Jess Feast is a documentary maker whose work covers everything from Berlin and ballet to the Flight of the Conchords. Cowboys & Communists examined cultural conflicts in post-cold war Berlin via a US-themed bar and residents of the tower block it’s housed in. 2013 breakout hit Gardening with Soul follows a year in the life of a vivacious nonagenarian nun and won the Best Documentary Moa (NZ Film) award.
Roger Mirams helped launch legendary independent company Pacific Films in 1948, and went on to co-direct Broken Barrier in 1952 with John O'Shea — the only Kiwi feature made that decade. In 1957, Mirams set up a Pacific Films branch in Melbourne. Over the next five decades he won a reputation in Australia for his children's TV shows. Mirams was still working in his 80s; he passed away in February 2004.
Grant Lahood made his name with a trio of short films featuring speedy snails, troublesome mice and squabbling animal activists. After taking The Singing Trophy and Lemming Aid to success at the Cannes Film Festival, Lahood has gone on to direct documentaries, commercials and two feature films — one of which (Kombi Nation) features an all human cast.
The founding member of Oscar-winning special effects house Weta Digital, George Port laboured for seven months solo on the digital effects for Peter Jackson’s Heavenly Creatures. He went on to found Auckland effects company PRPVFX, which has supplied special effects for Xena: Warrior Princess, Rain of the Children and Green Lantern.
Stewart Main is a director noted for his strong sense of visual style, and commitment to themes of individuality and sexuality. Alongside his own projects (including 2005 feature 50 Ways of Saying Fabulous), a fruitful partnership with Peter Wells has produced several noted dramatic and documentary films, including colonial-set bodice-ripper Desperate Remedies.
Director and editor Lala Rolls has made short films, music videos and documentaries (Tupaia's Endeavour, Children of the Migration). She has gone on location throughout the Pacific Islands, and had her work invited to festivals in New Zealand and overseas.
Lisa Harrow's CV marks her out as one of New Zealand's most prodigious acting exports. After starring in Twelfth Night for the Royal Shakespeare Company at age 25, she got serious about screen acting in the 1980s and worked everywhere from Iceland to Australia, as well as starring in Kiwi films Other Halves and Shaker Run. Alongside her acting, Harrow now campaigns for ecological responsibility on stage and page.
Morag Brownlie has brought her offbeat visual sensibility to short films, multi-media shows and the World of Wearable Art Awards. Her 1998 short Mes Mer was invited to many festivals (including Hof, Germany). Since then Brownlie has directed Sean James Donnelly-scored short Rover, and produced theatrical dance show Birds of Paradise, that Theatreview critic Brenda Rae Kidd lauded as a "a sumptuous sensory feast."
Playwright turned director Toa Fraser grabbed the theatre world with award-winning play No.2, which he then directed for the screen. At the 2006 Sundance Festival it won the coveted audience award. Follow-up Dean Spanley won seven gongs at the 2009 Qantas Film Awards, including best director. Fraser went on to helm ballet documentary Giselle, te reo action movie The Dead Lands, and hostage drama 6 Days.
Peter Wells broke ground as one of the first New Zealanders to tell gay stories on-screen. Aside from his work as an author, he explored gay and historical themes in several acclaimed drama and documentaries — including pioneering TV drama A Death in the Family, colourful big screen melodrama Desperate Remedies and Georgina Beyer documentary Georgie Girl. Wells died on 18 February 2019.