A founding member of early electronic group Free Radicals, Jonathan Besser has composed for opera, ballet, theatre (Red Mole) and performance ensemble Bravura. Born in New York but New Zealand-based since 1974, Besser began adding screen compositions to his CV in the 90s. Since then he has composed extensively for documentary maker Shirley Horrocks, been award-nominated for 1995 documentary feature War Stories, and won a TV Guide Television Award for documentary A Cat Among the Pigeons. In 2015, Besser began composing for 3 News' World War One short documentary series, Great War Stories.
I’ve used Jonathan’s music for a number of documentaries because I really like his eclectic approach. He understands what’s needed for a particular sequence, and at the same time he adds a composer’s unique touch. Director Shirley Horrocks
When German director Peter Falkenberg moved to Christchurch in the 1970s, he faced disdain from conservative locals after setting up avant-garde theatre company Free Theatre. The group was still going strong almost four decades later. Director Shirley Horrocks spent six years capturing their colourful and controversial history, and filming them in action. Interviewees in the 76 minute documentary include director Stuart McKenzie, who reflects on how out there the group was in the early 1980s, and founding member Nick Frost, who recalls when people tried to shut them down.
Bill Dobson was one of around 500 New Zealanders to be taken prisoner by the Germans during World War I. His grandsons, filmmakers Grant and Bryce Campbell, use Dobson’s letters home, his sketch book and contemporary photographs to describe his journey. Bill was one of 210 Kiwis captured at French village Méteren, near the Belgian border, during Germany’s 1918 Spring Offensive. Camp conditions were tough, but Dobson filled his time with prolific sketching and performing in the Camp Concert Party. Post-war, Dobson married vaudeville performer Louise Morris.
Christchurch-born Jessie Scott was a rarity in 1914: a qualified doctor in a male dominated profession. But as this Great War Story shows, her bravery overcame even greater hurdles. Joining the Scottish Women’s Hospitals for Foreign Service, Dr Scott treated Serbian and British wounded in the Balkan war against Austria. Left behind during a retreat, she was captured but later released. That didn’t end her war. She went back to the front line, this time serving with Russian forces in Romania. Dr Scott's efforts earned her the Serbian Order of St Sava.
When 150 Niuean men were shipped off to Auckland en route to the Western Front, they had no idea what lay ahead. This Great War Story features the granddaughter of one of them, and the historian who researched his journey. Falaoa Tosene was “volunteered” to the NZ Māori Pioneer Battalion as a labourer. Unfamiliar food, uniforms and boots for men who had never worn shoes were the first shocks. In France, they faced freezing temperatures and disease. Tosene was hospitalised with trench foot. He survived, thanks to a former missionary, but 30 of his comrades died.
Harry Varnham was scarred both physically and mentally by his experience of World War One. In this episode of Great War Stories, his family explain why they believe the trauma of war eventually led him to take his own life decades later. Wounded during the Battle of Messines in Belgium, Varnham returned to the front and was seriously wounded again at Le Quesnoy. He was evacuated to London; he was just 19 when his leg was amputated. Back in New Zealand, Varnham married later in life and had two daughters, but he never overcame the mental scars from his time serving in WWI.
Rizk Alexander found himself in a rare situation during WWI — he was an Ottoman subject who chose to fight for the British Empire. His brief life still holds a fascination for his descendants. From a Syrian Christian family, Alexander had only been in New Zealand three years, when the 17-year-old signed up for war. Hoping to fight the Turkish Ottomans, he instead ended up on the Western Front, proving himself at the Battle of Messines in 1917. Later gassed, Alexander returned to Wellington to recuperate but he never fully recovered, dying in 1924. He was 27.
Captain Thomas Blake was one of about 40 veterinarians to serve New Zealand in the First World War. He accompanied some of the 10,000 Kiwi farm horses sent to the frontlines in the Middle East and, later France. They faced terrible conditions: sand and heat in Sinai, mud and rain in France, and suffered disease and horrific wounds. This Great War Stories episode explores the tight bond between horse and soldier. In the end, only four horses came home. Blake also made history: while in Egypt, he became the first Kiwi to marry while the troops were on active service.
For Kiwi-Chinese soldier Victor Low, World War I was fought mainly underground. Dunedin-born Low was a surveyor attached to the New Zealand Tunnelling Company, which created a network of caverns and tunnels in France before the Battle of Arras in April 1917. The complex was big enough to accommodate 12,000 soldiers and equipment. This episode of Great War Stories uses archive footage and modern laser scanning to map out the tunnels that still exist under the battlefield. Later, Low helped create the famous Bulford Kiwi which sits above Sling Camp in England.
