Swami Hansa (sometimes credited as Anand Hansa or Malcolm Nish) was operating a camera in 1962, the day TV began broadcasting in Dunedin. Hansa has been shooting ever since, his work ranging across natural history, human interest and the arts. His CV includes many episodes of the long-running Heartland, plus such noted docos as Birth, Kiwi - A Natural History and Horizon doco The Man Who Moved Mountains, made for the BBC.
The thing I like about documentary filming is the dance that happens between people I'm filming, and myself with the camera. That's the magic...what happens when the mind stops and the play of energies come together. Swami Hansa
This 2012 documentary explores the economic and creative potential of one of the icons of New Zealand’s forest: the kauri. Logging and fire have destroyed 95% of Aotearoa’s great kauri forests (this film was made before kauri dieback disease became a major threat). Director Mathurin Molgat poses a solution to the tree’s survival: commercial harvest. He frames the film around Laurie Williams, who makes guitars from the wood. In this excerpt, musician Tiki Taane talks about Tāne Mahuta, and a tree is prepared for felling. The film screened at a number of festivals in the United States.
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
This third episode of Mike King’s Treaty series heads north. After the 43 signatures at Waitangi on 6 February 1840, Queen Victoria decreed that more were needed for the Treaty to gain legitimacy, and Governor Hobson took the Waitangi Sheet to the people. King talks to Professor Pat Hohepa about the role of missionaries, and his tīpuna Mohi Tawhai. He visits key Northland locales — where he hears of anti-Treaty Pākehā like ‘Cannibal’ Jack Marmon — and meets a descendant of Nopera Panakareao, who recalls his ancestor’s famous shadowy reading of the Treaty.
This fifth episode of comedian Mike King’s Treaty discovery series goes on the trail of the two sheets that travelled around the Bay of Plenty in 1840. One, carrying a forged signature, travelled east with young trader James Fedarb (King asks why, despite gathering 26 signatures in 28 days, the salesman is largely missing from the history books); the other went south with a pair of missionaries. King learns about the Te Arawa and Tūwharetoa refuseniks from Paul Tapsell — and from Tamati Kruger, the reason Fedarb didn’t venture into Tūhoe territory.
This sixth episode of Mike King's exploration of the original journey of the Treaty travels to Tauranga, where the comedian finds tales of murder, cannibalism, inter-tribal conflict — and a missing Treaty sheet. King’s whodunit asks why some people signed and why some were so against it, notably Hori Kingi Tupaea. The Tauranga sheet includes 20 signatures from Ngāi Te Rangi and only one chief from Ngāti Pukenga. King also discovers an unlikely twist: an unused Treaty sheet has ended up with the (then-French-aligned) Catholic Church for safekeeping.
Episode two of comedian Mike King’s acclaimed Treaty of Waitangi series travels to the Bay of Islands, to talk to historians and signatory descendants, and explore the background to the Treaty's original signing: from debaucherous colonial Russell to Governor Busby’s Declaration of Independence, and William Hobson’s drafting (and controversial translation) of the Treaty. Constitutional lawyer Moana Jackson, author Jenny Haworth and MP Hone Harawira give their takes on the Treaty's birth, and its reception by Māori during this pivotal time in NZ history.
After Governor Hobson’s stroke, Willoughby Shortland stepped in and sent the Treaty south in the hope of more signatories. This fourth episode of comedian Mike King’s Treaty discovery series searches for where the sheet was signed on the Manukau Harbour. King learns of an (unfulfilled) ancient prophecy, and why Ngāti Whātua chief Apihai Te Kawau agreed to sign. King then heads across the harbour and uses his mission as an excuse to visit the Kāwhia Kai Festival, where he learns about the influence of the incoming “great white wave” on signatories.
