Alison Holst (DNZM, CBE, QSM) has been a household face since the early days of New Zealand television, when her debut show, Here’s How: Alison Holst Cooks, was an instant hit. Her mission was to cook for ordinary people, use uncomplicated ingredients and stick to a budget. Rejecting her unliberated image, she aimed to get women out of the kitchen by making cooking simple.
Veteran actor Kate Harcourt was named a Dame Companion of the NZ Order of Merit in 1996, for her contribution to theatre. Her long performing career also encompasses many roles on screen (Plain Tastes, The Dig, Apron Strings), often playing maternal figures. In her ninth decade she won Best Actress at Rhode Island International Film Festival as the plucky rest home rebel in short film Pacific Dreams.
Derek Wooster is a veteran producer, director, reporter and writer who made milestone mainstream and Māori programming — from Mastermind to Marae — throughout his 30-year career with Television New Zealand. As well as creating and producing the country's longest running Māori current affairs series, Wooster has worked on significant national broadcasts including the tangihanga of Dame Whina Cooper and the Māori Queen.
Marcia Russell, OBE, blazed a trail for women working in print and screen journalism. Her TV work ranged from reporting and documentary making, to Beauty and the Beast panelist, and a key role in the creation of TV3. She was behind the award-winning Revolution series (surveying 80s Labour government reforms), and contributed to major series Landmarks and The New Zealand Wars. Russell died on 1 December 2012.
Dame Pat Evison's extensive screen career saw her acting alongside George Henare, Roger Hall, William Holden, and a young Mel Gibson. Evison worked extensively on both sides of the Tasman, including long-running TV roles on Close to Home and Australia's Flying Doctors. She passed away in May 2010.
Julie Christie, DNZM, is one of New Zealand's most successful television producers. She built her company, Touchdown Productions, into the country's leading producer of entertainment television and exporter of programme formats. In 2006 she sold Touchdown to global company Eyeworks in a multi-million dollar deal; she stayed on as managing director until 2012.
Tom Finlayson has worked in television in almost every capacity: as a reporter and producer in the cauldron of daily news, developing and producing classic drama shows (Under the Mountain, Mortimer's Patch) and movies, directing documentaries (The Party's Over) — as well as commissioning programmes, during a three year stint as TVNZ’s Director of Production.
Ronald Sinclair began his movie career at age 11 as Ra Hould, when he appeared in Down on the Farm (1935), a contender for New Zealand’s first feature-length drama made with sound. The following year he went to Hollywood, where MGM changed his name to Ronald Sinclair for movie Thoroughbreds Don’t Cry. After war service with the US Army he worked for more than two decades as a film editor.
Jane Campion is one of the most dynamic — and applauded — filmmakers to emerge from Australasia. Campion's CV includes Cannes-winning road trip Peel, An Angel at My Table, based on the life of writer Janet Frame, and award-winning mini-series Top of the Lake. With her twisted settler romance The Piano (1993), she became the first woman to take the top award at the Cannes Film Festival.
Whai Ngata worked in Māori broadcasting at Television New Zealand for 25 years, a period when the quantity of Māori broadcasting underwent a major expansion. Starting as a reporter, he rose to become TVNZ's general manager of Māori Programming, a post he held from 1994 until retiring in 2008. Ngata was named an Officer of the Order of New Zealand Merit in 2007. He passed away on 3 April 2016.