The work of writer Martin Edmond rarely slots into easy geographical or stylistic boxes. After making his screen debut as co-writer of Illustrious Energy — an evocative portrait of Chinese gold prospectors in Central Otago — Edmond has gone on to explore tales of outsiders in another three feature films, and a number of books.
Maurice Gee, who was named an Arts Foundation icon in 2003, is one of New Zealand's most acclaimed writers. His work for the screen includes creating 80s kidult series The Fire-Raiser and The Champion. Gee's novels have also inspired a number of adaptations, notably classic sci-fi series Under the Mountain and movie In My Father's Den.
Producer Lloyd Phillips won an Academy Award in 1981, for short film The Dollar Bottom. South African-born Phillips was raised in New Zealand, where his first feature, Battletruck, was shot. He went on to establish a globetrotting Hollywood career, working on The Legend of Zorro, 12 Monkeys, Inglourious Basterds and Vertical Limit (also shot in New Zealand). Phillips died of a heart attack on 25 January 2013.
After starting his career as an actor then doing eight years in the editing suite, Andrew Hawthorn has made his biggest mark in sports coverage. A child star in kidult drama Hunter's Gold, Hawthorn did time as a radio DJ and TV editor before moving into sports for TVNZ. After helming Olympics coverage and groundbreaking America's Cup coverage that was seen around the world, he joined Sky Sports in 2010.
Veteran producer Tom Parkinson has worked with some of New Zealand television's most popular comedians, including David McPhail, Jon Gadsby, and the late Billy T James (who he discovered in an Avondale Rugby League club). He also directed adventure series Hunter's Gold — whose international success helped launch a run of Kiwi-made children's dramas — and produced many international co-productions.
Chris Bailey has made key creative contributions to a host of significant Kiwi television dramas, from sci fi classic Under the Mountain to Nothing Trivial. In 1998, Bailey, along with producer Chris Hampson and writer Greg McGee, founded production company ScreenWorks. These days he is managing director of South Pacific Pictures.
Some jobs never make the headlines; in the screen industry, one of those unsung positions is the production manager. After seven years on film sets in Asia, Brian Walden returned home in the mid 70s to production manage the shoots of many classic TV dramas, from Hunter’s Gold to Hanlon. In 1985 he went freelance, keeping a firm hand on shoots involving horses, hospital porters, vampires and underwater aeroplanes.
As the final manager of the National Film Unit, Doug Eckhoff had the unenviable task of presiding over its demise as the government’s film production agency, and the sale of its assets. Earlier he was a key figure in television news, from the days of the NZ Broadcasting Corporation through to the birth of Television New Zealand. He was also a long-serving trustee of the New Zealand Film Archive (now Ngā Taonga).
A cameraman with over 50 years experience, Michael O’Connor joined the NZ Broadcasting Corporation as a trainee straight from high school. O'Connor went on to shoot some of New Zealand's most iconic dramas, from Under the Mountain to 1980s cop show Mortimer's Patch. His documentary work includes popular series Heartland and Epitaph, and directing Dalvanius, about singer Dalvanius Prime.
Stewart Main is a director noted for his strong sense of visual style, and commitment to themes of individuality and sexuality. Alongside his own projects (including 2005 feature 50 Ways of Saying Fabulous), a fruitful partnership with Peter Wells has produced several noted dramatic and documentary films, including colonial-set bodice-ripper Desperate Remedies.