Ant Timpson’s longtime love affair with movies — especially the wild and 'incredibly strange' end of the spectrum — has seen him launch long-running film festivals and New Zealand's biggest filmmaking contest, 48 Hours. He has been part of the producing team on a run of features, from Housebound to The ABCs of Death. In 2019 Timpson directed thriller Come to Daddy, starring Elijah Wood.
After training in journalism Rachel Antony worked in publicity, and researched shows for company Greenstone TV. She has since accrued producer credits across a run of documentaries and mainstays of Kiwi reality television. In a four year Australian stint from 2007, she set up Greenstone’s Sydney office and produced for primetime Australian TV shows. In 2017 Antony became Chief Executive of Greenstone.
Gaylene Preston has been making feature films and documentaries with a distinctive New Zealand flavour and a strong social message for over 30 years. In 2001 she was the first filmmaker to be made a Laureate by the Arts Foundation, recognising her contribution to New Zealand film and television.
Kevin Riley worked his way up from gaffer to cameraman to cinematographer, after beginning his working career as an electrician. Along the way he set up Auckland equipment company Cinestuff, founded the New Zealand Cinematographer's Society, and has provided a wide range of images from muscle-clad heroes (Hercules) to the highly competitive world of pub quizzes (Nothing Trivial).
Robin Laing began her long career as a producer with 1985's Mr Wrong, the first of many projects she has worked on with director Gaylene Preston. In 1993 Laing was awarded a Member of the British Empire (MBE) for services to the New Zealand film industry.
Veteran newsman Richard Harman began his career at Auckland University student mag Craccum. As a long-time political reporter for TVNZ, he reported on the Rainbow Warrior bombing and the passing of the baton from Muldoon to Lange — also the subject of his award-winning documentary Five Days in July. In 1999 Harman founded company Front Page, where he launched current affairs shows Agenda and The Nation.
Celia Jaspers directed and produced award-winning documentary Primeval New Zealand for NHNZ. She got into television early — thanks to a tangled camera cable — and has stayed, developing a range of skills from editing to directing.
Barry Prescott has directed puppets, policemen, politicians, and plasticine figures. After time as an actor, he made a trio of short films using stop motion animation. In 2005 oddball live action tale The Man Who Couldn’t Dance began winning awards at a wide range of festivals. Since then Prescott has combined directing, design and advertising work with occasional writing on What Now? and Dancing with the Stars.