Janice Finn is a television producer and actor. She produced 90s television series Marlin Bay and the iconic high fashion soap opera Gloss (1987-90). Since then, Finn has had a successful career as a writer, director and producer for stage and screen.
We have a large audience. But obviously I would like it to be bigger. Janice Finn, on Gloss.
When this popular TV One comedy-drama about misbehaving real estate agents debuted in 2013, it copped flak from real estate bosses for perpetuating negative stereotypes about the industry. Agent Anna follows Anna Kingston (played by Robyn Malcolm, who also came up with the series idea), whose husband has left her and their two teenage daughters. Needing work, Kingston turns to selling houses in Auckland's cutthroat market. The programme ran for two seasons. Theresa Healey (Shortland Street), Adam Gardiner (movie Hopeless) and Roy Billing (Old Scores) co-star.
Anna Kingston (Outrageous Fortune's Robyn Malcolm) isn't having a good year: her husband has left her and their two teenage daughters, forcing her to relinquish a pampered lifestyle to return to work. Devised by Robyn Malcolm, this TV One comedy-drama follows Kingston as she tries to sell real estate and live with her parents. Her rich friends give her the cold shoulder, and her sleazy work colleague Leon Cruickshank (Adam Gardiner from movie Hopeless) proves he can't be trusted. Rejected by everyone, Kingston turns to self-help CDs for inspiration: "I deserve to win".
Supposedly shot in five days on a budget of $423, the first season of award-winning web series High Road introduced audiences to lovable loser Terry Huffer, an ex rocker who DJs from a caravan in Piha. Writer/director Justin Harwood created the role of Huffer for his Piha neighbour Mark Mitchinson (Siege). Two further seasons were funded by NZ On Air. Video on Demand site Lightbox then compiled them into half-hour episodes, and commissioned a fourth. Harwood has played in indie bands The Chills and Luna, and the show's soundtrack offers fans of classic rock much to savour.
In this leg of The Big Art Trip, hosts Fiona McDonald and Douglas Lloyd-Jenkins drive through Hawke’s Bay and catch up with artist Dick Frizzell to discuss landscape painting and his Phantom comic series. Then they’re off to Napier to meet musician Paul McLaney and his co-producer David Holmes, who explain their song production techniques. Painter and ceramic artist Martin Poppelwell shares his art, Douglas describes art deco and modernist architecture and they head south to nearby Waipawa to meet potter Helen Mason and painter Gary Waldrom.
Douglas Lloyd Jenkins and Fiona McDonald hit the Auckland area for this leg of their Big Art Trip. They meet up with Black Grace artistic director Neil Ieremia, who is running a mentoring programme for young dancers; sculptor/painter Roger Mortimer, who is transforming bland modern day business letters into replicas of beautiful old documents; sculptor Warren Viscoe, who is busy at a wood symposium, fashion designer Kate Sylvester, at her High Street boutique; and abstract painter Judy Millar, at work in her studio.
This second series leg of The Big Art Trip kicks off in Wellington with a visit to artist John Walsh, who chats about his Māori myth paintings and children’s book Nanny Mango. Douglas and Fiona also talk about Washday at the Pa with photographer Ans Westra and pop-in on jewellery designer Steph Lusted. They visit the Massey Memorial, explain typography and check out the Wellington Writers Walk before meeting architect Nicholas Stevens and viewing a cliff top house he designed. The episode winds up with a look at kinetic sculpture Pacific Grass, by Kon Dimopoulos.
This second season Big Art Trip episode opens in Wairarapa with hosts Fiona McDonald and Douglas Lloyd-Jenkins marvelling at sculptor Harry Watson’s carved statuettes. In Masterton they visit the Aratoi Museum and drop in on painter Robin White, who discusses her paintings, talks about the years she spent in Kiribati, and about the World War II POW camp in Featherston. In Wellington they catch up with first series' co-host, screenwriter Nick Ward, visit toast mosaic artist Maurice Bennett, watch Katherine Smyth throw a pot, and meet composer John Psathas.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
The final episode in Series One of The Big Art Trip starts in Dunedin. Hosts Douglas Lloyd-Jenkins and Nick Ward explore found art and ceramic sculptures with artist Jim Cooper and visit jewellery artists Ann Culy and Rainer Beneke, before heading to the Kaka Point home of poet Hone Tuwhare (where he lived until his death in 2008). They head to Invercargill to meet classical singer Deborah Wai Kapohe, who takes them op-shopping and performs her original folk songs. Last stop is Cosy Nook in Southland where they meet painter Nigel Brown.
