair Go, and why it has lasted so long.
Popular consumer affairs show Fair Go is one of New Zealand TV's longest-running series. This episode — presented by its longest serving host, Kevin Milne — looks back at 30 years and 860+ shows of Fair Go. Amidst regular Fair Go stories, there is a flashback to the 1977 debut of original host Brian Edwards; retro segments on soapbox rights in Christchurch Square, blocked gutters, and neighbours at war; a 1982 spoof on the struggle to open screw tops on soft drink bottles; and a 1980 survey of NZ's most untrustworthy occupations (lawyers, car dealers). Contact Fair Go here.
This documentary chronicles a shameful passage in NZ race relations: the controversial mid-70s raids on the homes and workplaces of alleged Pacific Island overstayers. Director Damon Fepulea’i examines its origins in Pacific Island immigration during full employment in the 1960s, when a blind eye was turned to visa restrictions. As times got tougher, that policy changed to include random street checks by police, despite official denials. Resistance by activists and media coverage helped end a policy which has had a long term effect on the Pacific Island community.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
“It’s hard to imagine our way of life before the box turned up in our living rooms.” Newsreader Dougal Stevenson presents this condensed history of New Zealand television’s first 15 years: from 60s current affairs and commercials, to music shows and early attempts at drama. The first part of a two-part special, this charts the single channel days of the New Zealand Broadcasting Corporation from its birth in 1960 until puberty in 1975, when it was split into two separate channels. Includes recollections from many of NZ TV’s formative reporters and presenters.
Star interviewer Brian Edwards talked to the sons and daughters of well known New Zealanders in this six part series. Edwards could be a tough interrogator, but his brief here was to explore the pressures placed on the families of the famous without blindly perpetuating public images, or turning the interviews into inquisitions. The subjects (and their famous parents) were Kit Toogood (Selwyn Toogood), John Kirk (Norman Kirk), Donna Awatere (Arapeta Awatere), Barbara Basham (Aunt Daisy), Helen Sutch (Bill Sutch) and John and Hilary Baxter (James K Baxter).
John Kirk, son of the late prime minister Norman Kirk, is Brian Edwards’ interviewee in this episode from a series featuring the children of famous parents. While undeniably proud of his father, he pulls few punches in describing how his family suffered from the often negative attentions of others, and the demands placed on Big Norm which competed with his role as a husband and father — and may ultimately have contributed to his early death. Kirk was an MP representing his father’s seat of Sydenham, but his political career would not be as illustrious.
Popular consumer affairs show Fair Go is one of New Zealand TV's longest-running series. It began in 1977, devised by Brian Edwards and producer Peter Morritt. The TVNZ programme mixes investigative reporting (daring to "name names" and expose rip-off merchants everywhere) with light-hearted segments. Its roster of presenters has included Edwards, Judith Fyfe, Hugo Manson, Philip Alpers, Kerre McIvor (nee Woodham), Carol Hirschfeld, Gordon Harcourt, and longest serving host, Kevin Milne. A perennial favourite segment is the round-up of the year's ad campaigns.
This award-winning 1973 TV drama follows the career of PM Richard 'King Dick' Seddon from the events leading to his premiership in 1893, until his death in 1906. Writer Michael Noonan intersperses speeches and cabinet discussions with vignettes of Seddon's interaction with pressure groups and voters. Tony Currie (Close to Home) is convincing as the colourful Seddon, forcing through groundbreaking legislation. Currie won best actor at the Feltex Awards for his efforts. Watch out too for broadcaster and media commentator Brian Edwards as an opposition MP.
In this famous edition of current affairs show Gallery interviewer Brian Edwards turns conciliator in a long-running industrial dispute. Post Office workers had imposed a go-slow after wage negotiations broke down. Producer Des Monaghan managed to get the Postmaster General Mr McCready and Mr Reddish of the Post Office union into the studio together. In the interview’s final minutes Edwards forced an agreement between the two men to stop union action and go back into mediation. This programme won Edwards a Feltex Award for ‘Best Performance as Frontman’.
Current affairs show Gallery took on controversial topics of the day, most famously in a Brian Edwards interview which solved a Post Office industrial dispute live on-air. Produced by Des Monaghan, it began as a studio-based programme that discussed political issues, but was soon expanded. Edwards’ confrontational style of interrogating public figures was new to New Zealand TV, and polarised viewers. It saw Edwards (the "mad mauler") become a household name, and earned him a reputation as a hardline interviewer. He was succeeded as host by David Exel.
NZBC series On Camera was an afternoon magazine show. It screened separately on each of the regional channels, but shared items and interviews. Subjects ranged from Rolf Harris and Alfred Hitchcock to VSA and ballet, and topics “of particular appeal to women”. Presenters included Julie Cunningham (Christchurch), Irvine Lindsay (Wellington) and Sonia King (Auckland), with Max Cryer reporting from Hollywood. Future head of TVNZ Māori programming Ernie Leonard (reporter) got early experience on the show, and future Quiet Earth composer John Charles was a director.
Town and Around was a nightly magazine show, covering everything from current affairs and studio interviews to slapstick to stunts; including a notorious spoof on a farmer who shod his turkeys in gumboots. A popular and wide-ranging regional series, it ran for five years from 1965, and was the training ground for a generation of industry professionals (Brian Edwards, David McPhail, and Des Monaghan amongst many others). Town and Around was made prior to a national network link, and editions came out of Auckland, Wellington, Christchurch and Dunedin.
Launched in October 1964, Compass was the first local programme to provide regular coverage of politically sensitive topics. Alongside the job of reporting on the news from a NZ perspective, Compass was the first to file comprehensive news reports from overseas. The controversial banning of a programme on the changeover to decimal currency became a flashpoint in 1966. This led to the high profile resignation of producer Gordon Bick. Compass can now be seen as the forerunner to Close Up, Foreign Correspondent and more recently Sunday.