Toi Whakaari acting graduate Rachel House, ONZM, won her first theatre award in 1998, around the time she debuted on screen as co-star of short film Queenie and Pete. Since then she has shown her gift for comedy and drama in The Life and Times of Te Tutu, Whale Rider, and White Lies — and won new fans as a child welfare officer on a mission, in Hunt for the Wilderpeople. She was the voice of Moana's eccentric grandma in Disney hit Moana, and has been a panellist on Ask Your Auntie. House has also directed often for the stage: in 2012 she helmed a te reo version of Troilus and Cressida, at London's Globe Theatre.
A standing ovation in the packed 'standing-room-only' Te Papa marae confirmed the success of this brave and challenging enterprise. John Smythe, reviewing Rachel House-directed play The Maori Troilus and Cressida (Toroihi raua ko Kahira) – 10 March 2012
Taika Waititi's fourth feature is the tale of a city kid and a grumpy uncle on the run. Raised on hip hop and state care, Ricky (Shopping's Julian Dennison) goes bush with his foster uncle (Sam Neill). The authorities are on their tail. Wilderpeople is based on Barry Crump book Wild Pork and Watercress. Keen to recapture the style of classic screen yarns like Came a Hot Friday, Waititi's aim was a funny, accessible adventure. The result began winning acclaim when it debuted at North America's Sundance Film Festival, before becoming Aotearoa's biggest ever local hit.
In this mockumentary series, two metrosexual Māori males have six months to find a Māori bride in order to win a hefty inheritance. Created by writer Dane Giraud, the show mines comedy from being a modern Māori in the city. NZ Herald reviewer Alex Casey praised it for adding "much-needed fresh perspectives to New Zealand television comedy." The cast of the Kiel McNaughton-directed hit includes Cohen Holloway (Boy), Amanda Billing (Shortland Street), Rachel House (Whale Rider) and Siobhan Marshall (Outrageous Fortune). Jennifer Ward-Lealand narrates.
This feature film follows Māori medicine woman Paraiti (played by singer Whirimako Black) on a rare visit to Auckland from her Urewera home. She meets a Māori servant (Rachel House) and is drawn into helping a wealthy Pākehā woman (Outrageous Fortune’s Antonia Prebble) with a scandalous, life-threatening secret. The tale of culture clash and deception in settler Aotearoa was directed by Mexican Dana Rotberg (Otlia Rauda), who adapted the story from Witi Ihimaera novella Medicine Woman. Producer John Barnett was also involved in the adaptation of Ihimaera’s Whale Rider.
Actor Madeleine Sami transforms into five very different Aucklanders in this Taika Waititi directed comedy series. Cheerleader Pasha is desperate to hang on to her youth; Linda tries too hard with her middle-aged clique; Azeem the Iranian taxi driver is obsessed with Māori culture; homeless Georgie makes a shock discovery, and gym instructor Jo secretly loves a female colleague. Rachel House, Rose McIver and Antonia Prebble appear in this series opener. Super City creator Sami (The Breaker Upperers) co-wrote the scripts, and won an Aotearoa award for Best Actress.
Creating and playing all of the main characters in Super City made for a "physically exhausting" experience for Madeleine Sami. But the hard yakka paid off, with the first season winning Sami a best actress gong and rave reviews. The show weaved the storylines of very different Aucklanders (five in season one, and four new characters in season two): including a ditzy Indian cheerleader, an Iranian male taxi driver obsessed with Māori culture, and a homeless woman. Taika Waititi (Boy) directed the first series; Oscar Kightley (Sione's Wedding) took over for season two.
Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
Starting in the questioning times of the late 60s, many New Zealanders began leaving town to set up their own communities, in search of alternative ways to live. This then and now documentary travels to communes long gone and still active, and tracks down many of those involved. Tim Shadbolt describes a time when people questioned "everything fearlessly ... without reserve and without restraint". The back to the land approach brought both satisfaction and fatigue. Dirty Bloody Hippies played to full houses at NZ's Documentary Edge Festival.