In this intimate documentary painter Michael Smither lays bare his life — from a stern Catholic childhood in New Plymouth to the inspiration of Central Otago to his senior years in Otama Beach, collaborating on natural artworks. Smither is best known for his unflinching portraits of family life, works like 'Sarah with Baked Beans' which capture the untamed energy of small children. Smither acknowledges the hardship behind these famous paintings, and the toll it took on his first marriage. Ex-partners (including novelist Rachel McAlpine) open up about their time with Smither.
The work of artist John Reynolds takes in painting, photography, clothing, tattooing and landscaping. Shirley Horrocks frames this Artsville documentary as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in Reynolds' life, the film observes him as he makes and debuts a big painting (Cloud) at the 2006 Biennale of Sydney, works on large-scale outdoor works, redesigns a swanndri, and takes time out to appear in an episode of bro'Town.
From the late 1980s, Gretchen Albrecht's richly-coloured large abstract paintings made her reputation in New Zealand. This documentary (made for TV One's Artsville series) traces the development of Albrecht's work from her art school years, through to a developing interest in sculpture. Interspersed with commentary from family, collectors, writers, and art historians, Albretcht discusses her life, and the ideas and influences that inform her work. In the studio, her working methods are revealed as she is capturing creating new work.
Nature documentary A Flock of Students captures footage of a species rarely caught on camera: a colony of young human 'freshers' who have migrated south to Dunedin. Over footage of nesting, university pie-eating contests and social gatherings, narrator Sydney Jackson provides insights into student display rituals, social groupings and early, "somewhat unfocused" attempts at courtship. As winter bites, temperatures fall below zero, and the male of the species builds up resistance by exposing itself to all available germs. David Kilgour (The Clean) provides the music.
This documentary looks at Christchurch-based experimental theatre company The Clinic. Since 1999 the group has been making concept-driven works - "idea[s] stemming from a dream, a conversation, or even a costume". Often characterised by global multimedia collaborations performances might take place in abandoned buildings, nightclubs or online. This excerpt explores the genesis of the company and their free-flowing ethos. It features The Peculiar Case of Clara Parsons and a show in development at Christchurch Cathedral that includes writer Jo Randerson.
Director Murray Keane was inspired to make this documentary after his wife Fiona Samuel focussed exclusively on women for her earlier doco about the loss of virginity and its effect on lives. The companion film features seven men aged from 20 to 80 talking candidly about their different experiences of 'the first time'. Keane illustrates these very personal stories with quirky, colourful visuals as his participants muse on an event that few were really prepared for and which was transcendent for some, confusing for others and a nightmare of abuse for one of them.
This documentary traces the life of intersex activist Mani Mitchell. 'Intersexual' is a term to describe a person with atypical combinations of the biological features that usually distinguish males from females. Mitchell's harrowing but ultimately inspiring story is told via candid and articulate interviews, as Mitchell talks about being made a "hospital freak show tour" by doctors, and growing up secretly 'middlesex'. The Dominion Post's Jane Bowron called Mani's Story "one of the great survivor stories". It won the 2004 Qantas Media Award for Best Documentary.
If a single word could sum up the free-wheeling flavour of alternative music and comedy in Aotearoa during the 1970s, that word would surely be ... Blerta. The 'Bruno Lawrence Electric Revelation and Travelling Apparition' included foundation members of the NZ screen industry (Lawrence, Geoff Murphy, Alun Bollinger) plus other merry pranksters. Drawing on the Blerta TV series and beyond, Blerta Revisited (aka Blerta - The Return Trip) is an anarchic collection of comedy skits, musical interludes and films culled from the Blerta archives. Costa Botes writes about Blerta here.
Kiwi Buddha follows the journey of seven-year-old Rinpoche as he becomes the first Buddhist High Lama incarnated in the Southern Hemisphere. ‘Venerable Pong Re Sung Rap Tulku Rinpoche', is a schoolboy from Kaukapakapa, north of Auckland. The film documents Rinpoche's journey as he leaves small town New Zealand behind (along with McDonalds and Pokemon) to travel to a monastery in the Himalayas where he will spend his next 20 years studying Buddhism. Kiwi Buddha sold to the National Geographic channel and to 60 territories.
