Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. Starting at government filmmaking body the Natonal Film Unit, the part-Kiwi, part-American dlrector worked in documentary — including helming the controversial Birth with Dr. R.D. Laing — before making a run of feature films and TV movies, both in New Zealand and North America.
After studies in radio broadcasting and English literature — and a stint as a radio DJ — Andrew Szusterman went on his OE, and ended up as Music Director of the UK branch of MTV. Back in New Zealand, he helped launch youth music channel C4, and rose up the MediaWorks ranks to become the group’s Chief Content Officer, curating content across television, radio and digital.
Jane Campion is one of the most dynamic — and applauded — filmmakers to emerge from Australasia. Campion's CV includes Cannes-winning road trip Peel, An Angel at My Table, based on the life of writer Janet Frame, and award-winning mini-series Top of the Lake. With her twisted settler romance The Piano (1993), she became the first woman to take the top award at the Cannes Film Festival.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
Brother of pioneering aviator Jean Batten, Rotorua-born John Batten began acting in films while living in the United States. By the 1930s he was winning starring roles in England, including The Great Game and submarine drama Men Like This. Later he appeared in his only known New Zealand film, Rudall Hayward short Song of the Wanganui. Batten passed away in England in 1993.
Bruce Morrison's extensive career as director, producer and sometime scriptwriter has crossed the gamut: from innovative arts programming and pioneer music videos, to the long-running Heartland series — plus feature films variously involving fast cars, riotous teens and a glamour-struck Donogh Rees.
Marriage brought Scottish-born Robert Bruce down under, where he wrestled on hit show On the Mat, and acted and did stunts for movies. The Robert Bruce Ugly Agency was born in 1978, representing both actors and stuntpeople. The agency's stable of actors would expand to include Cliff Curtis, Joel Tobeck and Temuera Morrison. Bruce died on 2nd March 2009, after a short illness.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Kirsty Cameron started in short film and art installation, before costume designing the first of around 20 feature films — including the acclaimed Whale Rider, Slow West, and No. 2. Her list of awards also includes The Orator and TV movie Jean, about aviator Jean Batten. Cameron's third short as writer/ director, teen fable The Lethal Innocents, was invited to festivals in Sweden, Germany and the USA.
Writer and comedian Jon Gadsby, QSM, likely spent more time being funny on NZ television screens than almost anyone — aside perhaps from his longtime partner in crime, David McPhail. After appearing together on breakthrough comedy show A Week of It, the two helped form the comic backbone of the long-running McPhail and Gadsby, satirical show Issues, and the outdoor escapades of Letter to Blanchy.