Taika (Boy) Waititi's first feature is an offbeat comedy about two lonely misfits and their attempts to find love. Lily (Loren Taylor) is a shy fast-food cashier with a crush on clueless gaming geek Jarrod (Conchord Jemaine Clement). When Lily crashes Jarrod's fancy dress party wearing a shark costume and impresses the self-styled ‘Eagle Lord' with her gaming prowess — excerpted here — she gets her man. But their budding romance is sorely tested by Jarrod's obsession with a childhood nemesis. Empire called the film, "a comic delight destined for cult adoration."
Kōrero Mai used a soap opera (Ākina) as a platform to teach conversational te reo Māori. In this fifth season opening episode, Tini (Stephanie Martin) and Quinn (Kawariki Morgan) deal with the aftermath of the previous season's climactic car crash. Presenter Piripi Taylor introduces phrases like 'Ana e tā' (yeah man!). This season of the award-winning Māori TV show had 120 episodes, screening from Monday to Wednesday, then repeated. The directors are actors Rawiri Paratene (Whale Rider) and Rachel House (Hunt for the Wilderpeople), and cinematographer Simon Raby.
This item from arts show Frontseat asks whether it is right for actors to portray other races than their own. Samoan Kiwi David Fane — who won both fans and criticism, after voicing Jeff da Māori on bro'Town — argues that playing another ethnicity is only an issue when the actor does a bad job. Actor Rachel House (Whale Rider) raises wider issues of indigenous people telling their own stories; and Cliff Curtis, known for a wide range of ethnicities on screen, says he needs to be just as careful playing Māori of other iwi, as when he is playing other races.
This children's post-apocalyptic fantasy series follows a circus troupe, Maddigan's Fantasia on their quest to save the world's only remaining city, Solis. The show was created by children's writer Margaret Mahy, developed for television by writers Gavin Strawhan and Rachel Lang for South Pacific Pictures, who produced the 13 x 30min series for TV3. Award-winning and successfully exported, it marked a debut lead performance from Rose McIver (future Tinker Bell in US TV show Once Upon a Time) acting with Michael Hurst, Peter Daube, Tim Balme and Danielle Cormack.
This children's post-apocalyptic fantasy series follows a circus troupe on their quest to save the city of Solis. Conceived by Margaret Mahy and developed by Gavin Strawhan and Rachel Lang, the award-winning series was produced by South Pacific Pictures. A young Rose McIver (future Tinker Bell in US TV show Once Upon a Time) led the cast, acting with a caravan of Kiwi veterans. Māori elements mixed with rural West Auckland sets in the ‘solar punk’ rendering of the future. Here, Garland (McIver) faces tragedy but meets two boys (and a baby) with magical powers.
Ask Your Auntie was one of the most popular shows on Māori Television. This half hour studio-based chat series gained a solid reputation for straight up, no-nonsense wisdom from the agony 'Aunties'. Host Ella Henry is joined by a rotating panel of talented and wise wahine including Mabel Wharekawa-Burt, Aroha Hathaway, Vanessa Rare, Veeshayne Patuwai, Kath Akuhata-Brown, Christina Asher, Whetu Fala, Ngawai Herewini and Rachel House.
Set in the East Coast town of Whāngārā, Whale Rider tells the tale of a young Māori girl, Pai (Keisha Castle-Hughes), who challenges tradition and embraces the past in order to find the strength to lead her people forward. Directed and written by Niki Caro, the film is based on Witi Ihimaera's novel The Whale Rider. Coupling a specific sense of place and culture with a universal coming-of-age story, Whale Rider became one of the most successful and acclaimed New Zealand films released internationally. It also won audience choice awards at the Sundance and Toronto Film Festivals.
Described as a "Māori Twilight Zone", Mataku was a series of half-hour dramatic narratives steeped in Māori experience with the "unexplained". Two South Pacific Pictures-produced series screened on TV3; a later series screened on TV One in 2005. Each episode was introduced by Temuera Morrison Rod Serling-style. The bi-lingual series was a strong international and domestic success; producer Carey Carter: "Our people are very spiritual ... and here we are ... turning it into stories so that the rest of the world can get a glimpse of that aspect of our culture."