With a cast of stars from television, music (TrueBliss, Bunny Walters) and sports (Stu Wilson), this 2000 documentary offers a close-up on fame — Kiwi-style. There are insights on local paparazzi from women's magazine editors, who have lost friends over what they have chosen to publish. Angela D'Audney reveals the 'intimate' relationship between TV personality and audience — looking animated is a job requirement, if she wants to walk in public unaccosted; and swimmer Danyon Loader describes the challenges of being forced into the media spotlight as a shy teen.
Haunui Royal directs this 1999 documentary on the people who live in the Far North, and their guardianship (kaitiakitanga) connection with the land and sea. Royal looks at how this traditional ownership is under pressure: from urban sprawl, pollution, and changing land use. Kaitiaki include farmer Laly Haddon, fisherman Rick, paralegal Ani Taniwha (whose work with ōi (shearwater) helped deepen her connection to the land); Ngāti Kuri members looking after Te Rerenga Wairua (Cape Reinga), and a group of rangatahi from Auckland.
In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. Five hundred and six days later, police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/Takaparawhau — including how questionable methods were used to gradually take land from Māori, while basic amenities were withheld from those remaining. The Untold Story features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.
Coming Home chronicled Kiwi successes abroad, by profiling New Zealanders living and working overseas, then following them back to Aotearoa when they made a return visit. Each episode of the Touchdown Productions series was grouped roughly geographically, with two or three expat New Zealanders featured per episode. Among those reminiscing upon home and opportunity were businesswoman Mary Quin, motor racing legend Steve Millen, journalist Peter Arnett, model Kylie Bax, psychologist John Money, law lecturer Judith Mayhew and singer Patrick Power.
This Coming Home episode introduces two Kiwi "pioneers in their fields": psychologist John Money and horse expert Wayne McIlwraith. Colorado-based McIlwraith works on top racehorses around the globe, then goes climbing on his rare days off. Money was celebrated and criticised for his game-changing work on gender and sexuality. Returning for a visit downunder, he sets about donating his artworks to a museum in Gore. The episode was made soon after doubts were first raised about the success of Money's most famous case of gender reassignment, David Reimer.
This high-rating 1999 documentary follows Gary McCormick to Ireland to investigate "those strands which tie" Kiwis to the Emerald Isle, from Dublin to the north, where his forebears originated in the 1870s. He meets locals, (musicians, tinkers, playwrights, scuba divers) and Kiwi expats, and talks The Troubles, Celtic Tigers, and why Irish emigrated to Aotearoa. Irish Connection was another collaboration between McCormick and director Bruce Morrison (Heartland, Raglan by the Sea). Companion title The London Connection saw McCormick examining Kiwi links to London.
This 1999 documentary see presenter Gary McCormick exploring the lives of New Zealand expats living in London. London Kiwis – including MTV Europe head Brent Hansen, Angel at My Table actor Kerry Fox, chef Peter Gordon, house-boaters Karyn Hay and Andrew Fagan, and drunk backpackers at The Church – reflect on their overseas experience and the meaning of home. Produced alongside a companion documentary on Kiwis in Ireland, London Connection was a further collaboration between McCormick, director Bruce Morrison and producer William Grieve (Heartland).
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
This full-length documentary looks at the grim reality of our fast-disappearing national symbol, and the efforts of people passionate about saving it. Remarkable facts about the evolutionary oddity are framed by the point that “the nation which laments that the moa was wiped out is committing the same crime against the kiwi”. The film raises the unsettling question: do we want the stoat or kiwi as our national icon? It also makes a compelling call to action to save a unique taonga, which could be extinct from the mainland in 20 years.
