Niki Caro's near wordless Sure to Rise was nominated for best short film at the 1994 Cannes Film Festival. Four years later her debut feature Memory and Desire was invited to Cannes. Caro followed it with Whale Rider, winner of more than 27 awards, and still one of New Zealand's most successful films abroad. Since then Caro has directed everywhere from vineyards in France to mining towns in Minnesota.
Cathy Campbell became the first woman in New Zealand to anchor a sports programme, after joining TV One’s Sportsnight in 1989. The longtime news and sports reporter moved into newsreading, and later ran PR and events company Cathy Campbell Communications. She died on 23 February 2012, after a two-year battle with a brain tumour.
Best-known as an outspoken and award-winning columnist, Rosemary McLeod devised and was principal writer on iconic 80s TV soap Gloss, detailing the lives, loves and trades of Remuera's Redfern fashion magazine dynasty. She has also written scripts for Country GP and Bruno Lawrence/Ginette McDonald late 70s gender politics sitcom All Things Being Equal.
The films of Gregor Nicholas have won international attention and a host of awards. His work as a director crosses the gamut in style and subject: from acclaimed short film Avondale Dogs to All Black commercials for Adidas, from interracial love story feature Broken English, to experimental music-based short films for From Scratch.
The late, great, Davina Whitehouse arrived in New Zealand from England in 1952, having already performed in more than 40 films. Active across multiple mediums — radio, stage, television and film — she also spent four years as an NZ Film Commission board-member. Whitehouse was still acting into her 80s.
Set to become Chief Executive of the NZ Film Commission in January 2018, Annabelle Sheehan has worked in executive roles at film funding organisations, talent agencies and film schools in her native Australia. She was a sound editor on almost 20 screen projects; as part of the post-production team on The Piano, she shared an Australian Film Institute award. Sheehan spent six years as Film and Television head at screen and radio school AFTRS, and nine leading Sydney talent agency RGM Artist Group. As chief of the South Australian Film Corporation, she worked to increase racial and gender diversity in film.
Mitchell Hawkes' list of directing credits ranges from The X Factor to The Hard Stuff with Nigel Latta. His event directing skills have gained him a go-to reputation for covering high profile concerts, music awards and comedy galas. In 2016 Hawkes formed company Ruckus Media with Nigel Latta and producer Arwen O’Connor. Their shows include live broadcast What Next? and award-winner Born This Way: Awa's Story.
Pat Robins has been active in the screen industry since the 1960s, across varied behind the scenes roles. In the early 70s Robins, her then husband Geoff Murphy and their children took to the road with musical collective Blerta. After production managing on classics like Goodbye Pork Pie, Utu, and Ngāti, she first stepped out on her own as a director in 1985, with her first short Instincts.
Margaret Moth was the first female camera operator to be employed by state television in New Zealand. Her natural curiosity and desire to experience history as it unfolded led her from a career in local news and documentaries to working for American cable channel CNN, documenting war zones and major international events from Kosovo to Kuwait.
Before Simon Morris became resident film reviewer and arts presenter for Radio New Zealand, he had a freelance television career encompassing scriptwriting, reporting and directing. He wrote for high-rating soaps like Close to Home, City Life and Shortland Street, directed classic music videos and was a key part of the Radio with Pictures team.