Kiwi-Italian Paolo Rotondo starred as a serial killer in The Ugly, winning praise from Variety, The Times, and awards at Rome's Fantastic Film Festival. Rotondo studied acting in London and Melbourne, and worked as a TV production manager before impressing audiences in 2001 hit Stickmen. His directorial work includes two shorts - The Freezer and Dead Letters - and upcoming feature Orphans and Kingdoms.
He’s played a ferocious killer, a political revolutionary, a soldier, a hustler, “the most boring character in Shortland Street” and is the TV voice of TelstraClear: Paolo Rotondo can hardly be accused of being typecast. Amanda Spratt, writing about Paolo Rotondo in The Listener in March 2007
Described by writer/director Paolo Rotondo as a “drama about how adults need kids as much as kids need adults”, Orphans & Kingdoms follows three teens on the run, who break into a holiday home to hide out. Then the owner (Colin Moy, who played the brother of the main character in In My Father’s Den) arrives home, followed by the police. Shot on Waiheke Island, the low-budget Escalator film had a sell-out world premiere at the 2014 Auckland Film Festival, before winning a Moa award for best editing. Best known as an actor, Rotondo won awards for writing short film Dead Letters.
During WWII the Post Office photographed letters, enabling mass mailing to soldiers via rolls of film. Post Office worker Ngaire (Yvette Reid) deals with mail for soldiers serving overseas. On this small, handsomely-framed canvas, writer-director Paolo Rotondo explores how war and distance affect relationships. Dead Letters makes a persuasive case that the memories preserved in words and film contain their own magic, even when that magic is tinged with sadness and death. It won best short screenplay at the 2006 New Zealand Screen Awards.
The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)
This series follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. An ambitious 'meta' concept, strong performances from the ensemble cast and stylishly-shot Wellington locations won the Gibson Group drama awards and acclaim, particularly from its targeted youth demographic. In this excerpt from Chapter Eleven, Lindy accepts a job in Toronto but fails to tell boyfriend William; Barry and James discuss Chaos Theory and relationships; and Sam uses flowers in an attempt to fix things with Tina.
This 2003 documentary follows seven weeks of a theatre-for-change course for troubled teens. As part of the acclaimed Te Rākau Hua O Te Wao Tapu programme, 30 teens from South Auckland's Northern Residential Centre are guided by director Jim Moriarty to create songs and plays based on their own stories. The process, from performing haka to confronting their demons and each other, proves challenging. Some don't make it the opening night, performing in front of family and the public. Directed by Stewart Main, the documentary screened as part of TV3's Inside New Zealand.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for NZ music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the sun on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who also made follow-up arts showcase The Gravy. These excerpts from the first series show a calvacade of local talent, including an early Flight of the Conchords screen outing.
Three friends tour the Wellington pub scene, playing pool with ever-increasing stakes. Then they enter a tournament run by vicious crime boss ‘Daddy'. Narrator Kirk Torrance (Outrageous Fortune) guides us through their mission to pocket the money. Hamish Rothwell's only feature to date was a Kiwi take on the UK urban underbelly genre (Lock, Stock etc). "Smart, stylish and effortlessly entertaining" (Dominion Post) the film was a hit with young males and won several 2001 NZ Film and TV Awards (including best director, script, and actor). It sold to over 30 countries.
Over four seasons, Street Legal’s slick Kiwi take on urban crime and law genres racked up a stack of award nominations - including a 2003 NZ TV Award for best drama series. Although initially wary that the Auckland setting might alienate viewers, writer Greg McGee chose a Samoan lawyer (Jay Laga’aia) as his main character, to exploit the show’s inner-city Ponsonby setting (where cafe society bumps into Pacific Island immigrant culture). Other key characters included Silesi’s lawyer ex-girlfriend Joni, and her new partner Kees, an overstressed sergeant.
Created by Gavin Strawhan and Rachel Lang, Jackson’s Wharf was set in a fictional coastal town and revolved around a sibling rivalry between brothers Frank (the town cop) and Ben Jackson (a big smoke lawyer). Returning with his family, golden boy Ben has controversially inherited the local pub from his recently deceased father. Produced by South Pacific Pictures, the one hour popular drama screened for two seasons. Writer James Griffin and director Niki Caro worked on the show, alongside much of the talent who would later create Mercy Peak and Outrageous Fortune.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
‘Beda’ featured on saxophonist Nathan Haines’ live album Soundkilla Sessions Vol 1 (1996). This 1997 music video — directed by Carla Rotondo — is a woozy showcase of Haines’ trademark clubland jazz, shot through with reds and yellows as the camera sways and swings around an Auckland laundromat. A couple of young women get ready for a night out, an old fella perves, a young Oliver Driver gets intimate next to the Surf, and an equally fresh-faced Paolo Rotondo gets lost inside his headphones and sheepskin jacket.
In the debut feature from writer/director Scott Reynolds, serial killer Simon (Paolo Rotondo) has been locked up for the last five years, and is being interviewed by psychologist Karen Schumaker (Rebecca Hobbs). Narrated flashbacks reveal Simon's past, the demons and bad treatment in his present, and the potential for more killing. The Ugly won rave reviews, awards at fantasy festivals in Italy and Portugal, and over 30 international sales: Variety called the film "a tricky, stylish horror", praising it's suspense, visuals, and casting. The Listener's Philip Matthews found it "genuinely creepy".
Blessed with a top-notch cast, this hour long drama chronicled the final 48 hours of leave before three soldiers head to Bosnia. One soldier is forced to share a car with the man who caused his demotion; the trio go on to use their break for various encounters with lovers, families and strangers. Based on a story by Richard Lymposs, whose experiences helped inspire 1986 teen rebel movie Queen City Rocker, The Call Up was shown as part of the debut season of one-off Kiwi dramas which screened in primetime, on the Montana Sunday Theatre. This excerpt features the opening 10 minutes.
Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.