Readings from the poems of James K Baxter trace the poet's life through its various New Zealand locations, and provide a biographical voice in this film by Bruce Morrison (co-written with Dr Paul Millar). Baxter's family and friends discuss the man and his work, and the readings and beautifully shot landscapes fill in the gaps. The film won Best Documentary at the 1998 Film and TV Awards. The opening montage, describing "the chugging noise of masturbation from the bedrooms of the bourgeois" of Auckland, is seminal Baxter.
Gary McCormick visits the West Coast mining town of Reefton in this full length episode. He takes an early morning trip down Surprise Mine, and gains insights into the tough life of a coal miner. Meanwhile, miners' wives talk about being married to someone with a high risk occupation. McCormick also attends the First Light Festival, held to mark Reefton being the first town in the southern hemisphere with electric lighting. Later he heads to the abandoned gold mining town of Waiuta, and back in Reefton meets a woman with a doll collection which takes up her whole house.
This four-part series from 1996 presents the game of rugby as a mirror for New Zealand social history. Written by Finlay Macdonald, it sets out to explain how rugby became such an intrinsic part of New Zealand's identity. Each episode visits iconic paddocks (from schools to stadiums) and players (from amateurs Nepia, Meads, and Shelford, to professional star Lomu); and observers muse on the influence of the inflated pig's bladder on Kiwi culture, including historian Jock Phillips, writer Ian Cross and journalist TP Mclean.
Heartland host Gary McCormick hunkers down in the Catlins ("New Zealand the way it used to be"), the wild southern coast stretching between Invercargill and Balclutha. After watching the action at school sports day, he discovers a rural community revolving around family, church and pub. Interviewees include a Metallica-loving teenager who has just bought his second car, for cruising; and spoon collector Kitty 'Granny' Burgess. He also visits a rugged Long Point farm to check out rare yellow-eyed penguins (hoiho), who look very punk during moulting season.
This four-part series explores New Zealand social history through rugby, from the first rugby club in 1870 to the 1995 World Cup. In this episode commentators muse on the roots of rugby in a settler society, in "a man's country". Rugby's unique connection with Māori, from Tom Ellison and the Natives’ tour to a Te Aute College haka, is explored; as well as the national identity-defining 1905 Originals’ tour, and the relationship between footy and the battlefield. As the Finlay Macdonald-penned narration reflects: “Maybe it's just a game, but it's the game of our lives”.
In this full-length episode Gary McCormick arrives in Ruatahuna, heartland of the Tūhoe people, the so-called ‘children of the mist'. The episode focuses on preparations and staging of the annual Tūhoe Festival. McCormick interviews local and national figures who express their feelings about their Tūhoe heritage. The grievances of the past are highlighted, along with pride and hope for the future. This episode goes beyond the affable romanticism of much of the series to examine the uncomfortable edge of race relations in New Zealand.
In this documentary, poet Sam Hunt and raconteur Gary McCormick shake out the ache of descending middle age and hit the road for an old fashioned ‘rock and roll style’ poetry tour. Starting in Invercargill, the longtime mates make their way up the length of the country, sharing stories, anecdotes and of course, poems along the way. Here are two people's poets, one arguably great, the other certainly good, captured in full flight during their prime. The Roaring Forties Tour was nominated for NZ Film and Television Awards in 1996, for its editing and music.
This documentary confronts attitudes to alcohol consumption in NZ. Interviews with those who see major problems (including police, ambulance, youth workers, Family Planning and Women's Refuge) and those who don't (brewers, advertising agencies, sports groups and publicans) are interspersed with often-graphic footage of excessive alcohol use. The challenging depiction of the culture piqued Lion Breweries, who complained to the Broadcasting Standards Authority. The BSA rejected their assertion that the programme was salacious, but did agree it "lacked balance".
Heartland host Gary McCormick visits Fendalton, Christchurch — which has a reputation as one of the country's more well-to-do and refined suburbs, and is one of the older residential districts of the city. McCormick takes tea and sandwiches on the lawn with elderly resident (and possessor of some archetypal 'rounded vowels') Bessie Seymour Parker; visits grand homesteads and English country gardens; and meets some private school teenagers, as Fendalton lives up to its 'posh' — some might say 'snobby' — reputation.
