Reporter Greg Boyed gives Dr Seuss a run for his money in this story on the Undie 500, a dash down Auckland's Queen St for runners willing to make their underwear 'outer' wear. Boyed delivers his voice-over in perfect rhyming couplets, even tying in off the cuff comments from the two winners. Back in the studio, Judy Bailey and Simon Dallow enjoy Boyed's creativity. Boyed went on to present current affairs show Q+A, and late night news bulletin Tonight. After his death on 20 August 2018, tributes flowed in from across New Zealand.
This edition of the National Film Unit’s long-running monthly magazine series features a diverse line-up. The first report covers the opening ceremony of the meeting house at Waiwhetu Marae, Lower Hutt, where Prime Minister Walter Nash and Sir Eruera Tirikatene receive the pōwhiri and haka. Then it’s a canter to Auckland’s 1960 Pony Club Championships; before flowing down south for the diversion of the Waitaki River in the Otago town of Otematata, as part of the Benmore hydroelectric scheme: a massive earth dam destined to be the “powerhouse of the South Island”.
In this 1985 Colenso commercial, a Creme Egg is a guilty pleasure behind raised desk lids for two school kids. Courtesy of some smooth copywriting, the narrator lets on that the cherubic girl and devious boy are doomed by the “smooth shell of Cadbury dairy milk chocolate and the irresistible creamy flowing yolk that will ultimately give them away!” The Murray Grindlay composed chorus “don’t get caught" (with egg on your face) entered Kiwi pop culture. Variations of the commercial ran until 1996; in 2016 stuntwoman Zoe Bell later shared her fondness for the product on Instagram.
This episode of the kids' TV institution celebrates te reo — one of Aotearoa's three official languages — for Māori Language Week. The July 2011 show opens at its Christchurch studio with a haka from Spreydon's kura kaupapa; from there the kōrero — and gunge — flows freely. Bursting with edifying energy it includes the show's trademark games, and The Wobblies, LOL and Family Health Diarrhoea. Australian Idol Stan Walker is the star guest and sings 'Loud' with Camilla the chimp, and NowTube visits an 80s What Now? (Steve Parr, Frank Flash et al). Tu meke tamariki!
“A film developed from the imagination of New Zealand children” is how director Tony Williams describes this remarkable, sprawling mix of drama and documentary. It features a fictitious teacher (writer Michael Heath) working with a class of 11-year-olds from Petone to explore what freedom means to them. At times their notions might seem naive but the film remains firmly non-judgmental. The free-wheeling approach, most memorable in the Paekakariki beach fantasy scenes, makes for a “wonderfully idiosyncratic” (film historian Roger Horrocks) hymn to juvenile freedom.
Before he achieved worldwide fame as an actor, Sam Neill directed documentary films for the National Film Unit. This film examines the philosophy, early achievements and frustrations of one of New Zealand's most innovative architects, Ian Athfield. Athfield won an international competition in 1975 to design housing for 140,000 squatters in Manila, in the Philippines, yet struggled to gain recognition back home. This film culminates in Athfield's trip to the Philippines to pursue the project. Shooter John Toon later memorably shot feature film Rain.
Rain evokes an idyllic 1970s beach holiday. But as the title hints, all is not sunny at the bach. Mum (Sarah Peirse) is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. Adapted from Kirsty Gunn's novel, Rain marked the acclaimed first feature for director Christine Jeffs. Invited to screen at the Cannes Film Festival, it won awards back home for actors Peirse, Alistair Browning and teenager Alicia Fulford-Wierzbicki. Neil Finn and Edmund Cake composed the soundtrack. LA Times critic Kevin Thomas called it "an important feature debut".
This documentary showcases some of the tricks of the trade used by Peter Jackson in the making of his first feature — the aliens-amok-in-Makara splatter classic, Bad Taste. Compiled following the film's 1988 Cannes market screening, it's framed around an extensive interview with a 25-year-old Jackson at his parents’ Pukerua Bay home. These excerpts offer fascinating insight into his ingenuity: from building a DIY Steadicam, to the making of the infamous sheep-obliterating rocket launcher scene, to PJ musing on the impetus that being an only child provided him.
This 76-minute documentary looks at efforts to restore the mauri (life spirit) of Northland's Lake Omapere, a large fresh water lake — and taonga to the Ngāpuhi people — made toxic by pollution. Simon Marler's film offers a timely challenge to New Zealand's 100% Pure branding, and an argument for kaitiakitanga (guardianship) that respects ecological and spiritual well-being. There is spectacular footage of the lake's endangered long-finned eel. Barry Barclay in Onfilm called the film "powerful, sobering". It screened at the 2008 National Geographic All Roads Film Festival.
This 1968 Looking at New Zealand episode travels to NZ’s third-largest island: Stewart Island/Rakiura. The history of the people who've faced the “raging southerlies” ranges from Norwegian whalers to the 400-odd modern folk drawn there by a self-reliant way of life. Mod-cons (phone, TV) alleviate the isolation, and the post office, store, wharf and pub are hubs. The booming industry is crayfish and cod fishing (an old mariner wisely feeds an albatross); and the arrival of tourists to enjoy the native birds and wildness anticipates future prospects for the island.