Bruce Hopkins did time as a crayfisherman and eight years as a professional dancer, before switching to acting in the mid 1980s. Despite having appeared in literally dozens of movies and TV shows since, he is probably best known for a single role: that of Gamling, loyal fighter for King Theoden in the second and third Lord of the Rings films. In 2011 Hopkins set up agency Action Actors with Anthony Hurst, a temping company for actors between acting gigs.
My role grew from what was to be one week to about 50 days throughout nine months in 1999. I then did two or three days in 2001 and 2002 for pick-ups on Two Towers and Return of The King. Bruce Hopkins, on his role in the Lord of the Rings trilogy
In this mockumentary series, two metrosexual Māori males have six months to find a Māori bride in order to win a hefty inheritance. Created by writer Dane Giraud, the show mines comedy from being a modern Māori in the city. NZ Herald reviewer Alex Casey praised it for adding "much-needed fresh perspectives to New Zealand television comedy." The cast of the Kiel McNaughton-directed hit includes Cohen Holloway (Boy), Amanda Billing (Shortland Street), Rachel House (Whale Rider) and Siobhan Marshall (Outrageous Fortune). Jennifer Ward-Lealand narrates.
A light take on unfortunate circumstances, Broke offers the simple story of a not-so-simple mission to buy some milk. Armed with only the meagre change he can scrape from his messy apartment, Billy (Dan Veint) is affronted on his numerous trips to and from the dairy by a homeless man (Bruce Hopkins) asking for the spare coins he doesn't have. Conflict is brewing. Broke was inspired by a real life incident experienced by writer/ director James Solomon — who first came up with the idea of the K’ Rd Stories series of short films. Billy also turns up in another K' Rd Story, The Event.
On 4 December 1966 pirate radio hit Kiwi airwaves when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. In this feature, rookie director Craig Newland and writer Andrew Gunn fictionalise the true life story of the station’s battle to get to air — overcoming courtroom rulings and a conservative state broadcasting monopoly, as well as storms at sea. Go Girls actor Matt Whelan (who was Moa-nominated for the role) plays young rebel journo Richard Davis, fighting for free speech, the freedom to choose, the woman he loves … and rock’n’roll!
Described as “bloody brilliant” by horror legend Peter Jackson, Housebound follows a woman dealing with the triple threats of house arrest, potential ghosts, and having to live with her mother. Morgana O’Reilly (TV movie Safe House) is the criminal facing eight months home detention with an annoying Mum (Rima Te Wiata). Jaquie Brown Diaries director Gerard Johnstone’s film debut won near universal praise, and the remake rights sold to New Line in the US. Fangoria loved its mixture of "fantastic comedy" and mystery and it was nominated for ten Moas, including Best Film.
This gleefully violent "zombie romcom" is another offering from Auckland's Media Design School, where 3D CGI students collaborate with their tutor, director James Cunningham, and industry veterans. Based on an idea from course grad Philip Magnussen, Rotting Hill sees two lovers — played by Anna Hutchison (Go Girls, The Cabin in the Woods) and Australian actor Jason Smith (Home and Away) — finding that "true love never dies" in a post-human future. The short has netted over one million views on Vimeo. Keep tissues handy: you may shed a tear ... or maybe an eyeball.
Maurice Gee's classic novel about aliens running amok under Auckland has rarely gone out of print, since its debut in 1979. First adapted as a memorable 80s TV series, this movie retooling sees teenage twins Theo and Rachel stumbling across shape-shifting creatures that are hiding beneath Auckland's extinct volcanoes. American showbiz magazine Variety praised Black Sheep director Jonathan King's "solid helming", and the excellent acting of Sam Neill as the mysterious Mr Jones. Oliver Driver plays lead villain Mr Wilberforce, under four hours of make-up.