This comedy series followed the daily life of an 1800s Māori chief (Pio Terei) and his interactions with other Māori and newly-arrived Pākehā settlers. Nothing was sacred as a subject for satire, from disease to English gold lust. Created by Ray Lillis (Pio!), the series features Rachel House (Whale Rider), Jason Hoyte (Late Night Big Breakfast), William Davis (Belief) and Jonathan Brugh (What We Do in the Shadows). Guests included Dalvanius and Charles Mesure. It was produced by Terei’s Pipi Productions for TVNZ over two seasons; Terei had shifted from TV3 after his series Pio! in 1999.
This turn of the century comedy series follows the daily life of fictional colonial Māori chief Te Tutu (Pio Terei). In the first episode, 'Welcome', it’s 1838 and Te Tutu meets a shipload of newly-arrived New Zealand Company settlers. Ngāti Pati elders debate whether or not to eat them. Tama (Dalvanius) wants to, but Te Tutu pushes for the vegetarian option by outlining the threat of Pākehā diseases to Māori private parts. The boys can’t decide but when Tama’s wife arrives everything is ka pai, and the kōrero turns to real estate. The script is by series creator Ray Lillis.
This turn of the century comedy series was a satirical look at colonial life through the eyes of moderately hapless Māori chief Te Tutu (Pio Terei). Complications from over-fishing of kai moana (seafood) are the main plot spurs of this second episode. Meanwhile a newcomer to Aotearoa – Herrick's brother, an English army toff played by Charles Mesure (Desperate Housewives, This is Not My Life) – attracts the attention of Hine Toa (Rachel House), and hatches an evil plan (‘MAF’: Murder All Fishes). Meanwhile the patronising Vole continues his campaign of colonisation.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
In the tradition of Billy T's 'first encounter' skits, this series used satire to examine pre-Treaty of Waitangi relations between tangata whenua and Pākehā settlers. The topic of this fifth episode is health. After Te Tutu (Pio Terei) wakes with a bad back, his daughter Hine Toa (Rachel House) suggests trying out some alternative medicine: Pākehā bedding. Newly arrived Nurse Veruca (a cameo from Susan Brady) clashes with comical tohunga Tu Meke (William Davis) and stirs up symptoms in Henry Vole. Terei has commented that the show's take-no-prisoners humour was ahead of its time.
This topic of the sixth episode of this Māori/Pākehā satire is 'war'. Irish Colonel North (played by veteran actor Ian Mune) and his British Army soldiers arrive, on their way north to fight Hōne Heke — provoking chief Te Tutu (Pio Terei) and Ngāti Pati into action. Te Tutu’s warmongering with the settlers includes mooning, flagpole-felling and insulting Mr Vole's long-suffering wife (Emma Lange). When the signals aren’t picked up, a stolen rooster gets things moving. A fierce haka is answered by a traditional English song: 'Old Macdonald had a farm'.
The final episode of the first season of this colonial comedy tackles the Treaty, as settler Henry Vole argues that his land (purchased off a bloke he met at a bar in Tauranga) is fairly his. The pros and cons of a treaty are debated: “where all Māori may benefit from the administration that gave us the 18 hour working day for children”. Te Tutu counters with a Martin Luther King dream: “where the English are not marginalised in Aotearoa simply because they are a minority … where the English language won’t be lost because we’ll have Pākehā language nests …”
This documentary shows two directors and a cast of actors working to breathe new life into Shakespeare. Veteran Ian Mune prepares to tackle one of the most difficult leading roles in classical theatre: King Lear. "If you're gonna climb hills, why not Everest?" he says. The unorthodox, bring it alive approach of Theatre At Large directors Anna Marbrook and Christian Penny (future director of Toi Whakaari) seems to err on the side of playfulness. But viewers are shown there is a method to their madness, when scenes from Shakespeare's drama are presented in beautifully-lit tableaus.