Born to Chinese and Singaporian parents, Li-Ming Hu found fame on Shortland Street, playing “mean and cantankerous” medical student turned doctor Li Mei Chen. Over three years on the soap, she also wrote some episodes. Her CV includes two seasons of political satire Spin Doctors, and award-winning short film Take 3 (playing a typecast Asian actor). She has presented music shows and competed on Treasure Island. Off-screen, she was in band The Tockey Tones, and has a Masters in History. Having relocated to the United States to continue studies in Fine Arts, Hu is also a visual and performance artist.
Eight years after her TV debut on sketch show Funny Business, Lucy Lawless won global fame as the star of Xena: Warrior Princess. The series won her a devoted fan following, and invitations to guest star on everything from The Simpsons to bro' Town. Since the end of Xena's six season run, Lawless has acted in New Zealand and the United States, including as bad girl Lucretia in locally-shot series Spartacus.
Kiwi acting legend Jennifer Ward-Lealand began acting at age seven; her first screen role followed at age nine. Since then she has starred in big screen dramas Desperate Remedies and Vermilion to critical acclaim, and appeared in a long run of television shows, from TV drama Danny and Raewyn to Australian comedy show Full Frontal.
Intrepid cinematographer Jacob Bryant has shot everywhere from Iraq and Afghanistan to the mean streets of Auckland (Super City). His work with leading documentary makers has been nominated for multiple screen awards. An episode of TV show Ends of the Earth shot in Afghanistan won Bryant a 2007 Qantas Award; he also shared a Documentary Edge gong for filming Finding Mercy in Zimbabwe.
Fran Walsh is an Academy Award-winning screenwriter, film producer and musician. She has collaborated with her partner Peter Jackson on all his films since Meet the Feebles (1989), and was nominated for her first Oscar after co-writing Heavenly Creatures (1994). In 2004, Walsh shared three Oscar wins for her work on the final episode of the Lord of the Rings.
Longtime Cantabrian Simon Barnett has had many encounters with the small screen. In the late 80s he spent four years as a presenter on What Now?, before going on to host a number of talent and game shows. The longtime radio DJ has also competed in Celebrity Treasure Island. In 1990 he acted in hit comedy Ruby and Rata, as the young man who gets caught up with a dodgy but lovable solo mother.
Peter Feeney is a veritable Swiss Army knife of the screen, with credits as an actor, casting director and acting tutor. Feeney's 20 year plus acting CV ranges from drama (as Rose-Noelle skipper John Glennie, in TV movie Abandoned), kids TV (The Cul de Sac), comedy (Auckland Daze), New Zealand-shot US shows (Spartacus), and film. He won rave reviews as a mad scientist in movie hit Black Sheep.
The screen career of award-winning broadcaster Linda Clark spans seven years as TVNZ’s political editor in the 90s, nine elections, and hosting several current affairs shows (Crossfire, Face the Nation, The Vote). She has also fronted RNZ’s Nine to Noon, and edited Grace magazine. In 2006 Clark retrained as a lawyer. Clark continues to be a political commentator, while working for law firm Kensington Swan.
Seasoned stand-up comedian Rhys Darby played an inept band manager on cult hit Flight of the Conchords. It proved a springboard to wider fame. After acting in movies on both sides of the Atlantic, Darby starred in Kiwi rom com Love Birds. 2014 saw the debut of Darby's comedy show Short Poppies. He went on to act in the 2017 remake of Jumanji, and cameoed in local hit Hunt for the Wilderpeople.
John McKay is a veteran sound editor, sound designer, and mixer. He abandoned an early focus on directing to build a diverse, respected career in post-production. His credits include significant contributions to iconic films The Quiet Earth, Footrot Flats, Kitchen Sink, and Lord of the Rings. McKay is notable for an approach which combines creativity with a high level of technical craft and organisational rigour.