Heartland host Gary McCormick discovers the scenic and rustic charms of Glenorchy, near Queenstown. McCormick meets Rosie Grant, who has lived in the same cottage since 1916, and shares her home with 17 cats; checks out Paradise House, the first guest accommodation in the area, now owned by Dave Miller; and plans to have a day at the races. But the film crew's plans go awry when the settlement suffers serious flooding, and stories of sand-bagging, stock rescue and property recovery replace the more typical Heartland fare.
Heartland host Gary McCormick visits 'New Zealand's last frontier' - Haast on the West Coast. It's whitebait season, and Haast's population has increased five-fold. McCormick talks to whitebaiters on the Arawata River and a Department of Conservation Ranger, visits a "secret whitebaiters' town" and helps local residents prepare for the annual Whitebaiters' Ball. When McCormick asks what the best line for getting a girl to dance is, one of the locals tells him to say, "I've got a Valiant". The programme also touches on the tensions between some residents and conservationists.
This NHNZ documentary looks at the fierce debate between animal lovers and ecologists over the wild horses of the Kaimanawa Ranges (with striking footage of them running free). At issue: a delicate tussock land ecosystem with rare native plants dating back thousands of years, increasingly at risk from horses recognised for their uniqueness — but whose numbers have grown tenfold in 15 years. Reducing the herd size is the favoured option. But only younger horses can be sold and, with older ones going to an abattoir, the plan is opposed by the horse lobby.
The Aupōuri Peninsula - in Maui's legend, the tail of the fish - runs along the top of the North Island, edged on one side by Ninety Mile Beach. In Te Hapua, the most northerly community on the mainland, Gary McCormick helps out at the marae as preparations begin for a cultural festival for the district's primary schools. The students will perform kapa haka, Dalmatian dances and take-offs of Shortland Street. This Heartland episode evocatively melds footage of children practising and performing, with oyster farmers catching fish for the hangi.
"Bluff'll be here forever." Heartland host Kerre McIvor (nee Woodham) heads south to the port town of Bluff for the 65th wedding anniversary of Fred and Myrtle Flutey, and visits their famous paua shell museum (after their death, the Flutey's paua collection was relocated in 2008 to Canterbury Museum). As well as taking part in the celebrations and learning the secrets of a happy marriage, Woodham talks to local fishermen, women rugby players and long time residents, including the memorable Sylvia Templeton-Warner.
Occasional Heartland host Annie Whittle visits Patea in this full-length episode, and finds the town in rehearsal for the story of its own life. A decade in the making, Poi E - The Musical chronicles Patea's triumphs and tragedies, following the closure of the local freezing works in 1982. Whittle talks to Dalvanius Prime — the musician behind both the original number one song, and the Poi E musical — about the impact the closure had on the township. The programme ends with a rousing live version of 'Poi E'. Prime would pass away in October 2002.
In this full-length episode, Heartland visits the heart of the North Island: the Waimarino district at the foot of Mount Ruapehu. Host Gary McCormick hits town in time for the yearly Waimarino Easter Hunt. In Ohakune he talks to a policeman about a strange case of streaking near the town's famously oversized carrot, visits an equally overized collection of salt and pepper shakers, then sets off on an early morning pig hunt. Vegetarians be warned: many expired members of the animal kingdom make guest appearances.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.
Heartland host Gary McCormick visits French Pass in the Marlborough Sounds, where he attends the local sports day, and visits a couple who have lived on remote D'Urville Island for 46 years. Pat and Phil Aston met on the mainland, but have lived their whole married life on D'Urville, where Phil has helped her nine children through Correspondence School, and Pat has done everything from fishing to putting up power lines. At the French Pass sports day, McCormick takes in an Army battle re-construction and an assortment of running races.
