Gaylene Preston has been making feature films and documentaries with a distinctive New Zealand flavour and a strong social message for over 30 years. In 2001 she was the first filmmaker to be made a Laureate by the Arts Foundation, recognising her contribution to New Zealand film and television.
Though most of his films have been documentaries, Florian Habicht's work has often blurred the boundaries between truth and fiction. His CV includes offbeat fairytale Woodenhead, two love letters to New Zealand's far north (Kaikohe Demolition, Land of the Long White Cloud), films on theatre legend Warwick Broadhead and Brit band Pulp, and his award-winning, genre-stretching romance Love Story.
Ant Timpson’s longtime love affair with movies — especially the wild and 'incredibly strange' end of the spectrum — has seen him launch long-running film festivals and New Zealand's biggest filmmaking contest, 48 Hours. He has been part of the producing team on a run of features, from Housebound to The ABCs of Death. In 2019 Timpson directed thriller Come to Daddy, starring Elijah Wood.
Julian Dickon’s place in New Zealand screen history would be secure thanks to just one show — groundbreaking 70s drama series Pukemanu, which he created. Dickon also wrote a number of early plays for television, and went on to write drama, documentary and children’s show Sea Urchins. Dickon passed away on 3 April 2015.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
One of New Zealand's best known screen actors, Sam Neill possesses a blend of everyman ordinariness, charm and good looks that have made him an international leading man. His resume of television and 70+ feature films includes leading roles in landmark New Zealand movies, from a man alone on the run in breakout feature Sleeping Dogs to the repressed settler in The Piano.
Dave Gibson is one of New Zealand's most experienced producers. Under his command, company Gibson Group made programmes for local and international audiences for over three decades. In 2012 Gibson was made an Officer of NZ Order of Merit for services to the screen industry; in 2014 he sold his shares in Gibson Group, and began a four-year stint as Chief Executive of the NZ Film Commission.
Bret McKenzie is one half of musical-comedy duo Flight of the Conchords. McKenzie and Jemaine Clement found international fame with the cult HBO comedy, which followed the duo's fictional efforts to 'make it' in New York. An Oscar-winner after writing songs for The Muppets (2011), McKenzie's screen career began after a brief role in The Lord of the Rings trilogy helped win him a cult following.
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.
Veteran Australian-born producer Phil Wallington has 50 plus years of screen credits. A 1989 shift to New Zealand following 23 years at Australia’s ABC news saw him take on a run of executive producer roles on current affairs shows; he helped produce the controversial 1990 Frontline report on Labour Party campaign funding. The Top Shelf producer is also a regular media commentator.