This six-part series about Aotearoa's flora and fauna marked the first set of documentaries to be made by the BCNZ's freshly born Natural History Unit. The 15 minute episodes showcase White Island, bird life in Ōkārito, the flightless takahē, Waipoua Forest in Northland, wetlands near Dunedin and winter wildlife in Central Otago. Many of the filmmakers went on to make a mark — including directors Neil Harraway and Robin Scholes, and cameraman Robert Brown (The Living Planet). Hidden Places - Ōkārito was named Best Documentary at the 1979 Feltex Television Awards.
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.
Doves of War is a political thriller revolving around a group of ex-Kiwi soldiers and their involvement in a war crime committed 10 years prior. A discovery of a mass grave in Bosnia forces ex-SAS Sergeant Lucas Crichton (Aussie actor Andrew Rodoreda) to revisit a past he and his comrades would rather bury. Also on the trail is ambitious Hague prosecutor Sophie Morgan. Action travels from Europe to upmarket Auckland, Wellington nightclubs, West Coast bush, and central Otago. Written by Greg McGee (Fallout, Erebus), it screened for one season on TV3.
This popular series was an early NZBC "pictorial magazine" show that explored "New Zealand’s backyard". Synonymous with producer Conon Fraser, the it was a staple of Sunday night 60s TV. Subjects ranged from Chatham Islands lobster fisheries, to Central Otago frost fires, to Miss New Zealand contestants. The show was praised in a 1968 NZ TV Weekly review as breaking new ground in relying more on imagery and interviewees' reflective voice-overs than (then usual) omniscient narration: "one of the few pure Television productions to have originated within the NZBC."