Kora’s formation in Wellington in 2002 saw them associated with the city’s burgeoning dub-roots scene, but the Whakatane brothers’ music mix also extends to elements of funk, soul, rock, house and metal. That genre-defying diversity is in evidence on this track from their debut album, as a relaxed reggae intro gives way to stomping electronica-tinged funk rock. This performance video shot in Auckland at AUT’s Vesbar captures the band in their live element, complete with a crowd-pleasing freeze that turns them into a 3D tableau, and strobe-lit climax.
This militant debut from rappers Upper Hutt Posse marked New Zealand’s first hip hop record. Dean Hapeta announces himself with a history lesson proudly namechecking the great Māori warrior chiefs of the 19th Century — Hōne Heke, Te Rauparaha, Te Kooti — and their Māori Battalion successors. ‘E Tu’ is also a personal manifesto, with promises to preach the truth but not to brag or wear gold chains. Hapeta's down the barrel delivery carries a degree of confrontation rarely seen from New Zealand musicians up to that point.
Rappers Upper Hutt Posse were the first New Zealand hip hop act to release a record (and one of the most radical). This reflection on troubles at home and abroad brings out a more reflective side. Against news footage of the Springbok Tour, Bastion Point and a host of international trouble spots, the sweet soul vocals of Teremoana Rapley and Acid Dread (aka Steve Rameka) float in and out of the raggamuffin toasting of MC Wiya (Matt Hapeta) and Dean Hapeta’s less than cheery weather forecast. This music video was one of the first to be funded by NZ on Air.
A stoic Sean James Donnelly carries on singing while facing an aerial barrage of feathers, fruit, toys and worse, in this dreamy after dark video, directed by globetrotting commercials maker Lawrence Blankenbyl. The calm amidst chaos music clip captures the wistful essence of the song, which preaches rebellion in the chorus, and going with the flow in the verse. 'A Beautiful Haze' is taken from SJD's fourth album Songs from a Dictaphone (2007), which reached number 11 on the Kiwi music charts.
The Datsuns came roaring out of Cambridge in 2000 with a hybrid of heavy metal and garage rock that quickly earned them international attention, and a major label deal. For this single from their self-titled debut album, they acquired the services of English music video director Robert Hales (who had worked with Stone Temple Pilots and Nine Inch Nails). For this black and white, live performance video, Hales lets the band’s music and their swaggering energy do the talking (with plenty of slow motion shots to accentuate those long flowing locks).
The video for this classic Chills song works not for its earth-shattering concept, nor its production values or performances (which are largely nonchalant). It looks miserable, nihilistic even. But — through luck or good management — the video for this Chills classic works, clinging to the melancholy essence of the song like a shrunken homespun. Observant viewers will notice a single bird — not unlike the lonesome outcast portrayed by Martin Phillipps — flying back against the flow.
The Mockers' most well-known single, 'Forever Tuesday Morning' was later listed at number 75 on APRA's list of the Top 100 Kiwi songs. Fagan sits in darkened solitude, a prisoner of his emotions, while the band heads into the TVNZ makeup room, passing Radio with Pictures presenter Karyn Hay on the way. After some mischief involving drummer Steve Thorpe, a can of hairspray and a budgie cut, the band performs. Fagan is now dressed in a flowing white shirt and trademark leotard ensemble. The song was written by Andrew Fagan, Tim Wedde and Gary Curtis.