Motivated by a major health scare, Slavko Martinov decided to make films. He began by devoting years to a film that attacked Western propaganda, but was itself disguised as a piece of North Korean propaganda. Since being loaded onto YouTube in 2012, Propaganda has continued to fool many viewers. Martinov went on to make acclaimed documentary Pecking Order, about the world of bird breeding. Like Propaganda, it was invited to a number of global festivals. Martinov has also directed two documentaries for television: The Nip Tuck Trick, on plastic surgery, and One 16th, about a man capitalising on his Māori heritage.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Palmerston North-born Michael Dean won fame as a longtime presenter on pioneering BBC arts show Late Night Line-Up. Although his three decade broadcasting career was mostly spent in England, Dean also did time downunder. In 1972 he presented an opinionated Survey special on how New Zealand had changed, followed by talk show Dean on Saturday. He passed away in England on 5 October 2015.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
John Anderson got busy directing a run of television dramas in the 1980s, including award-winning Polynesian road movie Mark ll, and two of the final works by playwright Bruce Mason. The onetime actor reinvented himself as a documentary filmmaker in the 90s, then relocated to Kiribati, where he worked on more than 400 films covering everything from climate change to dance. Anderson died in Kiribati on 19 August 2016.
Finola Dwyer, ONZM, began as an editor. After cutting Country Calendar and movie Trial Run, she was encouraged by Larry Parr to become a producer. Three films and a number of TV programmes later, Dwyer began her producing career anew in London in the early 90s. Her work in England stretches from acclaimed Beatles feature Backbeat to Oscar-nominated dramas An Education and Brooklyn.
If director and producer Peter Coates was a superhero, he’d surely be ‘Renaissance Man’. His contribution to championing the arts on television is arguably heroic, and his career multi-faceted. From 1971 to 2004 Coates produced, directed or scripted hundreds of TV productions covering a smorgasbord of topics, from operas to soap operas, and from portraits of New Zealand artists to rugby coaching films.
Alister Barry has been making intelligent and provocative documentaries for more than three decades. Barry's films reflect his longtime interest in how power is exercised in a democracy, and how the decisions of the powerful impact on ordinary people's lives.
From his early days on the stage, Percy Hayes was known for singing and impressions; but it was as actor Rupert Julian that he made his name in Australia, then in the pictures in America. After earning a million dollars as director, producer, writer and star of The Kaiser, his directing career peaked with The Phantom Of The Opera in 1925, starring Lon Chaney. He stayed on in a mansion in LA's Hollywood Hills, until his death in 1943.Image: courtesy of Marc Wanamaker/Bison Archive