Designer and art director Lyn Bergquist has been involved in the screen industry since 1974, when he began working for TVNZ in Wellington on drama programmes and music shows. Five years later he moved to Auckland and began specialising in commercials, through his company The Art Department Ltd. His feature credits as a production designer include Russian Snark and Orphans and Kingdoms.
It was great to have a steady hand at the tiller in the art department. Years of experience meant that he could achieve terrific effects very efficiently and economically. Russian Snark producer Liz DiFiore on Lyn Bergquist
Described by writer/director Paolo Rotondo as a “drama about how adults need kids as much as kids need adults”, Orphans & Kingdoms follows three teens on the run, who break into a holiday home to hide out. Then the owner (Colin Moy, who played the brother of the main character in In My Father’s Den) arrives home, followed by the police. Shot on Waiheke Island, the low-budget Escalator film had a sell-out world premiere at the 2014 Auckland Film Festival, before winning a Moa award for best editing. Best known as an actor, Rotondo won awards for writing short film Dead Letters.
This documentary tells the story of New Zealand sport’s ‘golden hour’, when on 2 September 1960 in Rome, two Arthur Lydiard-coached runners won Olympic gold: 21-year-old Peter Snell in the 800 metres, then Murray Halberg in the 5000 metres. The underdog tale mixes archive footage with recreations and candid interviews (Halberg talks about his battle with disability and doubt). The NZ Herald's Russell Baillie praised the result as “riveting” and “our Chariots of Fire”. It screened on TV prior to the 2012 London Olympics and was nominated for an International Emmy Award in 2013.
Writer Stephen Sinclair’s feature directing debut was inspired by a Russian couple who sailed to Aotearoa in a lifeboat. From there, he created this witty and unusual love story about Mischa (Stephen Papps) — an uncompromising filmmaker fallen on hard times — and his wife, looking for a country more appreciative of his art. But Mischa also has to reconcile his art with his humanity — with help from his neighbour (Stephanie Tauevihi, in an award-winning performance). The 15 minute making of documentary offers a cautionary tale for creatives looking to work with poultry.
The last novel by Ronald Hugh Morrieson revolves around a freezing plant worker (Peter McCauley) in an interracial marriage. For this little seen movie adaptation, the role of an English remittance man was expanded in an attempt to cast Peter O'Toole (New Zealand-born Bruce Spence got the role). Morrieson's view of small-town Aotearoa is a dark one, as he explores racism, violence, suicide and blackmail. Bruno Lawrence contributes to Jonathan Crayford's jazz-tinged score, and features in the wedding band. The freezing works scenes were shot at the defunct plant in Patea.
Adapted from one of Katherine Mansfield's best known short stories, this restrained culture-clash-in-colonial-Wellington tale follows Laura (Alison Routledge from The Quiet Earth), an idealistic teen preparing for her family's garden party. The raising of marques and arrangement of cream puffs and canna lilies is disrupted by news of a neighbour's accidental death. Laura protests that the party should be cancelled, but her mother disagrees. A visitation at the working man's cottage down the hill and an encounter with the victim’s corpse piques Laura's class consciousness.
This 1983 feature explores desire, death, and guilt in a World War II Japanese prisoner of war camp. From Japanese art cinema star Nagisa Oshima (director of the notorious In the Realm of the Senses), its leads were musicians David Bowie (as a defiant captive) and Ryuichi Sakamoto (a conflicted camp commander). The film was mainly shot in Auckland, and partly funded by Broadbank during the tax shelter 80s. Kiwi connections include ex-Broadbank employee Larry Parr as associate producer, first assistant director Lee Tamahori, and actor Alistair Browning as a PoW.