Cathy Campbell became the first woman in New Zealand to anchor a sports programme, after joining TV One’s Sportsnight in 1989. The longtime news and sports reporter moved into newsreading, and later ran PR and events company Cathy Campbell Communications. She died on 23 February 2012, after a two-year battle with a brain tumour.
Niki Caro's near wordless Sure to Rise was nominated for best short film at the 1994 Cannes Film Festival. Four years later her debut feature Memory and Desire was invited to Cannes. Caro followed it with Whale Rider, winner of more than 27 awards, and still one of New Zealand's most successful films abroad. Since then Caro has directed everywhere from France to China, to mining towns in Minnesota.
Although Ginette McDonald's career is most associated with the gormless, vowel-mangling girl-from-the-suburbs: Lynn of Tawa, she is a woman of many parts. Alongside an extensive acting and presenting career, her work as producer and director spans three decades, and includes Shark in the Park, Peppermint Twist, and kidult series The Fire-Raiser.
Before Simon Morris became resident film reviewer and arts presenter for Radio New Zealand, he had a freelance television career encompassing scriptwriting, reporting and directing. He wrote for high-rating soaps like Close to Home, City Life and Shortland Street, directed classic music videos and was a key part of the Radio with Pictures team.
The films of Gregor Nicholas have won international attention and a host of awards. His work as a director crosses the gamut in style and subject: from acclaimed short film Avondale Dogs to All Black commercials for Adidas, from interracial love story feature Broken English, to experimental music-based short films for From Scratch.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Margaret Moth was the first female camera operator to be employed by state television in New Zealand. Her natural curiosity and desire to experience history as it unfolded led her from a career in local news and documentaries to working for American cable channel CNN, documenting war zones and major international events from Kosovo to Kuwait.
John Anderson got busy directing a run of television dramas in the 1980s, including award-winning Polynesian road movie Mark ll, and two of the final works by playwright Bruce Mason. The onetime actor reinvented himself as a documentary filmmaker in the 90s, then relocated to Kiribati, where he worked on more than 400 films covering everything from climate change to dance. Anderson died in Kiribati on 19 August 2016.
Set to become Chief Executive of the NZ Film Commission in January 2018, Annabelle Sheehan has worked in executive roles at film funding organisations, talent agencies and film schools in her native Australia. She was a sound editor on almost 20 screen projects; as part of the post-production team on The Piano, she shared an Australian Film Institute award. Sheehan spent six years as Film and Television head at screen and radio school AFTRS, and nine leading Sydney talent agency RGM Artist Group. As chief of the South Australian Film Corporation, she worked to increase racial and gender diversity in film.
For 20 years Kathleen O'Brien was the only woman director at the government's National Film Unit. Her films were invited to festivals overseas. Known for her work involving children and education, O'Brien's directed comical road safety short Monkey Tale (1952), and the moving Story of Seven Hundred Polish Children (1966).