Episode 10 of season two of The Big Art Trip kicks off in Timaru, birthplace of artist Colin McCahon, where hosts Fiona and Douglas check out a collection of his paintings. Next it’s Dunedin to meet designer Vita Cochran, who makes handbags and other objects, and they visit the studio of Jeffrey Harris who talks about his evolving painting style. Dancer and choreographer Shona Dunlop MacTavish describes her career and life as a young woman in 1930s Europe and artist Grahame Sydney discusses landscapes, nudes, surrealism and his love for the Otago countryside.
Douglas Lloyd Jenkins and Nick Ward's arts road trip reaches Wellington where Jacob Rajan and Justin Lewis of Indian Ink Theatre Company discuss their acclaimed play 'Krishnan's Dairy'. Dancer Ross McCormack reflects on his journey from building site to dance school; and percussion group Strike incorporate movement and staging into their work. Ceramic artist Raewyn Atkinson is exploring the textures of Antarctica and there's a visit to the Dowse Art Museum to meet jeweller Peter Deckers and to view an exhibition of textile designer Avis Higgs' work.
Central North Island art is spotlighted in this episode of the road trip arts show. Douglas Lloyd Jenkins and Nick Ward discuss Len Lye's 'Wind Wand' and visit Michael Smither works in a Catholic church. Novelist Shonagh Koea reads in her favourite antique shop while photographer Sarah Sampson serves tea and discusses her fabric work and "chick art". Rangi and Julie Kipa reconcile traditional Maori process with modern art, performance artists Matt and Stark deconstruct the family sedan; and, in Wanganui, Ross Mitchell-Anyon is proud to call himself a potter.
The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward start this leg of the journey in Palmerston North, where they meet Centrepoint Theatre artistic director and actor Alison Quigan and sculptor Robert Jahnke. Next it's Wellington, and a chat about the bucket fountain in Cuba Mall, before they visit painter Marianne Muggeridge and drop in on Circa Theatre co-founder and actor Grant Tilly, who shares his secret passion for box making. They finish up with theatre-centric band Cloudboy, who discuss their music and their move from Dunedin to Wellington.
In the third episode of The Big Art Trip the little green car heads first to Piha, where hosts Nick Ward and Douglas Lloyd-Jenkins interview hip-hop artist King Kapisi. After that they visit jewellery and multimedia artist Lisa Reihana at her K Road apartment, discuss contemporary furniture with designer Kim Martinengo and drop in on hot glass artist Stephen Bradbourne. They also check out art in a corporate setting before meeting sculptor Emily Siddell, and finish up by visiting painter Andy Leleisi’uao at his home studio in Mangere.
In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
In Episode Two of this series of The Big Art Trip, hosts Douglas Lloyd-Jenkins and Fiona McDonald visit the Grey Lynn home of painter Jacqueline Fahey and the downtown studio of photographer and rocketeer Yuk King Tan. Next they drive west to Laingholm and meet singer/songwriter Victoria (Taus) Girling-Butcher and her band Lucid 3. Then it’s back to Grey Lynn to meet artist John Reynolds and his oil stick paintings, and into the city to see the iconic Bushells sign and meet photographer Natalie Robertson, who is shooting a collection of NZ tea towels.
The Big Art Trip was a TVNZ arts series that took the form of a road trip around New Zealand visiting artists in their homes or studios. The series featured two presenters — design writer and art historian Douglas Lloyd Jenkins teamed with screenwriter Nick Ward in the first series, and with musician Fiona McDonald in the second. Ward and McDonald were very much the neophytes — the everyperson asking questions on behalf of the audience that allowed Lloyd Jenkins to background, contextualize and explain what was being seen, heard and experienced.
This is the opening episode of this arts series which teamed “expert” Douglas Lloyd-Jenkins with “everyman” (and screenwriter) Nick Ward — and sent them on a road trip in search of artistic talent all around NZ. First stop is Northland which is “teeming with artists” as the pair encounter corrugated iron sculptor Jeff Thomson, potter Richard Parker, the iconic Hundertwasser toilets in Kawakawa, Manos Nathan who fuses traditional Maori design and ceramics, and Zealandia — Terry Stringer’s remarkable and “beautifully coiffeured” sculpture garden, studio and home.
If a single word could sum up the free-wheeling flavour of alternative music and comedy in Aotearoa during the 1970s, that word would surely be ... Blerta. The 'Bruno Lawrence Electric Revelation and Travelling Apparition' included foundation members of the NZ screen industry (Lawrence, Geoff Murphy, Alun Bollinger) plus other merry pranksters. Drawing on the Blerta TV series and beyond, Blerta Revisited (aka Blerta - The Return Trip) is an anarchic collection of comedy skits, musical interludes and films culled from the Blerta archives. Costa Botes writes about Blerta here.
