Rodney Bryant was one of the stars of the heyday of regional television news. In the early 70s he became a Canterbury institution fronting The South Tonight with Bryan Allpress, and returned to host The Mainland Touch in the early 80s. He moved on to TV talkback, then children’s current affairs with The Video Dispatch, before leaving TV for a twenty year run in communications for the Dunedin City Council.
Although generally regarded as New Zealand's most successful international photographer, Brian Brake also worked in motion pictures, as both director and cinematographer. At the Government's National Film Unit he directed the first Kiwi film nominated for an Academy Award (Snows of Aorangi). Later he worked for prestigious photo agency Magnum, and featured in photo journals Life and National Geographic.
Rena Owen made her name playing courageous battered wife Beth Heke, in landmark film Once Were Warriors. The film won her a run of awards, and international acclaim from Newsweek, The Wall Street Journal, The Sydney Morning Herald and Vogue. Owen has gone before the cameras in Australia, Fiji, Hungary and the United States.
From his early days on the stage, Percy Hayes was known for singing and impressions; but it was as actor Rupert Julian that he made his name in Australia, then in the pictures in America. After earning a million dollars as director, producer, writer and star of The Kaiser, his directing career peaked with The Phantom Of The Opera in 1925, starring Lon Chaney. He stayed on in a mansion in LA's Hollywood Hills, until his death in 1943.Image: courtesy of Marc Wanamaker/Bison Archive
One of New Zealand's best known screen actors, Sam Neill possesses a blend of everyman ordinariness, charm and good looks that have made him an international leading man. His resume of television and 70+ feature films includes leading roles in landmark New Zealand movies, from a man alone on the run in breakout feature Sleeping Dogs to the repressed settler in The Piano.
Some jobs never make the headlines; in the screen industry, one of those unsung positions is the production manager. After seven years on film sets in Asia, Brian Walden returned home in the mid 70s to production manage the shoots of many classic TV dramas, from Hunter’s Gold to Hanlon. In 1985 he went freelance, keeping a firm hand on shoots involving horses, hospital porters, vampires and underwater aeroplanes.
The voice and face of Ian Johnstone are a familiar part of the New Zealand television landscape. Since the early 60s, his work as a reporter, presenter and producer has allowed him to document many key events from the first four decades of local television.
Chris Harrington began in local television in 1976, reporting and producing current affairs and news. Highlights of his career include award-winning Sunday stories about allegations of police pack rape by Louise Nicholas, and another on treatment of Porirua Hospital inmates. In 1989 he was awarded a QSM for services to journalism. In 2007 Harrington moved into private production and public relations.
Barry Shaw wrote about television for more than two decades. A longtime critic for both The Auckland Star and The NZ Herald, he was on hand to note many key moments in Kiwi screen history. Shaw passed away in August 2011, at the age of 82.
Raymond Thompson, MNZM, has created and supervised a run of television shows since setting up base in New Zealand in the mid 90s. Longtime head of production company Cloud 9, he first began selling scripts in his native England. Thompson's series The Tribe, set in a world without adults, became a cult international hit, running for five seasons plus a sequel. His shows have sold to more than 130 countries.