Joel Haines has composed screen music for over two decades, including soundtracks for TV shows Outrageous Fortune, Westside, The Brokenwood Mysteries and Mercy Peak— plus movies This Way of Life and After the Waterfall. Haines has also created themes for dozens of high profile brands (Air New Zealand, McDonald's), and channel music for TV2, Māori Television, and Sky Sports.
Andrew Hagen began composing for film while in band Schtung. Hagen and fellow bandmember Morton Wilson provided music for a quartet of Kiwi movies, including Kingpin and The Scarecrow, then moved to Hong Kong and set up studios in Asia. In 1992 Hagen headed to LA, establishing himself as an award-winning composer, sound designer and sound supervisor. In 2011 he launched a branch of Schtung back in Wellington.
Jack Body, OMNZ, composed for everything from gamelan orchestras to the Kronos Quartet, and was a leading figure in awakening local interest in Asian and Pacific music. His soundtrack work ranged across children’s tales, te reo dramas and nature films. His collaborations with director Vincent Ward include classic film Vigil, and (with John Gibson), 2008’s Rain of the Children. Body passed away on 10 May 2015.
John McBeth's commentating career began after injuries put paid to his senior rugby playing days. He became Radio New Zealand's lead rugby commentator in 1985 and took that position at TVNZ in 1992. With his trademark sense of humour never far away, he has covered Olympic and Commonwealth Games and America's Cup yachting along with many other sports.
Composer Stephen McCurdy's screen music has crossed the gamut — from jazz, chamber pieces, rock, and pop, to the faux Peggy Lee song which opened each episode of 80s soap Gloss. McCurdy won NZ Film Awards for his scores to Came a Hot Friday and The End of the Golden Weather.
Bernie Allen, QSM, was a professional musician and teacher before beginning his TV career as musical director of popular 60s show C’mon. He continued on to Happen Inn, followed by a vast number of shows as composer or music director over the next two decades. His score for Hunter’s Gold won an APRA Silver Scroll; his arrangement of ‘Hine E Hine’ accompanied the classic Goodnight Kiwi animation.
David Donaldson is one third of Plan 9, a musical collective whose CV of soundtracks includes short films, 20+ features, and over 130 hours of television. Donaldson and colleagues Janet Roddick and Steve Roche all played in celebrated band Six Volts. Since then they have won multiple soundtrack awards, including for films Predicament and Perfect Strangers. Donaldson also plays in Thrashing Marlin and The Labcoats.
Arthur Everard spent almost two decades making films for the National Film Unit, including directing award-winning rugby short Score and joining the team behind Commonwealth Games doco Games ’74. In 1984, Everard became New Zealand’s Chief Film Censor, a position he held for six years.
Greg McGee's first play Foreskin's Lament (1980) is seen as a watershed moment in the maturing of a distinctly Kiwi theatre. Since then McGee has demonstrated (with tele-movie Old Scores) that rugby can be the stuff of comedy as well as critique. He has also created or co-created a run of television dramas - including long-running law show Street Legal - many of them awardwinners.
Legendary sports broadcaster Keith Quinn has come to be known as the voice of All Black test rugby in New Zealand. He has worked on countless All Black tours, and covered every Rugby World Cup since they began. Quinn worked for the NZBC/TVNZ for four decades, as both presenter and commentator. Aside from rugby, he has covered seven Olympic Games, ten Commonwealth Games, and three Paralympics.