Richard Thomas has a passion for documentary. After directing for the BBC's legendary doco series Man Alive, he moved downunder and became head of Television One’s information programme department. Following a short spell as Director of Television at the ABC in Australia, he settled in New Zealand to make some compelling television documentaries — and inspire others to do the same.
Although I began my broadcasting life as a social documentary maker, battles with autocratic managements convinced me that finding different ways to organise the creative process was crucial. Richard Thomas
Ice Worlds was a three-part series from company NHNZ, about the two frozen ends of the globe. The parts were 'Life at the Edge', 'Polar People', and climate episode 'Secrets of the Crystal Ball'. Narrated by Dougal Stevenson, they covered everything from the hibernation and breeding habits of polar bears to the unique properties of the Antarctic cod (also known as the Antarctic toothfish). The people who live and work on the poles are acknowledged, as is the role the unique climate has played in developing such a unique environment.
The first episode of Ice Worlds explores animal life at the poles, both North and South. At the North Pole American scientist Steve Amstrup tracks polar bears, from their hibernation during winter, to seeking food out on the tundra during summer. Down south, Antarctica's emperor penguins are studied by Gerald Kooyman, physiologist Arthur Devries catches Antarctic cod, and biologist Brent Sinclair seeks the continent's largest land animal — a tiny insect called a springtail. Ice Worlds was narrated by former news anchor Dougal Stevenson.
Houses have long been central to New Zealand's identity, from the whare to the quarter-acre pavlova paradise, to The Block and the 2000s Auckland bubble. This TVNZ ‘home show’ looks at the obsession, circa the early 90s: exploring contemporary grand designs, renovation dilemmas, and meeting Kiwi personalities of the era in their homes. The first of four series was presented by actor Jennifer Ward-Lealand and builder (and future Dunedin mayor) Dave Cull. Jim Hickey and Jude Dobson later joined Cull. The show spawned a 1994 book written by Cull and Stuart Niven.
This TVNZ ‘home show’ explores 90s grand designs and their architects, renovation dilemmas and Kiwi personalities in their houses. This debut episode is presented by actor Jennifer Ward-Lealand and builder (and future Dunedin mayor) Dave Cull. Ward-Lealand visits architect Roger Walker in his pastel pink and green Tinakori Road home, intros a “70s Cinderella” bathroom do-up, and drops in on DJ Kevin Black’s arts and crafts-style mariner’s cottage. Cull tests a non-stick frying pan and a barn house. Date stamps include denim shirts and a saxophone theme tune.
This documentary, made by TVNZ’s Natural History Unit (now NHNZ), charts the progress of the nor'west wind from its formation in the Tasman Sea across the Southern Alps to the Canterbury Plains and the east coast of the South Island. Along the way it dumps metres of precipitation on West Coast rain forest and snow on the Alps, then transforms to a dry, hot wind racing across the Plains. The film shows the wind's impact on the ecosystem and farming and muses on the mysterious effect it can have on humans. It screened as part of the beloved Wild South series.
In the mid 1970s the Chatham Island black robin was the world's rarest bird. With only two females left, the conservation ante was extreme. Enter saviour Don Merton and his Wildlife Service team. Their pioneering efforts ranged from abseiling the birds (including the talismanic Eve of her species, 'Old Blue') down cliff faces, to left-field libido spurs. This 1988 Listener Film & TV award-winner united two earlier Wild South docos and updated the robin’s rescue story to 1987. It originally screened on Christmas Day 1987; and was reversioned for this 1989 edition.
TVNZ’s Natural History Film Unit was founded in Dunedin around 1977. The first Wild South documentaries began filming a year later. The slot's initial focus was on New Zealand’s perilously endangered birds, eg the Chatham Island black robin (then the world’s rarest bird). The results won local and international notice, and a loyal audience. Wildtrack was a sister series showcasing natural history for young viewers. Wild South ended in 1997 when the Natural History Unit was purchased by Fox Studios; it later became internationally successful production company NHNZ.
In this fifth episode from his personal examination of New Zealand at the end of the 70s, Ian Johnstone explores the then new suburb of Massey in West Auckland — the latest instalment in what seemed, at the time, like an unending march of urban sprawl (which had already produced seemingly far-flung suburbs like Otara and Porirua). For Johnstone, Massey is an "infestation of houses", bafflingly lacking in community amenities. By turns wry, considered and accusatory, this masterful performance would have made him few friends in town planning circles.
In the third episode of Johnstone’s Journey, broadcaster Ian Johnstone meets three generations of the Wendelken family. The episode is framed around an interview with matriarch Elsie, 85, then living in Timaru — her daughter Rae and grandson Ivan farm nearby. Son John is a public servant in Wellington; granddaughter Anne is a mother in suburban Wellington. Topics span from world wars, depression, farming and inflation, to shifting values. Says Elsie: “There are two things that have been left completely out of today’s young people: one is obedience, and the other is discipline.”
An old woman (Olive Bracey) recounts to her nephew (actor Martyn Sanderson) memories of her life in Hokianga. The film is a mix of personal return journey for Sanderson and an affectionate record of his spirited aunt (she's "the one who ate wheatgerm" in the family). Autumn Fires mixes conversations, photos, and dramatisations of romantic letters. Sanderson rambles on the farm, picks mussels in bull kelp sandals, muses on industrial agriculture and on the "unambitious peaceful life". Directed by Barry Barclay, the elegiac film screened in TV1's Scene series.
Popular consumer affairs show Fair Go is one of New Zealand TV's longest-running series. It began in 1977, devised by Brian Edwards and producer Peter Morritt. The TVNZ programme mixes investigative reporting (daring to "name names" and expose rip-off merchants everywhere) with light-hearted segments. Its roster of presenters has included Edwards, Judith Fyfe, Hugo Manson, Philip Alpers, Kerre McIvor (nee Woodham), Carol Hirschfeld, Gordon Harcourt, and longest serving host, Kevin Milne. A perennial favourite segment is the round-up of the year's ad campaigns.
Seven Days was designed by producer Des Monaghan to bridge the current affairs gap between the NZBC and TV One. As well as putting the heat on local politicians, it turned its attention to major international events. Major stories included Ian Fraser’s trip to Vietnam to cover the last days before the fall of Saigon and Ian Johnstone’s three-part look at apartheid-era South Africa ahead of the 1976 All Back tour. For its third and final year, the focus changed to observational documentaries and laid the groundwork for TVNZ’s in-house documentary unit.