Charlotte Purdy’s CV ranges from reality TV to Antarctic disaster. After a television OE in the United Kingdom, she helmed documentaries and factual TV back home. Under her Rogue Productions banner she created reality format The Big Experiment, and made Reel Late with Kate. After a decade producing current affairs, she co-directed docudrama Erebus: Operation Overdue and rugby doco By the Balls.
Peter Sharp is one of New Zealand's most prolific directors of screen drama. Though his directing work covers the gamut from police shows and soap satires to live performance, Sharp is best known for his work helming kidult dramas - including Maurice Gee period tales The Fire-Raiser and The Champion. He also directed award-winning mini-series Erebus: the Aftermath.
John Keir began his career as a TV reporter, and from the late 70s on was producing and directing an extended slate of documentaries. His CV includes docos about air crashes (Flight 901: The Erebus Disaster), war (Our Oldest Soldier), gender (Intersexion) crime (First Time in Prison) and the Treaty (Lost in Translation). His many collaborations with director Grant Lahood include two short films that won acclaim at Cannes.
Caterina De Nave, who passed away on 17 August 2014, helped break the glass ceiling for women working in local television. As a network executive at both TVNZ and TV3, she often commissioned new writing and directing talent, and was a key player in the development of Shortland Street, Outrageous Fortune and Montana Sunday Theatre. In 2009 De Nave crossed the Tasman to join Australian broadcaster SBS.
Simon Coldrick first encountered an editing suite while living in his native England. He moved downunder in 2005 and set up Auckland post-production company The Bigger Picture. Coldrick went on to edit Emmy-nominee The Golden Hour, acclaimed big-screen documentary Tickled, and award-winning docudrama Erebus: Operation Overdue. In 2019 he co-directed rugby documentary By the Balls.
Greg McGee's first play Foreskin's Lament (1980) is seen as a watershed moment in the maturing of a distinctly Kiwi theatre. Since then McGee has demonstrated (with tele-movie Old Scores) that rugby can be the stuff of comedy as well as critique. He has also created or co-created a run of television dramas - including long-running law show Street Legal - many of them awardwinners.
As a head of drama in New Zealand television, John McRae spearheaded a run of shows that were both local and export successes. McRae's four-decade television career saw him working in three countries, and winning two Emmy awards.
Christina Milligan has done time as an actor and scriptwriter, but it is producing that she loves most. Milligan began producing at TVNZ, and after classic movie The End of the Golden Weather, did eight years as a writer and script editor in Australia. Currently running company Conbrio with her partner Roger Grant, her producing resume includes documentary Let My Whakapapa Speak and executive producing hit film Mt Zion.
A cameraman with over 50 years experience, Michael O’Connor joined the NZ Broadcasting Corporation as a trainee straight from high school. O'Connor went on to shoot some of New Zealand's most iconic dramas, from Under the Mountain to 1980s cop show Mortimer's Patch. His documentary work includes popular series Heartland and Epitaph, and directing Dalvanius, about singer Dalvanius Prime.
The distinctive deep voice of veteran broadcaster Dick Weir, QSM, is known to generations of Kiwi kids as a longtime Radio New Zealand National presenter (The Dick Weir Sunday Show, Ears). On screen he has narrated everything from election campaigns to Erebus docudramas to Wild South. Weir was also the inaugural presenter of 80s after-school news programme The Video Dispatch.