This offbeat father and son feature was written by Scotsman Alan Sharp, and mostly filmed in the UK by a Fijian-Brit Kiwi. Lawrence of Arabia legend Peter O'Toole plays a stiff upper lip Englishman whose frosty relationship with his son warms after hearing an extraordinary tale of reincarnation from Reverend Dean Spanley (Sam Neill). Based on an Edward Plunkett novella, Toa Fraser's second feature won praise for its cast, and mix of comedy and poignancy, "intertwined to the last" (The Age). Spanley won a host of Qantas awards; GQ rated it their film of the year.
Monstrous spiders, dragon-aided epic battles, endangered hobbits and final farewells ... the finale of the Lord of the Rings trilogy boldly upped the ante. Although the first two films had excited viewers, critics and accountants, Return of the King sealed Peter Jackson's place in movie legend. Reviewers praised it with gusto and the film won a staggering 11 Oscars, a total matched only by Titanic and Ben-Hur. Return anointed a Hollywood empire in the Wellington suburb of Miramar. The box office figures weren't half bad, and nor was the effect on New Zealand tourism.
It's election time in this special episode from the topical weekly satire series about a PR firm (written by James Griffin, Dave Armstrong, Tom Scott and Roger Hall). Giles Peterson and Associates will take on any client - even if it means trying to update Helen Clark's wardrobe, speechwriting for Winston Peters, offering succour to fading National and Alliance MPs, brokering a coalition deal between the Greens and Labour, or helping candidates master the intricacies of The Worm. Meanwhile, elements of the Catholic Church feel they haven't apologised enough.
The second Lord of the Rings installment sees hobbit Frodo Baggins continuing his mission to destroy the ring. Meanwhile the Fellowship is breaking apart, and an epic night battle ensues at Helm's Deep. The film marked a star turn by Gollum, the emaciated Andy Serkis-voiced creature whose realisation was a cinema landmark and a triumph for the design and special effects team. Alongside praise for the film's pace and spectacle, The Two Towers broke international opening records, before going on to outgross Fellowship of the Ring, and win two technical Oscars.
Billy Williams (Cliff Curtis) is enthusiastic and likeable, but a bit hopeless. When the driving force behind the Waimatua School 75th Jubilee is killed in an accident, Billy takes over, determined to prove himself. Meanwhile, the arrival of ex-international rugby player Max Seddon (Kevin Smith) forces Billy's wife Pauline (Theresa Healey) to question the choices she has made in her life. This affectionate comedy drama about small town New Zealand life marked Cliff Curtis's first lead role in a feature film — and actor Michael Hurst's first time directing a movie.
In the last of a trilogy of tele-movies, private investigators John Lawless (Kevin Smith) and Jodie Keane (Shortland Street's Angela Dotchin) seek the truth behind an apparent suicide. Their client is visiting mystery woman Lana Vitale (a strong performance by American Jennifer Rubin) who wants to know why her husband is dead. For Lawless, the trial soon leads to romance, intrigue, plus a shady nightclub/ porn operator (singer Frankie Stevens). This Kiwi take on American crime shows includes an appearance by Snakeskin actor Dean O'Gorman.
The second Lawless tele-movie sees ex-cop John Lawless (Kevin Smith) drinking too much while working as a bouncer in a downmarket bar. Then former crime-solving partner Jodie Keen (Angela Dotchin) enlists his help, to investigate the case of an incarcerated American (C. Thomas Howell) who may have been framed. Someone is attacking hitchhikers, and the creepy finale sees Jodie using herself as bait, before getting trapped in a barn with a murderer. Evening Post reviewer Sarah Daniell found "the whole shebang was executed with wit and style".
The Savages are a working class West Auckland family who like drinking, and living by their own rules. Savage Honeymoon is a celebration of their passion and leather pants - and a snapshot of a couple worried their children may not be as lucky as them. Mark Beesley’s debut feature won good reviews (The Herald praised its “self-confident swagger”) – and headlines, after being downgraded from an R18 to R15. The film pre-dated the Westie family of Outrageous Fortune - though Beesley then hated the Westies label, disliking the word’s negative connotations.
