Jess Feast's debut feature documentary centres around the hip Berlin burlesque joint, White Trash Fast Food, and explores life in post-wall East Berlin: a place where libertines and die-hard communists co-exist but not always harmoniously. The Cowboy is Wally, an artist and chef, who escaped LA to live a life of freedom in Berlin. The Communist is Horst, an intelligent ex-journalist who lives upstairs from White Trash, and mourns for the old regime. Won Best Documentary by a young filmmaker at the Kassel Documentary Festival, 2007.

Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans. 

Director Vea Mafile'o's Tongan father Saia drives this deeply personal film. Vea raises thorny questions about the relationship between money and the church in Tongan culture, questions that caused her Kiwi/Tongan family pain. Pensioner Saia Mafile'o's dedication to raising large amounts of money for Misinale (an annual church celebration) upset his children and splintered his marriage. Mafile'o returns to Tonga with her father and siblings, to attend the Misinale and learn why the financial sacrifice matters to him. The documentary debuted at the 2019 Berlin Film Festival.

Nanna Maria (Ruby Dee), the matriarch of a Fijian family living in Auckland, feels that the heart has gone out of her clan. She demands that her grown grandchildren put on a traditional feast, at which she will name her successor. The grandchildren — Soul, Charlene, Hibiscus, Erasmus, and Tyson — reluctantly turn up. But tiffs send the day into chaos. Nanna calls the whole thing off. This lovo-warmed love letter to his Mt Roskill hometown was the debut film for director Toa Fraser (Dean Spanley). It screened at many festivals; it won the World Cinema audience award at Sundance in 2006.

This is the official film of the Royal visit to Queen Sālote's Kingdom in 1954, made by the National Film Unit for the Tongan Government. There is comprehensive coverage of the welcome, traditional ceremonies and feasting, dancing and singing, the church service, and the farewell. The young, recently coronated, Queen Elizabeth and HRH the Duke of Edinburgh, leave the 'friendly islands' on the Royal liner Gothic, which will continue on to New Zealand.

Gardening with Soul follows four seasons in the life of irresistible gardening nun Sister Loyola Galvin. Director Jess Feast (Cowboys and Communists) unearths sage gems from the nonagenarian on everything from compost to Catholic Church sex abuse scandals. The cycles of Wellington’s weather are charted via its influence on Loyola’s Island Bay garden, from the 2011 snow to flax-drunk tui. Feast worked with editor Annie Collins to piece together a paean to a life lived with zest and compassion. Soul won the Best Documentary at the 2013 Moa (NZ Film) Awards.  

When Frenchman Daniel Le Brun moved to New Zealand in the 1970s, he decided the wine was "nothing short of garbage". Fast forward nearly 40 years later, and Kiwi vino has gained respect and prestige around the globe; especially Marlborough's sauvignon blanc. A Seat at the Table asks whether Aotearoa wine truly deserves its top table status. The film provides a visual feast of wineries in France and New Zealand. Interviewees include English wine critic Jancis Robinson and wine wholesaler Stephen Browett. The film premieres at the 2019 NZ International Film Festival.

In this series celebrating diversity in Kiwi neighbourhoods, former Highlanders prop Kees Meeuws introduces an eclectic mix of migrants who call North Dunedin home. Meeuws muses that the student-filled suburb "on a clear day, sparkles like the jewel in the crown of Dunedin". A Japanese student enriches his life by volunteering to help an elderly woman, a German jewellery designer explores identity in her creations, an Afghani family celebrate New Year's Day with a feast, and an eighth generation Indonesian puppet master shows off his snake-shaped dagger. 

This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directed coverage of the ballet.