This edition of Great War Stories accompanies author Shona Riddell to Berhampore Primary School in Wellington, where she reads her story of a pet tortoise that she grew up with. It was taken from the trenches of Gallipoli by a soldier, gifted to hospital nurse Nora Hughes (Riddell’s great aunt), then transported to New Zealand, where the tortoise’s adventures didn’t end: he made local news on a walkabout to Mangatainoka Brewery. The series of short documentaries screened during TV3’s nightly news, as part of centennial commemorations of World War l.
This first episode from the third series of Great War Stories chronicles HMS New Zealand, a navy battleship that served in the Royal Navy (New Zealand didn’t have a navy in World War I). The ‘first class battleship’ was paid for by New Zealand to aid British sea power. Nearly half the population of New Zealand visited the ship when it visited in 1913. Its role in the Battle of Jutland is explored, including a ‘lucky charm’ piupiu worn by its captain in battle. The series of short documentaries screened during TV3’s nightly news, as part of Great War centennial commemorations.
In World War l Leslie Beauchamp was a soldier in the British Army, who died aged only 21 when a grenade exploded in his hand during a training demonstration. This episode of mini documentary series Great War Stories remembers Beauchamp through the words of his sister, writer Katherine Mansfield. Leslie's time growing up in Wellington is examined, as well as the mutual affection between brother and sister — including samples from letters they wrote to one another, and tributes that Mansfield would pay to him in her fiction and poetry.
Peter Howden’s daily letters to his wife Rhoda during World War I provide one of the most comprehensive accounts of what life was like for a Kiwi soldier in the trenches at Passchendaele in Belgium. In his letters, read in this short documentary by his great-grandson, he tells of camping out within the sightline of the enemy, dugouts formed in disused trenches, and the treacherous terrain the soldiers had to navigate. Howden would fall victim to a gas attack which left him blind, and eventually caused his death on 17 October 1917.
All Black Ranji Wilson was 30 when he set off for France to fight with the Rifle Brigade during WWl. When he wasn't involved with trench warfare, his rugby skills were used to full advantage. Wilson vice captained the "Trench Blacks" to win against the French in 1918. After France (where he was injured at the Battle of Havrincourt), Wilson visited South Africa but wasn't allowed to play rugby because he was "coloured". Wilson, whose father was West Indian, became an All Black selector on his return to New Zealand and died in Lower Hutt in 1953.
When the British troopship The Marquette sank in the Aegean Sea, killing 32 New Zealanders in World War One, it caused outrage in Aotearoa. Their deaths — mainly nurses and medical orderlies — could have been avoided if they had been on a hospital ship, which gave more protection from attack. Instead 167 people died on 23 October 1915 when a German torpedo slammed into their vessel. This Great War Stories episode interviews actor Antonia Prebble about her role in Australian TV series Anzac Girls, playing Marquette survivor nurse Hilda Steele.
Narrated by Hilary Barry and screening on 3 News, this series of short documentaries profiles New Zealanders involved in World War I. This episode looks at sexual health campaigner Ettie Rout, who was determined to tackle the high venereal disease rate amongst Kiwi soldiers. Her biographer Jane Tolerton tells of Rout advocating for prophylactic kits, and setting up a safe sex brothel in France. Rout attracted controversy and censorship, and was scorned by the establishment as immoral. But soldiers and doctors thanked her as the "guardian angel of the ANZACs".
In Wellington, Hāmi Grace was respected for his cricketing and rugby prowess. In Gallipoli, his sniper skills became legendary. This four minute short documentary uses Grace's diary entries to recount his experiences at Gallipoli with the Wellington Battalion. The former Wellington College pupil turned lieutenant wrote about the squalid conditions, graves "everywhere", and fighting the Turks. Grace was killed at Chunuk Bair in August 1915. Every year Wellington College holds a remembrance ceremony for Grace and the 29 other former pupils who died in Gallipoli.
This episode of the series about New Zealanders in World War I looks at Lottie Le Gallais. The Auckland nurse worked on the hospital 'mercy' ship Maheno, which transported wounded soldiers from Anzac Cove at Gallipoli. She arrived to find her brother Leddie had been killed. Te Papa exhibition Gallipoli: The Scale of our War featured a large-scale model of Le Gallais learning of Leddie's death, crafted by Weta Workshop. Weta boss Richard Taylor is interviewed here. The series was narrated by Hilary Barry, and screened during 3 News.
From the second series of short documentaries remembering New Zealanders in World War I, this episode looks at Ormond Burton. Burton left for war as a 21-year-old, and served as a medic and in the infantry. He was decorated for bravery, and a bible saved him from a bullet. His stance on the justness of war changed after experiencing the horrors of Gallipoli and the Western Front. During World War ll the Methodist minister was jailed as a conscientious objector; later he became a prominent pacifist and anti-Vietnam War campaigner. The series screened during 3 News.