The light-hearted but star-heavy I'll Make You Happy unapologetically showcases a group of Auckland prostitutes, united by girl power — and a general distaste for their pimp (Michael Hurst). Jodie Rimmer dons many wigs and personas as Siggy, the spunky young sex worker who fends off Hurst's pleading advances, while pulling a nerdy banker (Ian Hughes) into her plans for a game-changing heist. The eclectic soundtrack is heavy on electronica, while the cast includes Rena Owen, Jennifer Ward-Lealand, dancer Taiaroa Royal, and a one-minute cameo by Lucy Lawless.
This four-part series from 1996 presents the game of rugby as a mirror for New Zealand social history. Written by Finlay Macdonald, it sets out to explain how rugby became such an intrinsic part of New Zealand's identity. Each episode visits iconic paddocks (from schools to stadiums) and players (from amateurs Nepia, Meads, and Shelford, to professional star Lomu); and observers muse on the influence of the inflated pig's bladder on Kiwi culture, including historian Jock Phillips, writer Ian Cross and journalist TP Mclean.
This four-part series explores New Zealand social history through rugby, from the first rugby club in 1870 to the 1995 World Cup. In this episode commentators muse on the roots of rugby in a settler society, in "a man's country". Rugby's unique connection with Māori, from Tom Ellison and the Natives’ tour to a Te Aute College haka, is explored; as well as the national identity-defining 1905 Originals’ tour, and the relationship between footy and the battlefield. As the Finlay Macdonald-penned narration reflects: “Maybe it's just a game, but it's the game of our lives”.
Two families spend the day at a deserted beach on the hottest day of the summer in this short film which marks a directing debut for long time producer and production manager Dorthe Scheffmann. While husbands and children occupy themselves, Margie (Donogh Rees) discovers a terrible secret about her friend Anne (Elizabeth Hawthorne) and her marriage. Margie’s explosive reaction shatters the languor created by the overexposed footage in this Hamburg Film Festival prize-winner (which was also selected for competition at Cannes and Telluride).
This stylishly high camp melodrama from directors Stewart Main and Peter Wells won acclaim, after debuting at the 1993 Cannes Film Festival. In the imaginary 19th-century town of Hope, draper Dorothea Brooks (Jennifer Ward-Lealand) is desperate to save her sister from the clutches of opium, sex and the dastardly Fraser. She begs hunky migrant Lawrence Hayes to help; but complications ensue. Inspired partly by 1930s and 40s Hollywood melodramas, Desperate Remedies was sumptously shot by Leon Narbey (Whale Rider). Richard King writes about the film here.
Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, produced by Tom Parkinson and features many Kiwi names in front of and behind the camera (Illona Rodgers, Ken Catran). Key original cast and the famous original title sequence and tune are reprised, but now with Beauty galloping along a west coast beach. Two seasons were produced.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in New Zealand and features many Kiwi names in front of and behind the camera. This extract from the fourth episode sees Vicky striving to convince the postmasters (Bill Kerr and Ilona Rodgers) that she and Beauty can be posties; and she faces hostility from local kids (including a young Claire Chitham).
Performance group The Front Lawn (Don McGlashan, Harry Sinclair, and later arrival Jennifer Ward-Lealand) stretched all of their prolific talents for their final, 24 minute short film. After he whistles a certain tune, Ben (McGlashan) finds that his partner Linda (Ward-Lealand) no longer seems to be conscious. Then things get stranger: Linda catches up with an old lover (Sinclair) and faces a life-changing dilemma, while her body — awol with a tennis player on Tamaki Drive — has other plans. The surreal romance was made for TVNZ. It won Best Short at the 1990 NZ Screen Awards.
Gregor Nicholas explores the outer edges of obsession in this deliciously fruity comedy. The syncopated medley of music, strange noises and varied eccentrics doing their special thing shares similarities with a fondly-recalled scene in cult film Delicatessen; though Delicatessen was yet to emerge when this short film first debuted. Rushes played in multiple festivals, including the prestigious Clermont-Ferrand. The soundtrack is by ex Techtones guitarist Steve Roach. Director Nicholas followed this with another oddball romp: his feature debut User Friendly.