Throughout his 50 year career, John O’Shea was a pioneer and a champion of the independent New Zealand film industry. His name was synonymous with Pacific Film Productions, which he ran for over 20 years after Pacific founder Roger Mirams left for Australia. O’Shea was involved in the establishment of the New Zealand Film Commission, Ngā Taonga and the Wellington Film Society.
From The Governor to The Lord of the Rings, Martyn Sanderson's distinctive voice and sideburns were part of New Zealand's screen landscape for three decades. His work ranged from the experimental to the mainstream, including directing feature films (Flying Fox in a Freedom Tree) and personal documentaries.
Editor and director Dell King’s plans to be a filmmaker faced a challenge when she discovered that the Government’s National Film Unit had closed its doors to women directors. Instead King began her long screen career as a negative cutter, and later worked as editor or sound editor on a run of documentaries and features, including the classics Ngati and Vigil.
Barry Barclay — director of landmark TV series Tangata Whenua and feature film Ngati — was a longtime campaigner for the right of indigenous people to tell their own stories, to their own people. In 2004 he was made an Arts Foundation Laureate, and in 2007 a Member of the NZ Order of Merit. Barclay passed away on 19 February 2008, after publishing his acclaimed book Mana Tuturu.
The son of legendary Pacific Films producer John O’Shea, Rory O’Shea made his mark as a camera operator and lighting cameraman of sensitivity and skill. His artistically-composed images complemented and enhanced the vision of key collaborators like directors Tony Williams and Barry Barclay.
Best known for his music videos, Jesse Taylor Smith has worked as a director and editor on both sides of the Tasman. Since completing a media studies degree at Victoria University in 2010, he has made videos for Grayson Gilmour, punk trio Autumn Splendour, and Junica/Ladyhawke collaboration Living in My House. His videos often deliberately evoke a low-fi feel, while displaying his love for the imaginative and surreal.
Composer Stephen McCurdy's screen music has crossed the gamut — from jazz, chamber pieces, rock, and pop, to the faux Peggy Lee song which opened each episode of 80s soap Gloss. McCurdy won NZ Film Awards for his scores to Came a Hot Friday and The End of the Golden Weather.
Roger Hall began writing and acting on television in the late 60s. In 1976 his debut play Glide Time became a sell out. Later Hall turned this satire of civil servants into Gliding On, arguably New Zealand's most successful sitcom to date. Play Middle Aged Spread became a movie in 1979. Hall went on to write marital comedy Conjugal Rights for England's Granada TV, and further shows in NZ. He remains the country's most successful playwright.
In May 2017 Victoria Spackman began as leader of creative campus Te Auaha, which is set to open in Wellington in 2018. Before that she was chief executive and co-owner of Wellington company Gibson Group, whose multi-media and interactive installations and TV programmes reach a large international audience. Studies in law, film, theatre and linguistics have all fed into Spackman's work.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.