Ian Sinclair has reported from every corner of the globe. After experiencing dictatorship while studying flamenco guitar in Spain, Sinclair returned home to New Zealand, and eventually began working for TVNZ in 1986. Since then he has covered four major wars and been a mainstay as an investigative journalist, winning New Zealand’s Qantas Media Award for Best Investigation in 2009.
Don McGlashan showed his screen talents early, as one half of offbeat multimedia group The Front Lawn. Since then he has composed for film and television, alongside his own music. His score for Jane Campion's An Angel at My Table won acclaim; his screen awards include film No. 2 — which spawned number two hit 'Bathe in the River' — Katherine Mansfield tale Bliss, and TV series Street Legal.
Morton Wilson began composing for film while playing in band Schtung. Hagen and fellow band member Andrew Hagen went on to provide music for a quartet of Kiwi movies, including The Scarecrow and Kingpin. In 1981 they moved to Hong Kong and got even busier, composing commercials. Wilson went on to oversee Schtung sound studios in Hong Kong, Singapore and Shanghai, while Hagen launched Schtung in Hollywood.
Andrew Hagen began composing for film while in band Schtung. Hagen and fellow bandmember Morton Wilson provided music for a quartet of Kiwi movies, including Kingpin and The Scarecrow, then moved to Hong Kong and set up studios in Asia. In 1992 Hagen headed to LA, establishing himself as an award-winning composer, sound designer and sound supervisor. In 2011 he launched a branch of Schtung back in Wellington.
Steve Roche is one third of Plan 9, a musical collective whose CV of soundtracks includes 20 plus features and over 130 hours of television. Roche first played with David Donaldson and Janet Roddick in celebrated band Six Volts. Since then they have won multiple soundtrack awards, and worked on everything from Forgotten Silver to What We Do in the Shadows. Roche also plays in bands Thrashing Marlin and The Labcoats.
Composer Marc Chesterman has brought his experience of playing drums in bands and sound designing for the theatre, to the screen. Chesterman has worked on a run of films with director Florian Habicht, including composing the soundtrack for Woodenhead and Spookers. He has composed music for Zia Mandviwalla short Eating Sausage, and was sound designer for Rita Angus documentary Lovely Rita.
Joel Haines has composed screen music for over two decades, including soundtracks for TV shows Outrageous Fortune, Westside, The Brokenwood Mysteries and Mercy Peak— plus movies This Way of Life and After the Waterfall. Haines has also created themes for dozens of high profile brands (Air New Zealand, McDonald's), and channel music for TV2, Māori Television, and Sky Sports.
Rob Winch — who died 8 August 2012 — could make a guitar sing in every shade and hue. The multi-instrumentalist and singer amassed 23 awards for his jingles and advertising work (eg. Cruisin' on the Interislander). Other compositions for the screen ranged from ski films (Turn of the Century) to TV theme tunes (a decade of Mitre 10 Dream Home) — plus the occasional drama, including the memorable guitars of Mark II.
A cameraman with over 50 years experience, Michael O’Connor joined the NZ Broadcasting Corporation as a trainee straight from high school. O'Connor went on to shoot some of New Zealand's most iconic dramas, from Under the Mountain to 1980s cop show Mortimer's Patch. His documentary work includes popular series Heartland and Epitaph, and directing Dalvanius, about singer Dalvanius Prime.
Geoffrey Cawthorn has directed drama and documentary on both sides of the Tasman, including crime (Lawless - Beyond Justice), soap (Shortland Street), fantasy (Maddigan’s Quest) and award-winning shorts (Philosophy). His documentary work often reflects Cawthorn’s musical leanings, including pieces on everything from classical and jazz to Kiwi love songs.