Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe. 

This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.

Is it a boy? Is it a girl? What if it’s neither? This award-winning documentary explores the world of the intersexed (formerly known as hermaphrodites) — those born with any one of 30 conditions that make their gender ambiguous. Presenter Mani Bruce Mitchell — New Zealand’s first ‘out’ intersex person — and director Grant Lahood had to travel overseas to find interviewees who would talk freely. They discuss living in a society with a binary view of gender which, at best, has made them all but invisible; and, at worst, has subjected many to damaging “corrective” surgery.

"How would your relationship with your best friend change if they were to change gender?" This is the intriguing proposition that led director Louise Leitch to make this 2016 Loading Doc. Best friends Neil (Leitch's husband) and Byron have been longtime climbing companions, but Byron’s shift from a male to female gender identity at 50 years old provides a challenge to their mateship that differs from any mountaineering obstacle. The mini documentary screened on SBS in Australia. The Spinoff’s Alex Casey called it a "moving, honest examination of an evolving friendship". 

Documentary She Shears profiles five women who blow away stereotypes and sexism in the traditionally male world of sheep shearing. Two are legends of the sport: Emily Welch and Jills Angus Burney (also a High Court barrister). The other three are hoping to make their mark with the blades at the sport's pinnacle: Masterton’s Golden Shears. The event has no separate gender categories. She Shears was directed by first-timer Jack Nicol, and produced by Breaker Upperers producers Ainsley Gardiner and Georgina Conder. It debuted at the 2018 NZ International Film Festival. 

In this edition of the Kiwi social history series all things whānau are explored: a single mother who burnt the bills she couldn't pay; a man hurt by his father's inability to express emotion; and a gay Māori man lay their souls bare. This programme explores the changes in attitudes towards family life, marriage and children, from the restrictive early years of the century to more permissive times. The intersections between race, class and gender illuminate the personal stories, and put them in a social and historical context.

Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace. 

Alison (Mary Regan from Heart of the Stag) sets out from Auckland to visit her mother (Elizabeth McRae), who lives alone in the family house. The upcoming reunion triggers strong memories for mother and daughter alike. As an 18-year-old, Alison was angry when her mother felt obliged to support her father's wish that Alison not bother going to university. For creator Shereen Maloney, the film touches on the tensions arising when succeeding generations have differing choices available to them. An experimental short from the anthology series About Face.

Sean's prize possession is a 1958 red and white Ford Fairlane. His sister Annie works in an auto paint shop. But Annie is sick of playing shotgun, while her brother drives. What she wants is Sean's trust, and the chance to use her spraypainting talents to give the Fairlane a new look. After the Fairlane is stolen, the pair find themselves caught up in an adventure which tests their relationship. Writer Debra Daley based the script on a short story she had written about growing up in the ‘car culture' of Henderson, in West Auckland. 

Daphne and Chloe offers a love triangle with a twist: here the couple under threat are two woman friends (despite rumours their relationship is romantic) who work at an advertising agency. Their friendship, based partly on warding off loneliness, is threatened when the cool, cultured Edith (Helena Ross), starts dating the new office boy (Michael Hurst) — a man 18 years her junior. The typing pool are abuzz. Daphne and Chloe was one of a trio of tele-plays that resulted after TVNZ gave legendary playwright Bruce Mason the chance to choose his themes.