Occasional Heartland host Maggie Barry visits the Southland town of Gore, where she checks out horse-shoeing with the New Zealand Farriers Association, visits the local freezing works, and attends the legendary Gold Guitar country music awards (with performers including Suzanne Prentice). Not such a controversial visit to Gore by a TV crew as the one some years later by Havoc and Newsboy's Sell-Out Tour.
Heartland host Gary McCormick visits South Island town Omarama, which is "about as remote as you can get in New Zealand, as it sits in the centre of the South Island at its widest point." McCormick talks to sheep farmers battling pest rabbits and the invasive weed Heiracium Hawkweed, checks out a fishing competition, and attends the Omarama Rodeo. At the rodeo he meets the Church family of rodeo riding brothers, listens to a spot of yodelling, and takes in the children's sheep riding display.
Gary McCormick travels to the furthest corner of New Zealand and hangs out with fishermen, farmers, and ghosts. He reads the weather report on the islands' radio station (where the forecast is more rain); explores the vibrant nightlife, endures a Ministerial speech at the opening of a new wharf facility, and goes hunting at night for a local delicacy: weka. This instalment of the series is notable for some especially beautiful location photography by Swami Hansa.
"Space — big hills, snow-capped, blue skies ... that's the Maniototo, Central Otago." So says local poet Ross McMillan, describing the landscape that inspires much of his work. The Maniototo plain has also inspired writing from James K Baxter, Janet Frame, and Gary McCormick, the host of this full-length Heartland episode. McCormick finds a strong sense of community amidst the poetry of isolation: whether in the shearing shed, the sports field or the ice-skating rink. He also talks to local high-schoolers, some resigned to having to leave the area to find work.
Heartland host Gary McCormick finds himself in the middle of a local conflict when he visits Port Chalmers in early 1993. Port Otago Limited is working on a major port development project that includes excavations on Observation Hill, and reclamations in Carey's Bay. Many locals are opposed to the project and tensions are running high. Local residents interviewed for the programme include celebrated artist Ralph Hotere, and McCormick also visits Hotere's art studio.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
Something of an antipodean Seven Up! (a series of life-chronicling British documentaries) this documentary picks up on the stories of four young Māori — now middle-aged — 24 years after they moved to the Wellington as part of a Māori Affairs Department redeployment program. It makes liberal use of the original film to contrast the cowshed to cubicle journeys; and revisits Ripeka (now in Hamilton), Moana (Guam via Japan), Grace (Wellington), and Phillip (Brisbane), who reflect on the paths their lives have followed, and on their Māori culture and where 'home' is.
This documentary, made by TVNZ’s Natural History Unit (now NHNZ), charts the progress of the nor'west wind from its formation in the Tasman Sea across the Southern Alps to the Canterbury Plains and the east coast of the South Island. Along the way it dumps metres of precipitation on West Coast rain forest and snow on the Alps, then transforms to a dry, hot wind racing across the Plains. The film shows the wind's impact on the ecosystem and farming and muses on the mysterious effect it can have on humans. It screened as part of the beloved Wild South series.
In this five part series presenter Peter Hayden travels through some of New Zealand's most varied, awe-inspiring and spiritual environments. Though there is superbly filmed flora and fauna, geology and other standard natural history documentary staples, it is the history of people's relationship with these sublime landscapes and a genial New Zealand passion for the environment, that makes a lasting impression. At the 1988 Listener Film and TV Awards Hayden won Best Writer in a Non-Drama Category for the series.
In this episode of the Journeys in National Parks series, presenter Peter Hayden looks at the primeval, remote wilderness of Fiordland National Park. We learn of how the god Tu-te-raki-whanoa crafted the fiords out of sheer cliffs with his adze, "so the sea might run in and there'd be quiet places for people to live". On boats and along the Milford Track, Hayden traces the "memory trails" of the few who have braved the area: Māori pounamu collectors, sealers, cray fishermen, early naturalists Georg and Johann Forster, and pioneering conservationist Richard Henry.