During World War I five members of the New Zealand Division were executed for military crimes — four for desertion and one for mutiny. Two of them, Victor Spencer and John Braithwaite, are profiled in this episode of Great War Stories. Spencer, an apprentice engineer from Bluff, was twice convicted of desertion, and put to death — despite an officer he'd known at Gallipoli vouching for his good character. Braithwaite was executed for mutiny, after trying to defuse a fight over the inhumane living conditions of military prisons. In 2000 the government pardoned all five executed men.
The youngest of eight children from a prominent Canterbury family, brothers Robin and Gordon Harper signed up eagerly to enlist in World War l. The Harpers fought in Turkey and Egypt as machine gunners with the Canterbury Mounted Rifles, earning medals for their bravery at Hill 60 in Gallipoli. Using their farming skills, the brothers found each other on the battlefield with their distinctive dog whistles. Susan Harper, a relative of the pair, displays a Turkish machine gun one of the brothers brought home. The other sibling was killed in battle in Egypt.
When Taranaki farmer and lawyer William Malone signed up to fight in World War l, he was the oldest man in the Wellington Battalion. But far from being frail, 56-year-old Colonel Malone was fit and disciplined. The Parihaka veteran became one of New Zealand's most important figures at Gallipoli. This short documentary about Kiwis in World War l uses Malone's diary entries and an interview with his great-great-great grandson to tell the remarkable story of Malone's battalion capturing Chunuk Bair, on 8 August 1915. Malone was killed that day by Allied artillery.
Arriving downunder from London in 1958, Marti Friedlander began photographing New Zealand, partly as a way of coming to terms with what she saw as its foreignness. In the process she captured aspects of Aotearoa that familiarity had made invisible to its inhabitants. She photographed artists, Springbok Tour protesters, and kuia with moko (for a book with historian Michael King). After screening on TV One, Shirley Horrocks' documentary was one of 20 chosen to screen at Doku.Arts 2007, a German festival devoted to films about artists. Friedlander passed away in November 2016.
Children of Gallipoli offered viewers another angle on the Gallipoli story. Produced for TVNZ and Turkish television, the documentary focuses on four young people, two Turks and two New Zealanders. All are descended from men who fought at Gallipoli in 1915. Travelling to Turkey, the Kiwis explore the battle site and meet the other two participants. Together they gain an insight into the grim reality of what their ancestors experienced. Seeing it through their eyes charges the film with a strong emotional resonance. Anna Cottrell writes here about the challenges of directing it.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."
This documentary is a view into the crucible that forged museum Te Papa, which opened on Wellington's waterfront in February 1998. Fascinating fly-on-the-wall moments are captured as a new kind of national museum is conceived. This excerpt features a board meeting where Saatchi & Saatchi present branding options. As political, ideological, creative and commercial considerations collide, the frustrations of decision making by committee are palpable: the body language, tears, cautions, grumbles, and finally, smiles, as they settle on the contentious thumbprint logo.
Flip & Two Twisters is Shirley Horrocks' documentary about New Zealand-born artist Len Lye. Motion maestro Lye's international reputation rests on his work as a filmmaker and kinetic sculptor, and his lively contributions to the London and New York avant-garde. The documentary explores Lye's career and ideas, with the help of historical footage and excerpts from his films. It includes footage of Lye in typically exuberant form outlining his process, introduces many of his kinetic works, and documents how some of his most ambitious plans are being realised in New Zealand.
In Gaylene Preston's documentary, seven elderly women recall their personal experiences of World War II. Their intimate, unadorned stories are filmed talking heads style, interspersed with personal photographs and period newsreel clips. From tragic love stories to long-suppressed revelations of sex and death, War Stories is a revealing touchstone of New Zealand history. It received international acclaim. LA Times writer Kevin Thomas enthused that Preston takes "a simple idea and turns it into a rich, universal experience".
In the late 80s the creation of a new public park in central Wellington became an act of cross-cultural collaboration, and an infamous battlezone between artist, council and naysayers. Following positive feedback over her design, council staff decided that redevelopment of Pigeon Park (an old pa site) would be led by Māori artist Shona Rapira Davies. This doco follows the passionate, stroppy Rapira Davies, as she fights cost overruns, landscape architects and passersby, and for her vision (which involved handcrafting Te Aro park's 20,000 plus ceramic tiles).
This documentary focusses on six New Zealand women artists whose careers were on the rise in the early 1990s. They work in a variety of mediums, explore ambiguity and subversion, and question gender roles. Photographer Christine Webster works with models, lighting and costume to create rich, theatrical images. Lisa Reihana delivers "radical statements" via light-hearted animation. Filmmaker Alison Maclean talks about the inspiration she found in Rotorua and channelled into her debut feature Crush. Also featured: artists Merylyn Tweedie, Alexis Hunter and Julia Morison.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.