Pip Hall has written for TV's Skitz, Newsflash, Shortland Street and Jonah, penned a string of successful stage plays, and found the time to perform too. The daughter of playwright Roger Hall muses on many topics, including: Getting her first big laugh on stage at three-years-old, and the formative year she later spent watching "maybe 50, 60 shows in London" The talent that came out of the Allen Hall Theatre at Otago University Getting the chance to write for TV, when producer Dave Gibson shoulder-tapped her after a university show Learning from the impressive writing team on Skitz — which included Cal Wilson, Hori Ahipene, Jemaine Clement and David Fane The influence the Me Too movement is having on theatre
Roger Horrocks is an academic and writer who has mentored many figures in the New Zealand screen industry. Horrocks began teaching film studies at Auckland University in the 1970s, at a time when film was looked down on by academics. He helped launch the Auckland Film Festival (the precursor to the New Zealand International Film Festival), and was a founding board member of funding body NZ On Air.
Being Chinese: A New Zealander’s Story author Helene Wong grew up in 1950s Aotearoa, and has worked in the arts as a performer, writer, and film critic. She discusses her varied career in this Funny As interview, including: Growing up with radio comedy, being the class clown at school, and realising that you could make people laugh with voices and accents The university capping review being a revelation and a liberation — presenting an opportunity to deal with issues and being more than just "prancing about on the stage" How the introduction of television meant being able to see politicians — "their physicality, their flaws and their body language" – providing wonderful source material for satirists Working with Roger Hall, John Clarke, Dave Smith and Catherine Downes on university revue One in Five, and mimicking three-screen promotional film This is New Zealand to open the show Working for Prime Minister Robert Muldoon in the 70s as a social policy advisor – despite spending “the previous few years having a lot of fun satirising him”– and feeling that he had a "kind of dark force field around him" Reaching a turning point in comedy about Asians in New Zealand; Asians have started to "take back the power" and "as opposed to encouraging audiences to laugh at us, we’re now getting them to laugh with us"
Will Hall fell into a screen career by accident after hanging out with filmmakers at Lincoln University - an unlikely scenario given his study towards a commerce degree. Since then, Hall has forged a career both in front of and behind the camera. Hall’s introduction to trans-Tasman film work had some teething problems, but on returning to NZ he landed a key role in The Insiders Guide to Happiness. Roles in Eagle vs Shark, Shortland Street and tele-feature Bloodlines followed, as well as Underbelly - Land of the Long Green Cloud and Nothing Trivial. Hall also co-produced and acted in his own feature film Netherwood, described as NZ's first modern day western thriller.
Brothers Nigel and Jeremy Corbett performed as a musical comedy duo, before joining comedy group Facial DBX (see this interview) and hosting stand-up comedy talent quest A Bit After Ten. Jeremy has achieved further success as a comedian and broadcaster, while Nigel has pursued a career in advertising.
The multi-talented Jim Hopkins started as a serious debater, but inspired by a more comedic style of debating, brought it to New Zealand shores.
Te Radar (aka Andrew Lumsden) began his screen career competing on stand-up show A Bit More After 10.
James Griffin is the brains behind many successful Kiwi TV dramas and comedies (he co-created Outrageous Fortune and The Almighty Johnsons). He talks in this Funny As interview about failing, succeeding and more, including: Putting together a TV pilot for comedy group Funny Business, while working at TVNZ's drama department Writing comedy scripts for "old school gentleman" Billy T James How he became script editor for 1980s melodrama Gloss in his mid-20s, and drank lots of champagne Being asked to work on a film Pacific Islanders would like, which ultimately became hit movie Sione's Wedding Learning a lot from failing (City Life, Diplomatic Immunity) as "it can teach you a few things if you're smart enough to learn" How infusing comedy into his dramas (Outrageous Fortune, The Almighty Johnsons) "normalised" Kiwis to seeing New Zealand humour on screen
Musician turned TV producer turned radio presenter Simon Morris pops up among the Funny As interviews mainly to talk about John Clarke — one of the funniest guys Morris has ever met. Among the topics covered: How Morris and Clarke first bonded in a cafe at Victoria University Clarke's love of the way British comedian Peter Cook combined "low comedy and unbelievably high comedy at the same time...and that was John really" Joining Clarke for a badly-reviewed student extravaganza, where Clarke was one of the only standouts How hit TV show Gliding On (on which Morris directed) utilised the classic sitcom formula of a bunch of characters in a single setting, who irritate one another Working on the TV pilot for comedy group Funny Business, who arrived "just three years too soon" For more on John Clarke, check out this extended interview with Clarke's daughter, writer Lorin Clarke.
In his third interview for Funny As, comedian and 7 Days presenter Jeremy Corbett discusses more singular comedic pursuits, including his extensive career in radio and TV. On top of mentioning how his university degree ran a “distant third” to DJing on Radio Massey and the capping revue, he talks about: Being part of the team that established Energy FM in New Plymouth — including Steven Joyce in his pre-MP days — and being the only one to leave early and miss out on becoming a millionaire Spending 18 years as breakfast host on More FM, then losing interest when radio became homogenised: the “oh I put the coloureds in with the whites in the washing machine, have you ever done that? Text us” moment The awkward moment where he played a tasteless parody song to singer John Mayer in a radio interview Memories of a comedy pilot with Paul Holmes and Mike Hosking, which turned into “a pissing contest between the two of them to be either the most knowledgeable or funniest” 7 Days being his "dream show”, the importance of the writers' room, and getting goosebumps watching the first show go to air Changing a te reo comedy routine on The Project, after taking on board feedback that the routine was “not particularly woke” — and the challenge of delivering the routine in Māori Jeremy Corbett can also be seen in these Funny As interviews with his brother Nigel, and as part of comedy group Facial DBX.