Fresh-up in the Deep End saw sportsmen turned TV larrikins Marc Ellis and Matthew Ridge facing challenges far outside their comfort zones. This episode has the pair taking on dancing, from ballroom and latin styles, through to cabaret, contemporary and Irish. En route they try some body percussion with Black Grace Dance Company, and do the can-can under the watchful eye of cabaret legend Debbie Dorday. Then they must put their new found skills to the test in full on competition. Ridge and Ellis' skills with a rugby ball in hand don't always translate onto the dancefloor.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
"I get around. I know everything. Except your name." Kevin Smith made his television debut (in a speaking part) on this episode from the third series of Gloss, playing smirking DJ and man-about-town Damien Vermeer. Keen to rise above his working class origins, the character sets his sights on rich brat Chelsea Redfern within moments of meeting her. Smith left work at Christchurch's Court theatre for the role, when the decision was made to up the show's male quotient. Mikey Havoc also appears in this scene, as a member of his real-life band Push Push.
By the time Gloss’s second season aired the sharemarket had crashed, but the parade of yuppies, shoulder-pads and champagne went on. This 19 July 1988 episode sees the Redfern family deal with a tragedy; it also features an acting cameo from future weatherman Jim Hickey. In these excerpts Hickey isn’t playing meteorological soothsayer to the nation, but a policeman responding to the mysterious death of Brad Redfern (Michael Keir-Morrissey). He soothes the Redferns, after tossing a coin with a fellow officer for a ride to Remuera in the deceased’s Jaguar.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Yuppies, shoulder-pads, sports cars and méthode champenoise abound in this cult 'glamour soap'. Gloss was NZ's answer to US soap Dynasty, with the Carrington oil scions replaced by the wealthy Redferns and their Auckland magazine empire. The series epitomised 80s excess, and became something of a guilty viewing pleasure. In this Rosemary McLeod-penned pilot, a 'Remuera Revisited' plot unfolds as Brad Redfern's plans to have a quiet wedding get waylaid by ex-wife Maxine. Schoolgirl Chelsea wags, listens to her Sony Walkman and gets an unorthodox haircut.
In this Koha story, reporter Temuera Morrison arrives on the East Coast to watch the making of Mauri, the first dramatic feature directed solo by a Māori woman. Writer/director Merata Mita argues that the 50s set drama is "about birth and death, and all that takes place between", and talks about how the film is important in giving Māori filmmaking experience, and a voice on screen. Actors Zac Wallace (Utu) and Eva Rickard are interviewed, while locals talk about the challenges of making movies. There are also glimpses of some of the Ralph Hotere-designed sets.
This 38 episode series revolved around the ups and downs of a community house run by Tony Van Der Berg (Frank Whitten). The series was devised by Liddy Holloway to meet a network call for an Eastenders-style drama that might tackle social issue storylines. It was the first drama series to put a Māori whānau (the Mitchells) at its centre. Despite being well-reviewed, it was perhaps the last gasp of Avalon-produced uncompromisingly local drama (satirised as the ‘Wellington style’), before TV production largely shifted to Auckland to face up to commercial pressures.
This 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a trio of young Wellingtonions drawn together by a mysterious invitation. At an antique shop dinner they discover they share a colourful birth mother, before becoming players in a game for a legacy of $250,000. Conceived by Brian Bell, Seekers was one of a series of teen-orientated dramas made in the mid-80s (along with Heroes and Peppermint Twist). The 16 episodes screened from February 1986.
Country GP was a major 80s drama series that charted the post-war years 1945 to 1950 in a rural central South Island town. Using fast-turnaround techniques that anticipated later series like Shortland Street, 66 episodes of Country GP were shot in 18 months at a specially built set in Whiteman’s Valley, Lower Hutt. It was groundbreaking as the first NZ series to cast a Samoan in a title role (Lani Tupu as Dr David Miller); but it also provided a nostalgic look back to an apparently kinder, gentler time than mid-80s New Zealand with its major social reforms and upheavals.
Pioneering soap opera Close To Home first screened in May 1975. For just over eight years (until August 1983) middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977 nearly one million viewers tuned in twice weekly to watch the series co-created by Michael Noonan and Tony Isaac. This first episode sees the family gathering for Grandfather’s 78th birthday. Vivian (Ilona Rodgers) moans to Tom (John Bach): “you’ve drunk all my cooking sherry”, then tenderises the beef with the empty bottle.