Peter Sharp is one of New Zealand's most prolific directors of screen drama. Though his directing work covers the gamut from police shows and soap satires to live performance, Sharp is best known for his work helming kidult dramas - including Maurice Gee period tales The Fire-Raiser and The Champion. He also directed award-winning mini-series Erebus: the Aftermath.
John Keir began his career as a TV reporter, and from the late 70s on was producing and directing an extended slate of documentaries. His CV includes docos about air crashes (Flight 901: The Erebus Disaster), war (Our Oldest Soldier), gender (Intersexion) crime (First Time in Prison) and the Treaty (Lost in Translation). His many collaborations with director Grant Lahood include two short films that won acclaim at Cannes.
English cameraman John Earnshaw moved downunder in 1975, just as the local screen industry was hotting up. A director of photography on hundreds of commercials, he shot two feature-length projects: cult movie Angel Mine, one of the earliest entries in the Kiwi movie renaissance, and TV movie A Woman of Good Character. He passed away on 3 March 2014, leaving behind him a passion project involving a mysterious Boeing aircraft.
Enid Eiriksson began working in the design department in the early days of second channel South Pacific Television. She went on to design costumes for classic fashion showcase Gloss and award-winning drama Children of Fire Mountain, plus a slew of popular entertainers — including Billy T James, The Yandall Sisters and Prince Tui Teka.
The broadcasting career of so-called 'Mr Country Calendar' Frank Torley spanned almost half a century. He worked on the iconic rural series as reporter, producer and narrator, and a number of other programmes besides. In 2002, he was awarded the ONZM for services to broadcasting. Torley died of cancer on 27 March 2016, just weeks after Country Calendar celebrated its 50th year on air.
In 2010, thanks to his work on James Cameron's Avatar, Kim Sinclair joined the short list of Kiwis to have scored both an Academy Award and a Bafta. His globetrotting career as a production designer has seen him working in locations from Mexico to Thailand to the Southern Alps, and for directors Martin Campbell (Vertical Limit), Steven Spielberg (The Adventures of Tintin) and Robert Zemeckis (Cast Away).
Danielle Mason graduated from drama school Toi Whakaari in 2002. Two years later she won Chapman Tripp theatre awards for Best Female Newcomer and Outstanding Performance, and starred in low budget movie Futile Attraction, a satire of reality TV shows. In 2006, Mason featured in horror comedy Black Sheep. This time she played Experience, an animal rights activist fighting off a farm full of mutant sheep. Mason went on to play the reluctant object of an ageing DJ's affections in web series High Road. In family drama Wilde Ride, she is a dirt bike enthusiast looking after her sister's daughter following a tragedy.
Editor and director Dell King’s plans to be a filmmaker faced a challenge when she discovered that the Government’s National Film Unit had closed its doors to women directors. Instead King began her long screen career as a negative cutter, and later worked as editor or sound editor on a run of documentaries and features, including the classics Ngati and Vigil.
Kim Gabara's long Kiwi television career began in the late 60s. He went on to create and direct a run of children's programmes, including the iconic It is I, Count Homogenized and puppet series Woolly Valley.
Reporter turned producer Tony Trotter was a key figure in the long history of rural show Country Calendar, pulling the programme out of the studio and towards a wider audience. Spotting the talent of Country Calendar reporter John Gordon, Trotter got him to front the quirky A Dog's Show. Later Trotter won two Feltex awards producing for TVNZ’s fledgling Natural History Unit. He passed away on 9 March 2016.