Producer [Ngāti Porou]
Christina Milligan has done time as an actor and scriptwriter, but it is producing that she loves most. Milligan began producing at TVNZ, and after classic movie The End of the Golden Weather, did eight years as a writer and script editor in Australia. Currently running company Conbrio with her partner Roger Grant, her producing resume includes documentary Let My Whakapapa Speak and executive producing hit film Mt Zion.
I tend to see the good side in everything I’m doing, even when I’m tearing my hair out. It’s a useful quality for a producer. Christina Milligan
Feature documentary In the Zone tells the story of American Terrance Wallace. In 2011 he launched The InZone Project; its aim was to transform the lives of disadvantaged Māori and Pasifika teens by moving them into supportive homes, in zones that enable them to receive opportunities at top Auckland schools like Auckland Grammar. Director Robyn Paterson (Finding Mercy) follows Wallace as he attempts to take the programme back to his hometown of Chicago. Paterson developed the project after winning a 2015 pitching competition at Kiwi documentary festival Doc Edge.
Journalist Kim Webby's Price of Peace is a portrait of Tūhoe activist Tame Iti, whose family Webby has known for 20 plus years. After the 2007 police raids, Iti was one of four to go on trial, accused of plotting terrorist activities. Webby’s film ranges widely from early land grievances to modern-day jail cells — and a police apology. NZ Herald reviewer Peter Calder praised the result for balancing a personal focus on Iti, with “a powerfully affecting” examination of the 2007 raids, which placed the raids in "the wider context of Tūhoe history and the process of reconciliation”.
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.
After success with short films (This is Her, Redemption) director Katie Wolfe made the transition to longer length story-telling with this 2010 drama. With This is Her writer Kate McDermott she adapted the Witi Ihimaera novel about a 40-something man confronting his double life, and the impact that his coming out as gay has on his wife, kids, and whānau. A key change was turning the book’s Pākehā protagonist to a successful Māori businessman (Calvin Tuteao). It screened on TV One on 23 January 2010 and at festivals internationally (where it was entitled Kawa).
In this sensitive short film written and directed by James Blick, a young boy breaks into an old man’s house in search of dirty magazines. The intrusion is just one more trial for the man (Grant Tilly) as he copes with loss and loneliness by clinging on to keepsakes and memories. He is eager for even a small measure of human contact — and the chance to do one last thing for his wife. For the boy there is an inkling of a world beyond his friend’s narrow experiences and the realisation that a stone might be more than just a missile.
This documentary tells the 25-year history of Kohanga Reo via the influential figure of Iritana Tāwhiwhirangi (2014 New Zealander of the Year finalist). Kohanga Reo is a world-leading educational movement that revitalised Māori language, “by giving it back to the children”. Not eschewing controversy, director Tainui Stephens’ film journeys from a time when students were punished for speaking Māori to a present where they can have ‘total immersion’ schooling in te reo. The Qantas Award-nominated doco screened on Māori Television, and at indigenous festival ImagineNATIVE.
"This is me. This is my husband …" So narrates Evie as she watches her younger self labour with childbirth. "And this is the bitch who will one day steal him, and ruin my life." When the bitch is shown as an angelic six-year-old the tone is set for Katie Wolfe’s award-winning black comedy (her debut short as a director). Writer Kate McDermott’s wry narration moves between then and now, as fate delivers a less than wonderful life in Auckland suburbia. Selected for the Sundance Film Festival, This is Her was a breakout festival success, earning Wolfe notice as a filmmaker to watch.
Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. It follows the events of a far-north resort and casino; a number of well-known actors made up the cast of earthy locals, wealthy foreigners and city weekenders, including Ilona Rodgers, Don Selwyn, Andy Anderson and Katie Wolfe. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. In this episode the swarthy Cosic cooks up an illegal smuggling scheme to diversify a farm's income stream.
In this documentary for TV One, director Aileen O'Sullivan turns the camera on three sets of mother/daughter artists, and asks whether art is in the genes. Interviewing each other about their creative lives are actor Kate Harcourt and actor/acting teacher Miranda Harcourt; weaver Erenora Puketapu-Hetet and weaver/painter Veranoa Hetet (née Hauwaho); and painter Jacqueline Fahey and performer/sculptor Augusta McDonald. Frank yet loving discussions abound, like when Hetet tells her mother "sometimes you come up with silly things".
