Self-taught editor Cushla Dillon moved from shorter works to features with Harry Sinclair's Topless Women Talk about their Lives: both the bite-sized TV series then the movie, for which she won her first NZ film award. Dillon has gone on to edit shorts, documentaries, and many more features — including The Price of Milk, Orphans & Kingdoms, and award-winning documentary This Way of Life.
After time as a reporter and radio producer, Judy Callingham became one of the first women in New Zealand to make her mark as a television scriptwriter (Close to Home, Gloss, Shortland St, and many more). Her broadcasting career has encompassed stints as a presenter (Town and Around, Fair Go), journalism tutor, and NZ On Air board member. These days she runs a media training company with husband Brian Edwards.
Roger Horrocks has been raising the quality of debate about New Zealand film and television for nigh on half a century. At Auckland University he campaigned for, then ran, the country’s first and biggest film studies course. Horrocks has written extensively about Kiwi culture, including writing the definitive book on Len Lye. He is also a filmmaker and was a founding board member of organisation NZ On Air.
Fiona Samuel, MNZM, has worked prolifically across so many fields that she defies labels: aside from acting on stage and screen, she is a playwright (The Wedding Party), director (TV movies Bliss and Piece of My Heart), scriptwriter (Consent, Outrageous Fortune) and singer (musical revue Babes in the Mood).
Award-winning scribe Gavin Strawhan is one of the most experienced screenwriters working in New Zealand television. His extended resume includes writing for, and helping create TV shows Nothing Trivial, Filthy Rich, Jackson's Wharf, Mercy Peak, Burying Brian, kidult hit Being Eve, Kaitangata Twitch and futuristic thriller This is Not My Life. He also co-wrote 2010 feature film Matariki.
Pip Hall has written for television and theatre, and won awards in both mediums. She started her screen career writing for sketch shows like Skitz and Telly Laughs, and enjoyed a long working relationship with soap Shortland Street. She went on to work on the scripts for Kiwi TV movies Why Does Love? and Runaway Millionaires, miniseries Jonah (about Jonah Lomu) and crime show One Lane Bridge.
Roger Hall began writing and acting on television in the late 1960s. In 1976 his debut play Glide Time became a sellout. Later Hall turned this satire of bureaucrats into Gliding On, arguably New Zealand's most successful sitcom to date. Play Middle Aged Spread became a film in 1979. Hall went on to write marital comedy Conjugal Rights for English television. He remains the country's most successful playwright.
Jess Charlton was behind the camera on three web series from creative collective The Candle Wasters — award-winning party tale Bright Summer Night, musical romance Happy Playland, and 2018's Tragicomic. Born in London but raised in Invercargill and Queenstown, Charlton has shot over a dozen short films, including Jessica Grace Smith's award-winning Everybody Else is Taken and coming of age tale Tama. She was one of the key creatives behind 2012 dystopian feature Existence, and shared two NZ Writers Guild awards for co-writing the script. Charlton has shot ScreenTalk interviews for NZ On Screen.
Vanessa Alexander attracted attention as a rookie director with her low-budget feature Magik and Rose. Since then she has compiled an impressive list of achievements as a producer (Being Eve, Cargo), director (the opening episodes of Outrageous Fortune and Agent Anna) writer (Love Child), script editor, and lecturer. These days Alexander works in Australian television.
When Peter Cox dreamed up The Insiders Guide to Happiness for his Master's scriptwriting thesis, he never thought it would be made into a TV series. But he was proved wrong when it became an award-winning drama, even spawning a prequel. Cox found further screen success by co-creating TV thriller The Cult and comedy The Pretender, as well as writing for series This Is Not My Life.