Best-known as an outspoken and award-winning columnist, Rosemary McLeod devised and was principal writer on iconic 80s TV soap Gloss, detailing the lives, loves and trades of Remuera's Redfern fashion magazine dynasty. She has also written scripts for Country GP and Bruno Lawrence/Ginette McDonald late 70s gender politics sitcom All Things Being Equal.
Cathy Campbell became the first woman in New Zealand to anchor a sports programme, after joining TV One’s Sportsnight in 1989. The longtime news and sports reporter moved into newsreading, and later ran PR and events company Cathy Campbell Communications. She died on 23 February 2012, after a two-year battle with a brain tumour.
Niki Caro's near wordless Sure to Rise was nominated for best short film at the 1994 Cannes Film Festival. Four years later her debut feature Memory and Desire was invited to Cannes. Caro followed it with Whale Rider, winner of more than 27 awards, and still one of New Zealand's most successful films abroad. Since then Caro has directed everywhere from vineyards in France to mining towns in Minnesota.
The films of Gregor Nicholas have won international attention and a host of awards. His work as a director crosses the gamut in style and subject: from acclaimed short film Avondale Dogs to All Black commercials for Adidas, from interracial love story feature Broken English, to experimental music-based short films for From Scratch.
Mitchell Hawkes' list of directing credits ranges from The X Factor to The Hard Stuff with Nigel Latta. His event directing skills have gained him a go-to reputation for covering high profile concerts, music awards and comedy galas. In 2016 Hawkes formed company Ruckus Media with Nigel Latta and producer Arwen O’Connor. Their shows include live broadcast What Next? and award-winner Born This Way: Awa's Story.
Margaret Moth was the first female camera operator to be employed by state television in New Zealand. Her natural curiosity and desire to experience history as it unfolded led her from a career in local news and documentaries to working for American cable channel CNN, documenting war zones and major international events from Kosovo to Kuwait.
John Keir began his career as a TV reporter, and from the late 70s on was producing and directing an extended slate of documentaries. His CV includes docos about air crashes (Flight 901: The Erebus Disaster), war (Our Oldest Soldier), gender (Intersexion) crime (First Time in Prison) and the Treaty (Lost in Translation). His many collaborations with director Grant Lahood include two short films that won acclaim at Cannes.
John Anderson got busy directing a run of television dramas in the 1980s, including award-winning Polynesian road movie Mark ll, and two of the final works by playwright Bruce Mason. The onetime actor reinvented himself as a documentary filmmaker in the 90s, then relocated to Kiribati, where he worked on more than 400 films covering everything from climate change to dance. Anderson died in Kiribati on 19 August 2016.
Pat Robins has been active in the screen industry since the 1960s, across varied behind the scenes roles. In the early 70s Robins, her then husband Geoff Murphy and their children took to the road with musical collective Blerta. After production managing on classics like Goodbye Pork Pie, Utu, and Ngāti, she first stepped out on her own as a director in 1985, with her first short Instincts.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.