Peter Hayden travels through some of New Zealand's most awe-inspiring environments in this five part series, made to celebrate the centenary of our first national park. This episode looks at the national park closest to our largest city and contemplates that relationship, featuring stories of life on the islands of the Hauraki Gulf. A highlight is the transfer of the rare saddleback or tieke (a lively wattlebird) from Cuvier Island to the ecological time-capsule of Little Barrier Island — "with Auckland's lights twinkling in the background". Catherine Bisley writes about the Journeys series here.
In this series celebrating New Zealand's national parks, Peter Hayden travels through some of Aotearoa's most awe-inspiring environments. This episode — looking at the unique spiritual relationship between the Tūhoe people, and the birds and bush of Te Urewera National Park — was directed by Barry Barclay (Ngati). Barclay used his fourth cinema philosophy of indigenous filmmaking, "to tell the contemporary story of the park through their [Tūhoe] eyes". The film attracted controversy for its then exceptional use of te reo. Catherine Bisley writes about the Journeys series here.
In this five-part series, presenter Peter Hayden travels through some of New Zealand’s most awe-inspiring landscapes. The series was made to coincide with the centennial of the establishment of Tongariro, Aotearoa’s first national park (and the fourth worldwide). Hayden traverses the famous Tongariro Crossing with priest Max Mariu, volcanologist Jim Cole, park ranger Russell Montgomery, and the young Tumu Te Heu Heu. It was the first time Tumu, later paramount chief of Ngāti Tuwharetoa, had been up the maunga; the power of his experience is clear and moving.
The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).
This final installment of Hayden’s traverse across latitude 45 finds him in the ice-sculpted isolation of Fiordland. In this episode he travels through diverse flora (lush and verdant thanks to astonishingly high rainfall); and with botanist Dr Brian Molloy follows the footsteps of early bird conservationist Richard Henry. Mohua (yellowhead), takahe, weka and tiny rock wrens feature in the fauna camp. Reaching the sea, the underworld depths of George Sound house a world teeming with abundant life.
The first leg of Peter Hayden’s journey across latitude 45 south takes him across the Waitaki Plains and up to Danseys Pass. He visits the site of a moa butchery and the sunken circular umuti (cabbage tree ovens) of early Māori. Guided by colonial literature, he visits New Zealand’s tallest tree (a eucalypt, which he finds horizontal). Drought busting desperation of 1889 and the provenance of Corriedale sheep is also covered. In a riparian side trip, Hayden heads up the Maerewhenua River where gold miners succeeded only in ravaging the landscape.
Central Otago’s broad, dry landscape is dominated by an extreme climate; it is scarred by wind, ice and industry. Deep mining shafts and long rusted sluicing guns pepper this second stage of Peter Hayden’s traverse across latitude 45 south. He visits the quartz covered Mt Buster, NZ’s highest diggings, where unseasonal blizzards often claimed miners’ lives. The layout of Naseby’s graveyard yields information on the hierarchy of the goldfields. The flora includes mountain totara, carnivorous sundews and a heather variety that grows horizontally. Hayden won a GOFTA award for his script.
In April 1984 Poi-E was atop the NZ music charts, with ‘Jo the breakdancer’ starring in the song's music video. So it's apt that this edition of the TVNZ youth show looks at “the craze currently sweeping New Zealand — breakdancing”. In her first presenting gig, future MTV host Phillipa Dann heads to Mangere to bop and head-spin. Elsewhere in this season opener, David Hindley reports on a School Certificate controversy, and why young drivers are dying on country roads. Co-presenting back in Viewfinder’s Dunedin studio is Uelese Petaia (star of movie Sons for the Return Home).