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
Set over a Christmas beach holiday in 1935, The End of the Golden Weather chronicles the friendship between a teenage boy and the wild-limbed Firpo, dreamer and social outcast. Writer/director Ian Mune spent more than 15 years "massaging" Bruce Mason's classic solo play into a movie, before assembling a dream team to bring it to the screen. The finished film captures the world view of a boy for whom fantasy, hope and disappointment intermingle. Among an impressive awards haul, 12-year-old star Stephen Fulford was recognised at America's Youth in Film Awards.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, produced by Tom Parkinson and features many Kiwi names in front of and behind the camera (Illona Rodgers, Ken Catran). Key original cast and the famous original title sequence and tune are reprised, but now with Beauty galloping along a west coast beach. Two seasons were produced.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, produced by Tom Parkinson and features many Kiwi names in front of and behind the camera. This extract from the fifth episode sees Vicky and Beauty meet a mysterious travelling circus; and postman Samuel (Bill Kerr) learns a lesson in trusting shysters.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in New Zealand and features many Kiwi names in front of and behind the camera. This extract from the fourth episode sees Vicky striving to convince the postmasters (Bill Kerr and Ilona Rodgers) that she and Beauty can be posties; and she faces hostility from local kids (including a young Claire Chitham).
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, and features many Kiwi names in front of and behind the camera. This extract from the eighth episode sees Manfred attempt to fly on Karekare beach in a Richard Pearse-like contraption, as a shady-looking Kurt (Michael Hurst) looks on, and Vicky charges to the rescue on Beauty.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, produced by Tom Parkinson and features many Kiwi names in front of and behind the camera (Illona Rodgers, Ken Catran). This extract from the first episode follows preparations for the trip down under, and introduces Vicky to the original Black Beauty.
By the time of Gloss’s second season the sharemarket had crashed, but the parade of yuppies, shoulder-pads and champagne went on. This 19 July 1988 episode sees the Redfern family deal with a tragedy; it also features an acting cameo from future weatherman Jim Hickey. In these excerpts Hickey isn’t playing meteorological soothsayer to the nation, but a policeman responding to the mysterious death of Brad Redfern (Michael Keir-Morrissey). He soothes the Redferns, after tossing a coin with a fellow officer for a ride to Remuera in the deceased’s Jaguar.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
This Inspiration edition profiles NZ’s pre-eminent children's author Margaret Mahy: from her childhood as "Mad Margaret", through her days as an unmarried mother and librarian to an internationally acclaimed writing career. The centrepiece is a specially commissioned – and typically zany – story about a story (complete with talking mail boxes, typewriters and bookshelves) where Mahy goes meta, and explores the role imagination plays in her work. Throughout the Keith Hunter-directed documentary there is vivid evidence of the remarkable bond Mahy shared with her readers.
Yuppies, shoulder-pads, sports cars and méthode champenoise abound in this cult 'glamour soap'. Gloss was NZ's answer to US soap Dynasty, with the Carrington oil scions replaced by the wealthy Redferns and their Auckland magazine empire. The series epitomised 80s excess, and became something of a guilty viewing pleasure. In this Rosemary McLeod-penned pilot, a 'Remuera Revisited' plot unfolds as Brad Redfern's plans to have a quiet wedding get waylaid by ex-wife Maxine. Schoolgirl Chelsea wags, listens to her Sony Walkman and gets an unorthodox haircut.
Dunedin barrister Alf Hanlon’s first — and most famous — defence case was the first episode in this award-winning drama series about his career. In 1895, alleged baby farmer Minnie Dean was charged with murdering two infants in her care. Hanlon’s inspired manslaughter defence was undermined by the judge’s direction to the jury; and Dean became the only woman to be hanged in NZ. Hanlon vowed none of his future clients would ever suffer this fate. Emmy-nominated and a major critical success, the episode contributed to a re-evaluation of Dean’s conviction.
This was New Zealand's first big historical drama after the controversy over the cost of The Governor almost a decade earlier. Over seven episodes — set between 1895 and 1914 — it followed the life of Dunedin barrister Alf Hanlon, focussing on six of his most important cases. British actor David Gwillim played Hanlon, while Australian Robyn Nevin was cast as convicted baby murderer Minnie Dean in the first and most celebrated episode. A major critical, ratings and awards success, it immediately recouped its budget when the Minnie Dean episode spurred a big international sale.
After adapting the slimy transmogrifying Wilberforces of Maurice Gee novel Under the Mountain for the small screen, scriptwriter (and future sci-fi novelist) Ken Catran returned with his own tale of kids and extraterrestrial contact. The series follows holidaying teen Gretchen (Sarah Dunn) trying to unravel the mystery of a weathervane — a "daisy rod" which seems to have otherworldly powers — and curious objects found in a tapu swamp. Backing up this girl-power sci-fi adventure are Catherine Wilkin, Roy Billing and Utu star Zac Wallace.
Police drama Mortimer's Patch included a Māori sergeant (played by Don Selwyn) among its quartet of rural coppers, yet the series only rarely explored Māori topics. Penned by Greg McGee, this episode plots a small-town twist on questions of racism, abuse of privilege, and the horse-trading behind which cases go to court. After a theft at the local takeaways, one of a trio of young Māori reacts to the racist perpetrator — a Pākehā businessman — by breaking the law himself. The guest cast includes Frank Whitten (Outrageous Fortune), Selwyn Muru and Temuera Morrison, whose only line is "Honky. Smooth honky. Nasty".