This film tells the story of the world’s rarest wading bird, the black stilt (kakī). With its precise beak and long pink legs the stilt is superbly adapted to the stony braided riverbeads of the McKenzie Country, but it is tragically unable to deal with new threats (rats, ferrets, habitat loss). An early doco for TVNZ’s Natural History Unit, the magnificently filmed drama of the stilt’s struggle for survival makes it “stand out as a classic of its genre” (Russell Campbell). It won the Gold Award at New York’s International Film & TV Festival (1984).
TVNZ’s Natural History Film Unit was founded in Dunedin around 1977. The first Wild South documentaries began filming a year later. The slot's initial focus was on New Zealand’s perilously endangered birds, eg the Chatham Island black robin (then the world’s rarest bird). The results won local and international notice, and a loyal audience. Wildtrack was a sister series showcasing natural history for young viewers. Wild South ended in 1997 when the Natural History Unit was purchased by Fox Studios; it later became internationally successful production company NHNZ.
Framed by the distinctive burr of influential Scottish thinker RD Laing, this 1977 doco questions how the Western medical system handles childbirth: in Laing's view, "one of the disaster areas of our culture." Supported by arresting hospital footage and impassioned interviews with mothers, the film argues that women are often deliberately sidelined during the process of birth, and babies' needs ignored. Screenings in the UK and US saw it contributing to a debate about newborn care; one that remains ongoing. Birth won a Feltex award for best documentary.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.
Made for the Post Office, this 1971 National Film Unit documentary offers a potted history of New Zealand, using postage stamps as the frame. Director David Sims ranges from Māori rock drawings, to Tasman and Cook. Once Pākehā settlers arrive, the film offers a narrative of progress (aside from two world wars) leading to nationhood and industry. Archive photographs, paintings, Edwardian-era scenes and reenactments add to the subjects illustrated on the stamps. The stamps include New Zealand’s first: a full-face portrait of Queen Victoria by Alfred Edward Chalon.
One of the last films made by Jeremy Sykes before his death in the Antarctic in a helicopter accident, this NFU short commemorates the 1969 Cook bicentennial. It traces Cook’s first voyage to New Zealand and his charting of the coastline. Contemporary illustrations and dramatic camerawork are used to follow his six-month journey around Aotearoa. It also highlights Cook's navigational skills as he sailed the Endeavour, home to 94 men, two greyhounds and a goat, through uncharted waters, helping earn him his reputation as "explorer extraordinary and servant of the King".
Shot for an Australian Travel Agents Seminar, this short film seeks to portray 1969 New Zealand as a hip and happening place. The tourism clichés of a scenic wonderland remain, but the film attempts to present a more sophisticated NZ to entice jet-set Aussies east. After all, we "got rid of six o'clock closing ages ago." To complement the Anzac staples of sport, beer and gambling there are mountains and Māori. Nightclubs offer show bands and strippers for "relaxation" after strenuous days of sightseeing. C’mon is a fascinating snapshot of a nation in transition.
Three young ski instructors head south for an end of season adventure on Mt Ruapehu and the Tasman Glacier. Michael Dennis and Anne Reid both competed for NZ in the 1968 Grenoble winter Olympics. They join Swiss-born heli-ski pioneer Herbie Bleuer on the slopes in this 1969 NFU short film, replete with slightly dated, “hip” voiceover. With not another soul in sight, the three begin on Mt Ruapehu, skiing down to examine the crater. Then it’s down to Queenstown and a ski-plane flight onto the top of the Tasman Glacier for a run down its 27 kilometre length.
Made for television in the late 60s, this documentary pursues four young Māori — Ripeka, Moana, Grace and Phillip — as they transition from school, whānau and rural life to live in the city. The film follows them as they arrive in Wellington and attend a pre-employment course run by The Department of Māori Affairs, which offers accommodation and advice on employment options. Director Arthur Everard later became NZ's Chief Film Censor. A 1991 sequel To Live in the City 24 Years On, travelled across three countries to pick up on the lives of the four, now middle aged.